Subject:
calls x 76 pt 4
Message:
For a future online exhibition, greenmuseum.org is seeking artwork related to ideas and concepts associated with the Slow Food movement, agricultural land use, urban art gardens, and/or agricultural ecology. Please submit no more than 10 images (in JPEG format on CD or slides) and a project description (no more than 2 pages), along with a copy of your resume or C.V. and project statement via snail mail to the attention of: GardenArtExhib, greenmuseum.org, 518 Tamalpais Drive, Corte Madera, CA 94925, USA.
Please note: the submitted materials will not be returned and will be kept at greenmuseum.org for future reference. If your work is selected, copyright permission for publication in this online exhibition will be requested.
Deadline for submission: Friday, February 29, 2004
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South Hill Park is currently programming for the Bracknell Gallery and is looking for submissions for a possible digital arts exhibition for the following dates: 25 September ñ 7 November 2004.
Artists, who have digital artwork and are interested in the possibility of an exhibition, are invited to send an exhibition proposal, with examples of your work, with CV, statement and budget of exhibition.
Deadline for submissions is 1 March 2004
Please send proposal to: Bracknell Gallery, South Hill Park, Ringmead, Bracknell, RG12 7PA, England or email fiona.heathcote@southhillpark.org.uk
http://www.southhillpark.org.uk
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The Chicago gallery Bodybuilder & Sportsman is curating a year of video and flash shorts to be featured on their website. We are interested in animation, performance, and other time-based works. Baffle us. There is no theme, but each entry should be no more than 3 minutes. Please send << urls only >> to huong@huongngo.com along with your name, title of work, url, and your website if applicable.
www.bodybuilderandsportsman.com
DEADLINE FOR SUBMISSIONS: February 15, 2004
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Digital Visions is a juried virtual on-line exhibition co-ordinated by emergent artists and curators at the University of British Columbia, Canada.
This is an opportunity for artists to show new or experimental new media, online and digital artworks in Canada. The Digital Vision committee would like to invite artists to submit work for review by February 28, 2004. Late submissions may be considered until March 5, 2004.
All selected artists will be featured in an online catalogue. Please see submission guidelines at
http://www.ontherundesign.com/
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Call for Proposals
Hilchot Shchenim,chapter II
The Israeli Center for Digital Art
Digital ArtLab
info@digitalartlab.org.il
16 Yirmiyahu st,
Holon 58373,Israel.
www.digitalartlab.org.il
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During the coming year,the center will oversee three projects under the name
ìHilchot Shcheinim"-Lows for neighbors (a reference to the laws of division
of
property and boundaries codified by the Rambam in his "Mishna Torah",a
commentary on the Torah
This exhibition came from a desire to catalyze the discourse on the influences
of
digital technologies on contemporary culture in general and Israeli society
in
particular,and out of a recognition of the need to create a platform for
communications between artists,activists,media people,film makers,and the
general
public,
Hilchot Shcheinim is comprised of three main exhibits,each accompanied by
video
screenings,lectures,performances and workshops.The exhibits will act as a
laboratory for ideas about art and media and the marketplace and exchange,and
will
examine the manner in which social,cultural and technological
changes,influence art
and artists.
The Hilchot Shcheinim events should be apprehended as an up-to-date source of
information that offers a panoramic view of our lives via the combination of
the
language of art and the tools of contemporary culture,the various
media,politics,and
the economy.
2
Project I:December 2003 -February,2004
The first chapter opened on Dec.6th and is still on until Feb.28th.We consider
it to
be an initial step towards the formation of a regional,cultural network that
will serve
as a stage for both artists and researchers for establishing relations with
their
colleagues from countries in the regions by means of a combination of the
language of
art with tools of modern day culture,various modes of communication,as well
as
using universal tools of communication and exchange in order to assign their
activity
broader contexts and support.
Project II:April-June,2004
Will focus on tactics and strategies used by artists,groups of
artists,activists,
and non-governmental organizations (NGOs)to create cultural networks and
cooperation.The emphasis will be on the ways in which capitalism and the
globalization movement shape the media and the use that artists make of media
technologies in their work.
