Subject:
calls x 76 pt 1
Message:
Hello all, here are the calls, but first two public service announcements:
michael
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REALESTATE_FLASH_REALESTATE_FLASH_REALESTATE_FLASH_
GORGEOUS ROOM FOR RENT
LOS ANGELES
Move in February 15
Looking for a female roommate for huge three-bedroom two-bathroom apartment on the top floor of a lovely house. Preferably an artist or a musician to share with two very cool laid back chicks.Excellent Beachwood Canyon location. Walking distance from farmers market, coffee shops and groceries. Hard wood floors. Stainless steel kitchen with professional gas stove. Hand painted tiled bathroom. Lots of light and an avocado tree in the back yard. Share bathroom with one other roommate. 720$/ month plus last months rent and a 350$ security deposit. No pets. No smoking.
Call Elesia for more info: 323 304 3083 or
Heather 323 251 5444
REALESTATE_FLASH_REALESTATE_FLASH_REALESTATE_FLASH_
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INFORMATION_FROM_AND_ABOUT_YOUR_EDITOR_
First Person Update:
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First Person is screening in San Diego, Michoacan Mexico, and Mexico City.
Get your copy: http://theredproject.com/firstperson/
First Person just screened this last weekend in San Diego as part of Technika Radica's Powering Up/Powering Down conference at UCSD. (http://teknikaradica.org/conference) We were there, but sadly I was not able to get the calls list out in time to let you all know.
First Person will be exhibited in ArtExpo 2004 from February 7-28 at Centro Morelia, Michoacan, Mexico. This exhibition is curated by Luca Curci.
First Person will be exhibited from March 25th-April 8th at the Sala de Arte Publico Siqueiros (SAPS) in Mexico City. On April there will be a panel of lectures by Monica Mayer, a representative of SAPS, and Carla Herrera-Prats and Michael Mandiberg, followed by a reception.
What is first person:
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First Person is a collaborative curatorial project by Carla Herrera-Prats, Michael Mandiberg, and Anne-Julie Raccoursier. This curated DVD foregrounds 12 young video artists in Mexico City and Los Angeles who are working with their own bodies in a hybrid space between video and performance. The artists included are Arturo Castelan, Ximena Cuevas, Sharon Hayes, Carla Herrera-Prats and Julia Steinmetz, Justin Lincoln, Michael Mandiberg, Rodney MacMillian, Amaranta Sanchez, Anne Walsh and Natalie Zimmerman.
This project exists as an edition of 1000 DVDs, which we are currently screening and distributing. We have re-purposed the DVD's menu/scripting structure to create an interactive visual essay combining photographs, video, audio, and text. Our goal is to distribute the 1000 edition of this DVD to a broader audience, via screenings, festivals, and via our website: http://theredproject.com/firstperson/
How to get a copy:
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You can buy a copy online at http://theredproject.com/firstperson/
You can buy a copy in New York at The New Museum bookstore, and Printed Matter.
Further Inquiries
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Michael Mandiberg, Michael@Mandiberg, 323-668-0733
Carla Herrera-Prats, hpbambi@hotmail.com, 323-650-7657
INFORMATION_FROM_AND_ABOUT_YOUR_EDITOR_
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and now, the calls...
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LTTR IS OFFICIALLY ACCEPTING SUBMISSIONS FOR ISSUE #3
Our curatorial theme is PRACTICE MORE FAILURE
LTTR is a new art journal invested in feminist queer genderqueer projects.
The deadline is FEBRUARY 14th, 2004
Text submissions can be emailed to info@lttr.org
Visual work can be submitted in the form of slides or original.
We are also accepting proposals for projects and/or pages.
What does your heart desire? What's going on?
Run wild with your associations, those personal and those political
and those perverted. Those repeated, those refused, those golden...
Send submissions to:
LTTR c/o Ginger and K8
3rd floor
347 Kingsland Ave.
Brooklyn, NY 11211
USA
The format of the third issue is yet to be determined. It will be based on
the submissions we receive, so
get ready and go! Send us your proposal.
PLEASE FORWARD THIS EMAIL TO ALL INTERESTED PARTIES. Widely.
