Subject:
calls x 71 pt 1
Message:
Group Show PEEPVIDEO - 6 Video Artists
Tribes Gallery
(New York NY)
A group show titled "PEEPVIDEO" 6 video artist that by chance documented something at that moment.
jgonzalez121@nyc.rr.com
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Proposals for Installations
Islip Art Museum
(East Islip NY)
The Islip Art Museum is seeking proposals for installations in its landmark Carriage House, The Long Island Center for Experimental Art. A $500 artist’s fee is awarded for selected proposals. Deadline for submissions: April 15. Proposal packages can be downloaded from the website: islipartmuseum.org. Inquiries can be emailed to info@islipartmuseum.org, or call or write: The Islip Art Museum, 50 Irish Lane, East Islip, NY 11730, 631.224.5402.
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Residencies
Byrdcliffe
(Woodstock NY)
Byrdcliffe Arts Colony. One-month residencies for artists. Beautiful, historic setting, secluded yet close to town of Woodstock, NY. Private room and studio space in rustic turn-of-century inn. Access to galleries, performances, hiking. $600 per four-week session. June-Sept. Deadline: April 1. Summer cottages also available May-Oct.; March 1 deadline. Send SASE to The Woodstock Guild, Artist in Residence Program, 34 Tinker Street, Woodstock, NY 12498. Website: www.woodstockguild.org/artres.htm.
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Slide Reviews
A.I.R. Gallery
(New York NY)
A.I.R. Gallery, located at 511 W. 25th St. N.Y.C., regularly reviews slides for new gallery artists in 2 categories: Artists based in the NYC area, National artists who live anywhere in the U.S. Please call the gallery at 212.255.6651 for information and application procedures. A.I.R. Gallery, founded in 1972, was the first gallery devoted to showing the work of women artists. You may learn more about the gallery on our website, www.airnyc.org.
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Residency
Art Omi Artists' Colony
(Hudson NY)
CALL FOR ARTISTS
The Art Omi International Artists' Colony offers visual artists three-week residencies in the month of July. The Arts Center is located approximately two and a half hours north of New York City in the historic Hudson River Valley. Artists pay for travel, materials, and donate a work of art created during the residency to the Art Omi Foundation Collection. The program includes a critic-in-residence who facilitates an ongoing dialogue in studio visits, as well as day visits from dealers, artists and critics from New York City. There is no application fee.
Deadline February 1, 2004 for July 2004 session.
For information, contact: Ruth Adams, Director, Art Omi International Artists' Colony, 55 Fifth Avenue, New York, NY 10003; fax (212) 206-6023; email artomicolony@hotmail.com; or visit www.artomi.org.
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Cooper Union School of Art Summer Residency Program
Cooper Union
(New York NY)
The Cooper Union for the Advancement of Science and Art invites applications from professional artists for The School of Art Summer Residency Program. Emerging and mid-career artists working in the fields of printmaking, photography, and painting and drawing are eligible. Artists pursue their ongoing work in an intense, three-week summer residency in New York City (June 5-26, 2004). Participants reside on campus and work in magnificent skylit studios and state-of-the-art facilities, unparalleled elsewhere in the world. A roster of renowned artists and scholars such as: Jim Dine, Jacqueline Humphries, Terry Winters, Gary Schneider, Vince Aletti, and Peter Schjeldahl, among others, visit to share their experience and insights in seminars and critiques. Additional events include trips to artists’ studios and galleries, and a group exhibition at The Cooper Union’s prestigious Houghton Gallery. For more information, including tuition, fees, and application procedures, please see: www.cooper.edu/artsummer or contact us at: artschool@cooper.edu. Application deadline: March 1, 2004.
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Franconia Sculpture Park Deadline
Call for artists Franconia Sculpture Park (FSP) is now accepting
proposals for the year 2004. Located on 16 acres in the scenic
St. Croix River Valley, 45 miles northeast of Minneapolis/Saint Paul,
MN, FSP supports emerging sculptors as well as upholding the work
of career sculptors. In FSP's first seven years, it has supported the
careers of over 220 emerging & mature regional, national and
international artists. FSP offers artists residencies for site-specific
work. Existing sculptures will also be considered for installation.
Opportunities for financial assistance include five-eight, $2,500-$5,000
FSP/Jerome fellowships. Offered for sculpture, installation, and/or
3-D Multi-Media. Visit www.franconia.org for more information.
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New York City Competition for New Streetlight Design,
Registration Deadline
New York City's Department of Design and Construction, in
partnership with the Department of Transportation, is pleased to
announce an international design competition for a new streetlight for
the City of New York. New York City currently maintains over three
hundred thousand streetlights within its five boroughs, and is seeking
a new streetlight design for the city in the twenty-first century. The
city intends to add the new design to the Department of
Transportation's Street Lighting Catalogue, continuing a tradition of
innovative street lighting begun more than two centuries ago.