Project III:September -November,2004
We will attempt to diagram life in the world of the Empire
-Globalization,proposing
the Internet as a positive model for globalization.Not only is the Internet a
model
wherein the countries of the world,giant corporations,political and social
organizations,and individuals are equal,but it is a model of a decentralized
network
without centralized control or enforcement that cannot monitor either the flow
of
information or number of its ìcitizensî.Moreover,it is a virtual,apolitical
structure
with a weak capacity for control that is vulnerable to disruptions,ìstreet
actionî,and
revolts,yet it does not collapse as a result.At Hilchot Schcheinim III,we
will
attempt to examine how a vision of such a world is conceived of by artists,and
what
the effects are of such a world on the art realm.
Visual artists,media artists,musicians,activists,and collectors are invited to
propose
projects.Preference will be given to artists working in the Middle East and
the
Mediterranean.
Proposals for projects for Hilchot Shcheinim II must be sent by February 28,
2004 along with the accompanying form.
3
1.Type of work/project
2.Title
3.General Details
Organiza tion/Institution
________________________________________________________
Na me
________________________________________________________
Street
________________________________________________________
Zip Code City
_________________________________________________
State Country
_________________________________________________
Tel F ax
_________________________________________________
E-mail U RL
_________________________________________________
4.Media
(VHS,S-VHS,PAL,NTSC,SECAM)___________________________
Digital (Mini-DV,CD-ROM,DVD,Floppy,Zip)____________________
4
Operation System (Windows,Linux,MacOS,Other)_______________
An Internet Project at http://__________________________________
System Requirements (software,hardware)______________________
Other Media ______________________________________________
5.Production
Country of production ________________Year ______________
6.Additional Materials
Please add additional materials and mark here:
Description ____Documentation ____Photographs ____Costs/Budget ____
CV ____Other ____
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LOCATIVE MEDIA WORKSHOP (pixelACHE 2004 Festival)
29th March - 2nd April
The deep-local Helsinki culture of mobility, systems and networks is
manifested at the site of Rautatieasema (Railway Station). With it's
interior, exterior, surrounding subterranean public-spaces, it is a
centrepoint of urban Finland; A cartographic and temporal framework for
partings, convergences, paths and destinations, all wrapped up in objective
data and personal story. The tangible, intangible, physical and informatic..
The static and mobile..
INTRODUCTION
The Locative media workshop held during pixelACHE 2004 Festival is the first
event in the series of 6 "Trans-Cultural Mapping" workshops initiated by
RIXC Centre for New Media (Riga, Latvia). Each workshop will have a specific
focus on outskirts and interregional networking, in the context of an
enlarged Europe. An additional goal is to discover specific, deep and
relevant layers of the local cultures, involving specific local communities
in the process.
http://www.rixc.lv - http://www.pixelache.ac
Locative media may be understood to mean media in which context is crucial,
in that the media pertains to specific location and time, the point of
spatio-temporal 'capture', dissemination or some point in between. The term
locative media has also over the last year been associated with mobility,
collaborative mapping, and emergent forms of social networking.
http://locative.org - http://locative.x-i.net
CALL OF INTEREST
The first workshop of the series will aim to explore and share locative
aspects of documentation, context and content. A small international group
of media artists, performers and researchers (8-12 persons) with tangential
experience of 'locative' documentation, covering different disciplines are
invited to attend. It is hoped this will include approaches ranging from
textual, sound, digital film, GPS, performance, architecture, and
archaeology, including recent/current locative media projects.
A large portion of the scheduled workshop time will be dedicated to
exploring activity/interaction in the specific and surrounding locus of the
Rautatieasema (railway station) of Helsinki city centre. Participants are
encouraged to bring their own desired technologies, although mobile
equipment will hopefully be available for use. For those interested, it may
be arranged for non-local persons to work with participants who benefit from
local knowledge of the area, situated culture, relevant systems etc.