And ask questions to the editors at:
(emily) grandma6000@earthlink.net / K8@lttr.org / ginger@lttr.org
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review of first issue from Broken Pencil
LTTR (Lesbians to the Rescue)
art magazine, #1, 32 pages, New York City,
Riot Grrl didn‚t disappear, it just got its Ph.D. Is this a zine? Not quite.
Is
it an artists‚ project? Again, not
quite, and I‚m sure that the LTTR collective would be overjoyed at such
liminality. They represent a new
complex spirit in both feminist art and identity politics. Much has
changed in those worlds since the mid-
nineties and LTTR is a beautifully constructed starting point for
understanding those changes. Combining
screen-printing, full colour offset, photocopies and wonderfully playful
inserts, this is truly an expanding and
exploding media. Noteworthy, a door hanger with humping bunnies
made by ginger brooks takahashi.
Several written pieces discuss gender, lust, death and performance, but
this is a zine that speaks slowly
and quietly in images, not narratives; I like to think of them as text
pieces, not articles. Over a dozen
international artists contributed to this project (including JD Samson of
you know who). All are standouts.
One doesn‚t have to open to LTTR to figure out that they want to fuck with
your head and your ideologies;
on the cover is a beckoning invitation to serious reflexivity˜a lesbian
performance piece referencing David
Wojnarowicz who was referencing Arthur Rimbaud. LTTR are here to
play and want you to play along with
them. (Brian Joseph Davis)
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New grant line for documentary projects with immigrant/refugee youth
The California Council for the Humanities is currently soliciting
applications for its New Californians Story Project, a new grant line
with a one-time-only deadline of May 3, 2004.
The New Californians Story Project will support community participatory
photography/video projects with immigrant/refugee youth that result in
exhibits documenting the lives of contemporary California immigrants and
refugees. Grants of up to $15, 000 are available. Exhibits should take
place in April 2005.
The Council is particularly interested in projects exploring the
following themes:
*immigration to or arrival in California
*the challenges of becoming part of a California community
*the relations between newcomers and established residents
*the challenges of maintaining one's culture and adapting to a new one
*what it means to be a refugee or immigrant living in California today
We hope that the projects under the New Californians Story Project
provide opportunities for Californians to reflect on what it means to live
in a
state with a large population of immigrants and refugees.
View/download guidelines and application materials at
http://www.calhum.org/guidelines/guidelines_new_ca.htm. The application
deadline is May 3, 2004. Staff are conducting informational workshops
around the state in February and March. One will take place in LA on
Feb. 4, one in Ventura on Feb. 5, another in San Luis Obispo on Feb. 6;
workshops in Santa Barbara and Orange County will be scheduled for later in
the
month.
Call or e-mail me for more details or to make a reservation.
For information about the Council and its programs, visit
http://www.californiastories.org/
Felicia Harmer Kelley, Ph.D.
Senior Programs Manager
California Council for the Humanities
315 W. Ninth St. #702
Los Angeles, CA 90015
(213) 623-5993 - phone
(213) 623-6833 - fax
fkelley@calhum.org
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I'm looking for authors and photo collections for popular histories of Los
Angeles region neighborhoods and attractions. My name is Lee Hamovitz. I'm
a book editor for Arcadia Publishing, a publisher specializing in local
and regional photo histories. Check out the "local history" section of
your local bookstore to see some of our books.
As I say, Arcadia is actively seeking authors and photo collections for
photo histories on the various neighborhoods and attractions in greater
Los Angeles. It's my hope that there may be potential authors reading the
CultureNet list, or that people might pass this message along to potential
authors.
A little about Arcadia .....
We are NOT a vanity press. Arcadia specializes in producing photograph
filled books that document a local or regional history. A complete catalog
of our offerings can be found on our web site, ArcadiaPublishing.com. We
handle all aspects of the process, at NO COST to the author, whether
individual or organization. We finance the entire publishing process, from
editing to distribution, including publicity and marketing. Royalties are
paid to all authors, whether individuals or a heritage group. Our
editorial teams assist the authors from concept to printing, and our
marketing department promotes the book. We have established relationships
with the major bookselling chains.