REGISTRATION
To register for this competition, submit a completed Registration Form,
along with a cashier's or certified check in the amount of $100.00
payable to the NYC Department of Design and Construction.
Please mail the completed Registration Form (PDF) and check to:
City Lights Design Competition
c/o Ralph Lerner Architect PC
306 Alexander Street
Princeton, New Jersey 08540
SCHEDULE
Announcement of Competition: 5 January 2004
Materials Available to Competitors: 1 February 2004
Registration Deadline: 12 March 2004
Stage I Questions Deadline: 26 March 2004
Stage I Answers Posted: 2 April 2004
Stage I Submission Deadline: 14 May 2004
Stage I Jury: 25 May 2004
More information at:
http://www.nyc.gov/html/ddc/html/citylights/compete.html
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Ljubljana, Slovenija
Memefest
Memefest, International festival of radical communication
Calls are out for the Communications Studies and Sociology.
www.memefest.org
Read Cyberwar is Coming, a report from 1993 by John Arquilla and David Ronfeldt and with ten years of hindsight and communications theory under your belt, consider the predictions they make. How have concepts such as Cyberwar and Netwar manifested politically and culturally? How have activists, artists, and cultural thinkers claimed and manipulated these tools for the cause of social justice? How is society changing as a result? What's on the horizon?
There are two formats in which you can present your work:
1. Opinion piece:
The opinion piece must reflect a personal approach to the problems presented within the text but still approach the issues from a Sociological point of view.
Length: 5-7 pages;
Abstract: up to 100 words with 6 highlighted keywords.
On the title page, include your name and surname, field of study, e-mail, the title of the piece, an abstract and keywords.
2. Annotated academic article:
Evaluate the Arquilla and Ronfeldt text in light of recent academic work on the subject of information management and control. You may either support or contest their claims by citing writings from Sociology scholars. You may also present original independent research on the issue.
Length: 5-7 pages;
Summary: up to 100 words and 6 key words (in English also);
More on the website!
The call for the visual arts will be launched by the end of february.
Rok prijave: 21/05/04
Kontakt:
Memefest, Fakulteta za druÏbene vede
Oliver Vodeb
Kardeljeva plo‰ãad 5
1000 Ljubljana
Slovenija
tel: GSM / SMS: 00 386 41 388 190
fax: 00 386 1 5805 101
oliver@memefest.org
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Noordwijk, The Netherlands
Datum dogodka: 18-21 May 2004
Leonardo, European Space Research and Technology Centre (ESA-ESTEC)
7th Workshop on Space and the Arts
Call for Papers
http://buug.de/pipermail/spectre...
3Space: Science, Technology and the Arts2 is the theme of the 7th workshop on space and the arts which is being co-organized by the European Space Agency (ESA), the International Academy of Astronautics (IAA) and its Commission VI, Leonardo/OLATS and the OURS Foundation. It is scheduled to be held at ESTEC - ESA1s European Space Research & Technology Centre in Noordwijk, The Netherlands from 18-21 May 2004.
Since the birth of space exploration, artists and space scientists have inspired each other in the development of humanity1s space programs, regularly exchanging information, ideas and visions. Artists working with space subjects and themes invariably become heavily involved in both the physics and the technologies of space ú either as a muse, a metaphor, a subject or as a tool necessary for the development of their artistic creations. Artists, wanting to explore space on their own artistic terms, often must become very knowledgeable about the utilization of space technologies, materials, mechanisms and procedures in order to develop feasible art works and projects as such projects are subject to the same conditions and regulations governing scientific experiments designed for space. Such activities have broadened the idea of space exploration within the space community while making space exploration understandable in other ways and accessible by larger public.
Now that the International Space Station (ISS) is nearing completion, the ISS partners have begun to investigate how this orbital facility can be utilized, not only as a platform for scientific experimentation, but also as a platform for cultural exploration and expression. This creates a new opportunity and challenge for artists and other cultural professionals to work closely together with space scientists, engineers, technologists and administrators in developing new concepts, projects and strategies.
The 3Space: Science, Technology and the Arts2 workshop promises to be an important and pivotal event as it provides a unique opportunity for professionals in the space and the arts communities to meet, discuss and exchange new ideas related to the cultural exploration of space.