Workshop activity can potentially engage with the pixelache 'signal|process'
workshop and exhibition coordinated by Sophea Lerner with Centre for Music &
Technology and MUU ry. The event takes place 15th March - 2nd April and
explores the sonic landscape in the local area, sharing similar themes with
the locative media workshop. More information at
http://cmt.siba.fi/masa/projects/sp
As part of the multidisciplinary exchange of method, a portion of the
workshop will be structured with key presentations based on the participants
previous/current projects. These presentations will be open to interested
public. The coordinators of the other 'cultural mapping' project partner
organisations - RIXC/Riga, TEKS/Trondheim, LORNA/Reykjavik, ELLIPSE/Paris,
Projekt Atol/Ljubljana - will also be invited to participate, sharing their
plans and objectives of the workshop series to the group.
Further towards the end of the week, with the beginning of the Pixelache
festival programme, there will be an opportunity to re-present some of the
workshop activity as a presentation or a performance to the public either at
MUU Gallery or in Kiasma Museum of Contemporary Art.
The results of the whole workshop series will be presented in an
exposition - 'Cultural Mapping Fair' - consisting of public interactive
installations and other documentation. This exposition will take place
during the 'Art+Communication' festival in Autumn 2004 in Riga, Latvia.
PARTICIPATE IN THE WORKSHOP
If you are interested in participating in the first locative media workshop
of the series, please contact the organisers at locative@pixelache.ac before
Friday 6th Feb 2004!
Travel and accommodation costs will be covered for all selected
participants, as well as per diems and necessary equipment and material
costs.
In due course, further details regarding program etc will be available at
http://www.pixelache.ac/locative/
ORGANISERS
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Who’s Afraid of Blue, Red and Green? is an online competition and public art project by
multimedia Austrian artist Günther Selichar. From January 21 – March 31, participants will be
asked to design 15-second abstract animations in an exercise designed to explore the elementary
visual building blocks of digital display screens: the colors blue, red, and green. The online
competition is presented in collaboration with the Landesmuseum in Linz, Austria, host of a
concurrent exhibition, January 21 – February 28, 2004 of Selichar’s work.
Who’s Afraid of Blue, Red and Green? is a direct reference to Barnett Newman’s abstract
expressionist painting, Who’s Afraid of Red, Yellow and Blue? (1966-70), one of several
paintings, including the “Zip” series, in which Newman explored the nuanced relationship
between proportion, scale, and color. Drawing inspiration from this investigative process,
Selichar’s Who’s Afraid of Blue, Red and Green? charges participants to employ traditional
painterly compositional criteria on a display screen as opposed to canvas.
A jury consisting of the artist, curators, academics and others in the creative community will
select three winners to be notified in May 2004. The winners will be screened in rotation in
Creative Time’s ongoing series, The 59th Minute: Video Art on the Times Square Astrovision by
Panasonic as part of a group show of interactive projects in Times Square from late June through
September 2004.
We hope to disseminate information on the competition broadly, both nationally and
internationally, and thought that, in particular, Thing.net/Radar readers might be
interested in participating. If this project interests you, we would be happy to send you
information and links to the competition.
Thanks for your time and consideration.
Sarah Bacon
Director of Communications
Creative Time - art where you least expect it
307 Seventh Avenue, Suite 1904
New York, NY 10001
T 212.206.6674 x 205
F 212.255.8467
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Bruce Mau Design and the Institute without Boundaries want to publish your images!
We are working on an ambitious, international project entitled "Massive Change: The Future of Global Design." This is your chance to become part ofthe Massive Change project.
We are seeking images that document how design is being applied to all aspects of life, including: transportation, housing and urbanization, health, energy, manufacturing, imaging and information technologies, materials, markets, and the military. We are looking for images that demonstrate the emerging power and promise of design in the contemporary world.
Selected submissions may be included in one or more of the following: a book published by Phaidon Press; an internationally touring exhibition opening in October 2004 at the Vancouver Art Gallery; a website at massivechange.com;and other project applications including a documentary film.