If possible we generally like to work with an individual with access to
historical photographs and ephemera. This is our usual method and it works
out quite well for all. In some instances we also contract with a museum,
or heritage group. Since we pay royalties and offer free books to
authoring organizations, the books make excellent fund-raisers. Again,
Arcadia handles all aspects of the process at NO COST to the author,
whether individual or organization. Plus, we are adept at getting our
books onto the shelves of independent bookstores, as well as the larger
chains such as Borders and Barnes & Noble.
I'm happy to send a packet and sample book to anyone who has an idea and
resources for a book. They simply need to contact me with a mailing
address. Likewise, anyone with questions or suggestions should contact me
at the phone numbers and email address listed below. We are also pursuing
books on surrounding communities.
I hope this message is not too intrusive and that its subject makes it
worth the reading. During the early stages it's often necessary to contact
strangers to get a project off the ground.
Thank you for your time,
Lee Hamovitz
Editor, Arcadia Publishing
phone: 415-543-4467
fax: 415-543-4472
email: LHamovitz@ArcadiaPublishing.com
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Harn Museum of Art at the University of Florida
at the Cultural Plaza
University of Florida
http://www.harn.ufl.edu
contact: mbyawn@harn.ufl.edu
Curator of Photography
Harn Museum of Art at the University of Florida
The Harn Museum of Art, University of Florida, Gainesville, seeks a curator of photography. The museum currently houses a small but growing collection of photographs, including the work of retired professors Jerry Uelsmann and Evon Streetman and significant holdings of the work of international contemporary photographers. A dedicated endowment for photography acquisitions will be available to the new curator for development of the collection.
The museum has an established record of major photography exhibitions, including shows drawn from a local private collection of modernist photography. These exhibitions have included the work of the f.64 Group, Andre Kertesz, Henri Cartier-Bresson, Czech Modernism, Sebastiao Salgado, and Ansel Adams. The School of Art and Art History, with strong studio and art history programs in photography, provides opportunities for interaction with professional colleagues and collaborative educational programming.
The curator of photography will manage and develop the collection and related programs, focusing on early and modernist photography. Other responsibilities include preparation of installations from the permanent collection, conception and implementation of exhibitions and related publications, original research for publication, lectures for academic audiences and the general public, cultivation of donor relationships, and conception and development of grant projects in collaboration with the grant specialist and others.
A Master's degree in an appropriate area of specialization is required; a PhD in art history with specialization in the history of photography is strongly preferred. The successful candidate will have a distinguished record of scholarship and at least three years of curatorial experience dealing with research, acquisitions, exhibitions, and collaborative programming.
Submit letter of application, resume, list of references and academic and general audience writing samples. Reference LP#908650. Send materials to Mary B. Yawn, Harn Museum of Art, POB 112700, Gainesville, FL 32611-2700. Application deadline is March 31, 2004, or until the position is filled. If an accommodation is needed to apply due to a disability please call 352.392.4621, or the Florida Relay System at 1.800.955.8771 (TDD). AA/EA/EEO
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Palomar College, a community college located 30 miles north of San Diego
and 10 miles from the coast, invites you to apply for the position of
Assistant Professor, Art/Sculpture & Foundry. This is a full-time,
tenure-track, 10 month/year position scheduled to begin August 20, 2004.
The application deadline is March 26, 2004.
For required application materials and complete details, visit our website
at www.palomar.edu/HR or call our 24-Hour Job Line at (760) 744-1150 ext.
4181.
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The USC Hillel Gallery seeks Los Angeles based artists of 2-dimensional
media for consideration in its 2004/2005 exhibition schedule.
Interested artists should submit 10-20 slides and a CV to:
Zipporah Lax, Hillel Gallery Curator
USC School of Fine Arts
Watt Hall 104
Los Angeles, CA 90089-0292.
Materials must be received by March 1, 2004 for consideration in the
2004/2005 exhibition schedule.
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CALL FOR ENTRIES: The International Festival of Cinema and
Technology
The International Festival of Cinema and Technology is now accepting
entries for its 2004 annual
event. Past locations include Toronto, NY, LA, Paris and London. IFCT's
goal is to "discover the undiscovered film," and use new and emerging
technologies to showcase films.