Objectives
The Workshop on 3Space: Science, Technology and the Arts2 aims to:
· provide a platform where new ideas and experiments relating to the interaction of space science, technology and the arts can be exposed and debated
· provide an environment where people, especially artists and other 3culture professionals,2 together with space scientists and engineers can exchange ideas and projects about space from the perspective of their unique backgrounds, education and experiences
· provide a meeting place where new space art and technology projects can emerge and new teams and partnerships can be built
· nurture a domain of space activities that is becoming more recognized in both the space community and in the mainstream art world
· disseminate the ideas and projects by publicizing the results of the event
Submission of Abstracts
Participation in the workshop will be limited to a maximum of 40 persons, and participants will be selected upon review of abstracts of presentations proposed for the workshop.
Abstracts, limited to one A4 page, should be submitted via the online form available at http://www.congrex.nl/04c20/
The abstract should be in English and include:
· Workshop name
· Title of presentation
· Name and affiliation of authors
· Full contact details of presenting author, including postal and e-mail addresses, phone and fax
The deadline for abstract submission is 29 February 2004.
Following acceptance a complete paper will be required and the author(s) will be invited to register for the Workshop.
Timetable
29 February 2004 - Deadline for abstracts
15 March 2004 - Notification of acceptance
20 April 2004 - Preliminary program
7 May 2004 - Deadline for papers
18-21 May 2004 - Workshop
Workshop Topics
Presentations can be about any aspect or issue related to 3Space: Science, Technology and the Arts.2 Since the scope of the Workshop is large, potential authors might like to consider submitting abstracts for papers addressing such topics as:
· the impact of space technologies on the arts and vice-versa
· the transfer of space technologies to art and design
· the role and involvement of space bodies in the arts
· designing art for the space environment - the requirements, the limitations
· synergies between the arts and space communities
· the interaction between space, arts and the public
· space and the new media arts
· using the arts to explore space
· the arts in orbit ú use of the ISS for artistic and cultural expression
Authors need not, of course, limit themselves to these topics.
Organization
The Workshop will begin with a Welcome Event on Tuesday evening 18 May 2004.
The three-day formal workshop will take place in the Einstein Room of the main ESTEC building on 19-21 May 2004 and will consist of oral presentations from both invited and contributing speakers.
There will be no charge for participation in the workshop.
Travel and accommodation expenses are the responsibility of each participant.
Visiting address:
European Space & Technology Centre
Keplerlaan 1
2201 AZ Noordwijk (The Netherlands)
Rok prijave: 29/02/04
Kontakt:
European Space & Technology Centre
P.O. Box 299
2200 AG Noordwijk
The Netherlands
workshop2004@arsastronautica.com
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Mainz, Germany
Datum dogodka: July 04
Akademie fuer Bildende Kuenste
INTERNATIONAL NO-BUDGET VIDEO/FILMFESTIVAL
With the theme "NO BUDGET" a variety of the starving Video/Filmscene shall be presented.
www.ohnekohle.at.tf
"NO BUDGET" is present in all patterns of cultural activities. The theme also includes the offensive struggle to be creative, without waiting for no longer-working structures of film-subsidiaries. The medium video shall be understood not only as an alternative to the long tradition of celluoid, but also in it´s unique aesthetics. "Film- and Videolook" will be concerned in the programming.
The festival ist supposed to offer a stage for all productions and producers who are unable to find broad resonance due to the economic situation of the cultural landscape. It aims at highlighting innovative ways and means that enable producers to nonetheless create amazing works.
It intends to stimulate the exchange of these innovative solutions before, during and after the festival. What is more, it ought not to be a festival where only a few works are exhibited and admired, but future works be propelled and prepared.
Besides the regular festival schedule there will ample opportunity to discuss future projects with colleagues and experts and to gather information and advice.
Regulations for participation:
1 open short film competition (all genres)
short movies up to 15 minutes are preferred!
Commercial productions, commissioned works and productions on contractual order are excluded. The displayed works must not have received substantial public subsidies. (Lend of equipment and compensation for material costs are not considered as subsidies - salaries for technicians and writers, however, are.)
Main criterium in the evaluation of the film is not mainly the film as such, but rather the relation between the circumstances of production and the final result, i.e. the innovation and creatvity of the producers enabling them to make a film with "No Budget".
2 Documentary Movies "No Budget" (no restrictions in length)
Commercial productions, commisioned works and productions on contractual order are excluded. The displayed works must not have received substantial public subsidies. (Lend of equipment and compensation for material costs are not considered as subsidies - salaries for technicians and writers, however, are.)
Main criterium in the evaluation of the film is not mainly the film as such, but rather the relation between the circumstances of production and the final result, i.e. the innovation and creatvity of the producers enabling them to make a film with "No Budget". Additionaly, choice of subject and and quality of investigation are also criteria of evaluation.