Read more about the Massive Change project and image submissions at:
http://www.massivechange.com
The deadline for submissions to be included in the book published by Phaidon
Press is Friday, February 6, 2004.
Specifications: We are accepting both digital files, prints and transparencies. Please note that submissions will not be returned. Low resolution files are acceptable as we will follow up to obtain a higher resolution image as necessary.
Send your image submissions to:
Massive Change Editors
Image Submissions
197 Spadina Avenue, Suite 501
Toronto, Ontario
M5T 2C8 Canada
Email: editors@massivechange.com
(Please try to keep attachments below 2 MB)
WHAT ARE WE LOOKING FOR?
We want images of extraordinary breakthroughs and discoveries that are transforming our world. Images of commonplace objects and innovations that have changed our everyday lives. Images that demonstrate utopian and dystopian possibilities.
GLOBAL DISASTERS
Chernobyl
Black Monday
Earthquakes
Plane crashes
Oil fires
Floods
1997 Ice Storm
2003 Blackout
SARS
AIDS
9/11
MOVEMENT
Traffic around the world
Sustainable and mass transportation systems around the world
Bus Rapid Transit system (BRT) in Curitiba, Brazil
Bicycles in Bogot·, Columbia
Cars and bicycles in Shanghai, China
Car Free days
People and their cars
Personal mobility experiments (jetpacks, flying cars, etc.)
Bullet Train in Japan
Maglev in China and elsewhere
ENERGY
Sustainable energy
Windmills
Solar energy
Artificial photosythesis
Fuel Cells
Sterling engines
Biomass stoves
Three Gorges Dam
Large-scale energy projects
URBAN
Mobile homes
Suburban images
Skyrises
Tokyo Sky City
Taipei 101
Portofino, Italy hillsides
Tijuana, Mexico hillsides
INFORMATION
The Internet
Famous code, e.g. the linux kernel
The grid, i.e. Distributed on-demand computing
Network images
Air traffic control
Mapping projects of global phenomena, such as CFCs (the ozone hole), biodiversity, etc.
Interfaces where the visual meets the real
MILITARY
Trade shows
Civilian hobbyists
Applications designed for the military and used in everyday life
Civilian applications adopted for the military
Surveillance and new ways of seeing: Synthetic vision, Infrared technology, etc.
Strategy, specifically, historical images of "the art of war" - both action shots and portraits of great military strategists, like Julius Caesar, Sun Tzu, Macchiavelli, Che Guevara, etc.
HEALTH & LIVING
The human genome
Genetically Modified Organisms (GMOs)
Bio-engineered food crops (protato, tomato vaccine, golden rice)
Designer drugs
Telesurgery
Drug delivery systems
DNA double helix
Water supply and sanitation
MATERIALS
Carbon nanotubes
Nanotechnology
Smart materials
Old comic books with metals and other elements represented as superheroes
Biomimetics , specifically, lab images from materials scientists who specialize in BioSteel
Scanning Tunneling Microscopy
Atomic Force Microscopy
Albalone shells
High-tech ceramics
Spider silk
Artificial skin
MANUFACTURING
Assembly lines
Robotic car manufacturing
Just-in-time manufacturing
Green dot
Green cross
Digital tailoring
Mass customization
Industrial symbiosis in Kalundborg, Denmark
MARKETS
Stock market floor images
Global market images from Guatemala to Turkmenistan and beyond
Shipping containers
Images of credit cards and loyalty cards from all over the world
Wal-Mart
Barcode
RFID tags
NGOs
The deadline for submissions to be included in the book published by Phaidon
Press is Friday, February 6, 2004.
Terms of Submission
Massive Change is an international discursive project on the future of global design. The Massive Change Editors (Bruce Mau Design and the Institute without Boundaries) are researching, gathering and assembling information for use within this ambitious, multi-year effort, which will
take the form of a book, an international exhibition, a line of product, public events, a website, and a documentary film project. By submitting work, contributors are granting all rights to the Massive Change Editors to reproduce submissions in all project uses stated above. All authors and copyright holders will be given full credit for material that is published.