Find out more at http://www.ifct.org
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CALL FOR ENTRIES: The Sweetest Taboo
Deadline: 19 March
Out of category, festival of experimental audiovisual work at STUK/Zed
Cinema, Leuven-Belgium 19 ? 24 / 04 / 2004. In its second edition, this
years festival will pay a tribute to EXPRMNTL., a long gone festival
Hors Normes founded by Jacques Ledoux, who also established the name
and fame of the Royal Belgian Film Archive in Brussels. This
experimental festival shook the foundations of the Casino of Knokke, a
Belgian bourgeois coastal town where it was held in the years
1963-1967-1974. Combining (your) new work and films of those remote
times, this festival wants to investigate if the agenda of the avant
garde of today (21st century) is still the same as it was back then.
The world has changed, did taboos and stereotypes shift or are they
still the same?
Find out more at http://www.zedcinema.be
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CALL FOR PAPERS: The Politics of Cultural Memory
Deadline: 16 April
A conference to be held at Manchester Metropolitan University 5 - 6
November 2004. The Conference is part of a collaboration between the
Centre for the Study of Location, Memory and Visuality (MIRIAD, Faculty
of Art and Design) and the Cultural Memory and Ethics Research Project
(Dept. of English). The Conference theme is designed to enable
productive dialogue across a range of disciplines including: Art and
Design History; Cultural Studies; English; Documentary and Film Studies;
Fine Art; Geography; History; Photography; Sociology, Visual Culture.
The Conference will focus on the dialogue between history, memory and
its varied forms of representation. It will address the different ways
that cultural texts represent the past in the present and in doing so
serve a range of political and cultural purposes. This conference seeks
discussion on the particularities of cultural memory, both in its theory
and practice, and their political ramifications.
To find out more email s.gartside@mmu.ac.uk
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CALL FOR PARTICIPATION: Haunted Media: Contemporary Art, Technology
and the Paranormal
Haunted Media: Contemporary Art, Technology and the Paranormal (working
title) is accepting submissions of contemporary artwork involving
technology in any
manifestation exploring issues of the paranormal or occult. Haunted
Media will present contemporary artists whose work employs modern
communication technologies (photography, film, video, radio, internet,
computers) to explore culturally inbred questions/superstitions
concerning parallel worlds to our own. Since the invention of the
first communication technologies in the late nineteenth century, we have
always suspected or been afraid that there is something lurking within
the electronic devices
that surround us. Whether it is conspiracy theories of alien invasion
or age-old tales of haunted houses, believers and skeptics alike have
employed technology to prove or debunk stories of these visitations.
To find out more email studiojane@thesweepers.com
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First Independent Vilnius Video & Short Films Festival, Lithuania. Deadline: 29 February. For more information please contact Paulius Petraitis at leavemealoneinthe@night.lt
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Machinista 2005, Glasgow, Scotland. A yearly unmediated open submission exhibition of creative and technological innovations relating to the ideas of "artificial intelligence in the arts" and "new human-machine interactions". Deadline: 28 February. http://www.machinista.org
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CALL FOR SUBMISSIONS: LAB
Deadline: 15 February, 2004
The LABoratory Exhibition of Experimental Film & Video is a film
festival dedicated to experimental film shorts, installations, and live
sound and image performance. The LAB currently seeks submissions for its
upcoming exhibition, April 16-18, 2004, in Salt Lake City, Utah.
Find out more at http://labexhibition.com
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CALL FOR SUBMISSIONS: Chicago Underground Film Festival
Deadline: 1 May
The Chicago Underground Film Festival is now accepting submissions for
our 11th annual event.
Find out more at http://www.cuff.org
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Press Play: Visions of Excess, Pittsburgh, USA.. Press Play video series seeks video shorts about extreme indulgence and Excessiveness. Deadline: 1 March.