3 Special Theme "POVERTY": all genres, documentaries preferred
This is a special category for works dealing with the subject of poverty und its effects on society open also to commercial and subsidised movies. Main criterium for evaluation is the the handling of and reflexion on the subject.
4 extreme sports "no budget but balls"
Like categories 1 and 2:
Commercial productions, commisioned works and productions on contractual order are excluded. The displayed works must not have received substantial public subsidies. (Lend of equipment and compensation for material costs are not considered as subsidies - salaries for technicians and writers, however, are.)
Main criterium is the athletic performance. Still this does not mean that extremely risky stunts are evaluated higher since an accomplished cinematographic realization under consideration of the simplicity of the technical means is equally important.
Rok prijave: 15/04/04
Kontakt:
Akademie fuer Bildende Kuenste, d. Johannes Gutenberg Uni.
"Ohne Kohle" Video/Filmfestival
Am Taubertsberg 6
D-55099 Mainz
Germany
tel: 0049/6131/5888862
agbeckmann@web.de
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na Artservisu.
Norwich, United Kingdom
Norwich Gallery
EAST International 2004
EAST is an open submission exhibition, held annually at Norwich Gallery and Norwich School of Art and Design. There are no rules about who can apply.
Application fee L15 or Euro 25 or US$ 29.
Please note when applying:
• slides should be numbered 1 to 10 in the order you wish them to be seen. In the first round of the selection only 5 slides are viewed. In subsequent rounds all 10 slides are viewed.
• Artists working with film/video or sound should submit a 5 minute VHS tape; send slides with video only if essential to document installations. Please do not send video documentation of work in other media such as painting or sculpture.
Selectors: Neo Rauch, Gerd Harry Lybke
Razpisni obrazec
Rok prijave: 14/02/04
Kontakt:
Norwich Gallery
Norwich School of Art & Design
St. George St.
NR3 1BB Norwich, Norfolk
UK
tel: 0044 (0)1603 756250/756247
fax: +44 1603 615728
east@norwichgallery.co.uk
http://www.norwichgallery.co.uk/
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CALL FOR ENTRIES: Mountain Film Festival
Deadline: January, 26
The three-day Mountain Film Festival, co-hosted by the Salamanca Arts
Centre, will be held in the Peacock Theatre in Hobart from Friday 19
March until Sunday 21 March 2004. Screenings will include international,
national and local films, and as the name suggests, the focus will be on
mountains. Films will be selected by the organising committee on the
basis of artistic excellence and overall programming, ensuring that
those selected have some connection to the theme. There will be prizes
in three categories based on film length.
Find out more at http://www.if.com.au/events/2004/01/07.html#item6164
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CALL FOR SUBMISSIONS: OneDotZero, Adventures in Moving Image
Deadline: February, 28
Approaching its eighth annual edition onedotzero has travelled the world
with over 50 dates a year from Berlin to Madrid, Tokyo to Shanghai,
Prague to Mexico City and more. the largest independent digital film
festival it is
internationally recognised as the leading authority in this field, with
a reputation for pushing the boundaries of digital cinema and moving
image. Exploring the latest innovations in style, technique and
storytelling it comprises a range of boundary-breaking programming -
from the most stylish motion graphics to the edgiest pop promos, the
coolest japanese visuals alongside the most visceral computer graphics
and new wave of feature films. onedotzero is now looking for original
moving image work for onedotzero8. Please send your innovative moving
image work with your sub form for festival consideration.
Find out more at http://www.onedotzero.com
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CALL FOR SUBMISSIONS: Fado: Five Holes: Listen
Deadline: January, 16
An ongoing series examining the significance of the body and the senses
inviting artists to submit proposals for Listen!, the fourth
installment in the series. Mid-2004
Find out more at http://www.performanceart.ca
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CALL FOR WORKS: d>art04
Deadline: March, 1
d>art04 is the seventh edition of dLux media arts‚ acclaimed annual
showcase of Australian and International recent single channel, short
experimental digital cinema and video art works, web and sound art. This
year dLux media arts has introduced new screen categories: [1]
Australian Screen Category [2] Australian Emerging Screen Category [3]
International Screen Category, in addition to the Online Category and
Sound Category. Screen works selected will be screened at the 51st
Sydney Film Festival, 11-26 June 2004. Online and Sound works will be
exhibited during the two week period of the Sydney Film Festival.
Find out more at http://www.dlux.org.au/
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CALL FOR ENTRIES: Tape, 291 Gallery, London
Deadline: January, 12
Tape is an annual artists film & video/new digital media event dedicated
to showcasing the work of emerging artists, created specifically for
those who have either graduated within the last two years or are in the
final year of a B.A. Hons.
Find out more at http://www.tape291.com
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