For further information:
http://www.massivechange.com
editors@massivechange.com
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JUST DO IT!
open call!!!!!
festival for newmedia and art
montenegro coast
from 24.03.1999-12.06.1999.
It's very heavy situation in culture and activism!
strong metaglobalmovement is happening all around planet!
political criticism is like waste of shit!
we can find together answers and solutions!
This people call for open call!!!!
this people are the last artist!!!
this people are new romantics!!!
and anarchists!!!
they are making internal streaming!
they are inside netart context!
they are bosses of wireless network communites!
they like theory and hypertext!
they are the owners from open source rights!
they are left, left oriented!!
......
and they like small children!!!!!
deadline for open call is 1.1.1999.
please send application, CV, and shit,
JUST DO IT!
you will get everything, food, drink, montenegro seaside, and nice time...
honorrar is 2000000000 YUdinars in cash for everybody!!!!
contact person
zampa di leone
zampa@various-euro.com
sponsored by:
museum for art&biznis montenegro MABM
all european cultural value protection institutes
albanian art collection industry AACI
and lot of important faces
just contribute!
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Greetings,
You're receiving this email because I'm hoping you can help me locate
artists who do activist and/or socially relevant work, and who would like
some free exposure in a national publication! In These Times magazine is
bringing back their "art page" feature, and has asked me to help them find
work to fill it. (For those who don't know me, I'm an independent arts
and culture writer and editor based in Chicago.)
Work should be reproducible in a 2-dimensional, 8 x 11 (roughly) format.
It can be original work, or photographs/documentation of performances,
installations, interventions, etc. - anything of which you can provide a
digital image or slide.
For those unfamiliar, here is ITT's description of itself from its website
(www.inthesetimes.org):
"In These Times is a national, biweekly magazine of news and opinion
published in Chicago. For 27 years, In These Times has provided
groundbreaking coverage of the labor movement, environment, feminism,
grassroots politics, minority communities and the media. In These Times
features award-winning investigative reporting about corporate malfeasance
and government wrongdoing, insightful analysis of national and
international affairs, and sharp cultural criticism about events and ideas
that matter."
If you are or know of artists or artist groups who might like to be
featured in this publication, please respond to or pass along this email
address, and please forward to anyone you think might be interested.
Thank you,
Kathryn Rosenfeld
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>> www.dingwelt.de
Exchange a thing with a story for a printed artwork ñ this idea is behind the German net art project DINGWELT [thing world] (>> www.dingwelt.de). DINGWELT [thing world] collects small and big things with a hand written story of their owners and stages them. Diverse things that wait in the cellar or are hanging around in the drawer, have now the chance on honour and are besides articles of exchange for digital art. You only have to take heart at separating yourself from a beloved thing...
The DINGWELT market offers 12 things with history as printed art works in an on-line catalogue. For example the "CUDDLY HARE M‹MMY, unwashed" the "SINCLAIR Zx-81, self tuned" or the "THAI-MINIBAG, eye catcher".
Everyone can select these picture articles and offer own used things for them in exchange by (package) mail. In principle anything is exchanged for the offered item, only a short, hand written history must be sent in with the exchange item. In return, the user receives the picture from the catalogue as signed, laminated digital print with a certificate.
The exchange market is free but the user can only take part once. For fans and collectors the limited edition ìDINGWELT deluxe BOXî is available. The Box set offers complete all 12 digital artworks and the 12 stories as laminated professional prints. 30 boxes, each print numbered and signed are published by KUNSTKOMMT! and available for 600 Ä each.
DINGWELT is a work-in-progress-project of the KUNSTKOMMT! artist team. The so called ìstudio for art and communicationî by Michelle Adolfs and Petra Mueller was founded in 1996and works on media art in the field of picture meaning, media communication and knowledge transformation.