http://www.press-play.web1000.com
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East End Academy, Whitechapel Gallery, London. Call for Entries. NB Open to professional artists who live or work in East London and who are no longer in higher education. Deadline: 27 February. http://www.whitechapel.org/eea
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Worldwide Short Film Festival, Toronto, Canada. Deadline: 23 February. http://www.worldwideshortfilmfest.com/
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ARCIPELAGO 12, International Festival of Short Films & New Images, Rome, Italy. Deadline: 16 February. http://www.arcipelagofilmfestival.org/
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Circuito Off. Venice International short film festival, Italy. Deadline: 7 March. http://www.circuitooff.com
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FORUM artist-led peer critique sessions, Artquest, London. Artquest is establishing and supporting FORUM, a pilot programme of monthly group meetings by artists, for artists. Artquest is seeking 4 London-based established artists / designer makers willing to administer each group, organise monthly sessions and find members. Deadline: 5 March. http://www.artquest.org.uk/forum/
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Kamiyama Artist in Residence Program, Japan. Deadline: 29 February. http://www.town.kamiyama.tokushima.jp/kair/index_eng.html
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ARTSWAY PRO(DUCTION) RESIDENCIES 04, Sway, Hampshire, UK. Visual artists are invited to submit proposals for two production residencies in 2004. Deadline: 23 February. http://www.artsway.org.uk/
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MEDIA STUDIES TECHNICIAN
# 333
Hourly Rate: Competitive and commensurate with qualifications. Excellent
benefits.
Regular, part-time, nonexempt position (nine months) working 20 hours per
week, September through May. Work will be conducted during evening hours
and may vary due to the needs of the department.
Essential Functions: The Media Studies Technician assists with the
installation, upkeep and repair of video, film and computer assisted
equipment in the Media Studies Department. Consults with, advises and
instructs media studies students regarding system operations. Assists with
providing technical presentations. Maintains equipment inventories, checks
out equipment and maintains records. Supervises student employees.
Required Knowledge, Skills and Abilities: Basic technical skills and
knowledge of equipment related to media studies department. Three or more
years of related experience with at least one year of experience operating
analog and digital video production (specifically Final Cut Pro on the
Macintosh platform; Adobe software, Macromedia software, and ProTools a
plus), media compression/streaming media, and 16mm/Super 8 film, as well as
both analogue and digital post production equipment in a creative academic
setting. Knowledge of Photoshop, Illustrator, After Effects, Flash,
animation and sound editing programs a plus. The ideal candidate should
have a degree from a film & video or art program; experience as a media
maker is a plus. Ability to troubleshoot, repair and maintain media related
equipment. Ability to interact well with diverse student groups and work
effectively in a tutorial setting. Preference will be given to applicants
who are working artists in the media fields who can bring a personal
experience and energy to the position. Also to those who have graduated
from a film/video/media program who feel comfortable with the demands and
pace of an academic environment; or to applicants with an excellent match
of experience necessary to perform the desired and essential functions of
this position. Knowledge of safe work practices as it pertains to
equipment operation and repair. Ability to bend stoop and lift heavy
equipment. The successful candidate must undergo a full background check
and employment is contingent upon satisfactory results.
To Apply: Send application and resume to Enid Baxter Blader, Media Studies,
Pitzer College, 1050 North Mills Avenue, Claremont, CA 91711.
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PHOTO SHOOT PRODUCER. Coordinate, plan, execute photo shoots,
negotiate rates, draft budgets, send out contracts, secure locations,
assist photo/art depts. Req 3 yrs photo exp, strong communication,
diplomatic skills, know photo industry. Resume/ltr/sal req to Ms. Adi
Hess, Shape Magazine, 21100 Erwin Street, Woodland Hills, CA
91367; fax 818-884-0371; e-mail ahess@amilink.com.
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www.auntbeep.com is an online boutique showcasing fresh, talented Los
Angeles designers and artists.
Currently I am taking submissions from Fine Artists for possible placement
on the site, as well as participation in future group shows and Aunt Beep
offline events. Please take a look at www.auntbeep.com and send a letter
of interest WITH JPG's to: tracey@auntbeep.com
Sorry, no nudity will be considered.
Thank you!
Tracey (Aunt Beep)
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Museum of Contemporary Cinema Foundation Grant, Madrid, Spain. open to experimental films, as well as experimental film installations and performances. Two grants, in the amount of 2,000 Euros each, will be awarded this year. Deadline: 31 March. http://www.m-o-c-c.com
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Kako prijavim javno prireditev?
Kako do statusa samostojnega ustvarjalca?
Kako registriram zavod ali dru‰tvo?
Kak‰ne so davãne olaj‰ave za donatorje in sponzorje?
opozorilo
Dodaj na svojo stran!
na Artservisu.
Milano, Italy
A.I.A.C.E, Milano
Invideo (International Exhibition of Experimental and Art Video)
CALL FOR ENTRIES
www.mostrainvideo.com/invideo/english/invideo
RULES
The next exhibition of Invideo, organized by A.I.A.C.E., will take place at Spazio Oberdan in Milan (Italy), Largo Vittorio Veneto 2, from 10th to 14th November 2004;
Exhibition concerns no fictional works: video art, documentaries, audiovisual experimentation with the other arts: painting, photography, cinema, dance, poetry, music, literature and electronics works whose production has been made in 2003-2004;
There's no limit of lenght or medium, but works must be shot and/or edited in video;
Pre-selection tapes must be in VHS and will be judged by Invideo's Selection Committee;
Videos selected will be screened in the exhibition in their original medium (preferably in Betacam SP PAL or DVD-R) and included in the catalogue; most will be acquired with a specific agreement for Invideo video library;
Unless an adequate stamped-addressed envelope or international reply coupon is enclosed, VHS preview copies won't be sent back;
Works sent must be accompanied by the fully completed call for competition entry form and by the following documentation: synopsis, technical fact sheet, videomaker's bio-filmography/c.v. (with date and place of birth), photographs; the completed call for competition entry form, should also be sent by e-mail.
All parts of the call for competition entry form must be correctly completed, otherwise the video will not be considered for final selection.
Rok prijave: 18/06/04
Kontakt:
AIACE-INVIDEO INVIDEO c/o Medialogo
Via Guicciardini 6
20129 Milano
Italy
tel: +39-2-76115394
fax: +39-2-75280119
info@mostrainvideo.com
www.mostrainvideo.com
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Job Posting - Art Workshop Facilitator
Job Description: J.U.i.C.E., a popular hip-hop focused youth center,
seeks an Art Workshop Facilitator.
The Art Workshop Facilitator will be responsible for coordinating and
teaching an eight-week art workshop for youth including, but not
limited to, the following:
·the history and culture of murals
·the significance of public art in Los Angeles
·the history and importance of graffiti art
·basic artistic skills necessary for the painting of a neighborhood
wall, including use of color, composition, grid drawing, shapes, etc.
·career opportunities in the visual arts
The Facilitator will also be responsible for assisting with the
following:
· the procurement of community walls for painting
· coordination of the painting of the walls by workshop students
· designing, planning, and promoting ceremonial community unveilings
of the walls
· contacting students and conducting pre- and post- class evaluations
· promoting the program and recruiting new students
· procuring ongoing funding for the art workshops
Organization Description: J.U.i.C.E, a hip-hop focused community
center, is a project of Community Partners, a 501(c)(3) organization.
J.U.i.C.E. opened on Thursday, June 14th 2001 and continues to
operate every Thursday during after-school and evening hours.
J.U.i.C.E. provides the facilities, equipment, and training necessary
for young people to develop and expand skills in breakdancing, mural
art, deejaying, and emceeing as well as in music recording. Youth of
all ages are invited to attend, and all programs, other than music
recording workshops, are free. Currently, about 100 participants
attend every session of J.U.i.C.E.
The mission of J.U.i.C.E. (Justice by Uniting in Creative Energy) is
to address the root causes of juvenile crime and of youths' need for
belonging by providing a safe center run by and for young people,
focused on skill building in the arts surrounding hip-hop culture:
word, music, art, and dance.
The eight-week Art Workshop provided by J.U.i.C.E. is open to all
young people and students have ranged in age from eleven to twenty-
six. The program is free, but participants are required to attend all
sessions. The workshops culminate in the painting of a community wall.
Qualifications: The ideal candidate will be passionate about working
with youth through the arts of urban expression. Must be an
experienced artist and have at least some background in mural and
graffiti art.
Seeking a very responsible individual with extreme dedication and
enthusiasm. Knowledge of hip-hop culture, prior teaching experience,
a plus. Priority given to individuals with working knowledge of the
public arts in Los Angeles, including mural permitting and funding.
Position Type: Part time
Education requirements: 4 year degree or equivalent experience
preferred.
Compensation˜Variable. Approximately $50 per work session (4-5
hours). Hours are Thursdays, 6pm-8pm, plus two hours of prep per
week, + occasional weekend hours.
Application Instructions: Please email resume and cover letter to
represent@rampartjuice.com by February 1st and attach any relevant
materials such as references or photos of past work.