Subject:
calls x 40 pt 1
Message:
2 FULL TIME VISITING POSITIONS IN PHOTOGRAPHY
The School of the Museum of Fine Arts (SMFA) is conducting a search for 2
fulltime visiting faculty positions in Photography for September 2005-2006. Our
department has a set of sequential courses as well as a variety of specialty
courses that meet our pedagogical goals in building skills as well as providing
a comprehensive cultural and political understanding of practices in the field.
We are seeking candidates who are flexible, smart, and capable of addressing a
wide range of issues, often beyond their discipline. While these are not
"split" positions between departments, the successful candidates are likely to
have skills in web design, new media, or some other area of expertise as well
as photography.
Candidates must demonstrate technical skills in traditional and digital
photographic mediums and possess an accomplished body of work. They should
demonstrate fluency in contemporary art, theory and practices in photography
based media. They must be able to address the cultural and political roles of
photography in history, mass media, and art contexts. Expert/Advanced digital
skills will be required for one of the positions.
The successful candidates will become part of an active and diverse photography
faculty. As two of eight full and part time faculty members the new positions
are expected to be flexible. The candidates must be able to teach all levels,
from beginners to graduate students. Our flexible curriculum requires faculty
to exchange teaching responsibilities from year to year, and to introduce new
specialty courses. New courses proposed by the candidate will be welcome.
These are entry-level positions. Required: MFA or equivalent experience;
previous college-level teaching experience; must be professionally active; an
interdisciplinary sensibility is an asset. These positions have the possibility
of renewal. The SMFA offers studio courses in diploma, undergraduate and
postgraduate programs. The SMFA is an equal opportunity employer. We are
committed to increasing the diversity of our faculty. Members of
underrepresented groups are strongly encouraged to apply.
Please send letter of application, statement of teaching philosophy, up to 20
slides and/or CD and/or up to 15 minutes of cued videotape, resume, sample
courses and syllabi and SASE. Include contact information for three references.
SMFA will have no liability in case of loss. Please do not send originals.
Send application to: Academic Affairs Office, SMFA, 230 The Fenway, Boston, MA
02115, Attention: Photography Search Committee. All applications must be
postmarked by 5 PM on March 4, 2005.
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Arizona State University Art Museum
Tempe, Arizona
9th Annual
Arizona State University Art Museum
Short Film and Video Festival
Complete history of the festival, guidelines for entry
and a complete list of the works that have been
screened at past festivals can be found online
at the following address:
http://asuartmuseum.asu.edu/filmfest
Deadline for Entering Work
Monday, February 14, 2005
FREE TO ENTER WORK - FREE TO ATTEND
Festival is scheduled to take place
SATURDAY, APRIL 23, 2005
8:00pm
We look forward to having you join us!
All the very best,
Arizona State University Art Museum
Tenth Street and Mill Avenue
Tempe, AZ 85287-2911
t. 480.965.2787
f. 480.965.5254
e. asuartmuseum@asu.edu
w. http://asuartmuseum.asu.edu
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Experimenta Vanishing Point - Call for Proposals
Deadline: 15 April 2005
Experimenta is now calling for Short Films, Videos, Animations, and
Interactive Projects.
September 2005 sees Experimenta VANISHING POINT come to life. Step through
the looking glass, unveil the extraordinary, and explore the enchanted
moments hidden within the fabric of our everyday lives.
Experimenta VANISHING POINT will include a major exhibition held at central
Melbourne venues including Blackbox at the Arts Centre, and screening
programs at the Australian Centre for the Moving Image.
Experimenta is calling for completed interactive media projects, new media
projects, and short films, videos, animations that embrace the theme of
enchantment and illusion.
Intrigued?
For information and application forms, please email charity@experimenta.org
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February 28 Residency
The Kamiyama Artist-in-Resident (KAIR) program,
Japan
web:www.town.kamiyama.tokushima.jp/
kair/index_eng.html
email: kyoiku@town.kamiyama.tokushima.jp
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RHIZOME.ORG NET ART COMMISSIONS
CALL FOR PROPOSALS
+ Deadline for proposals: March 23, 2005 +
Rhizome.org is pleased to announce that with support from Greenwall Foundation, the Jerome Foundation, the Andy Warhol Foundation for the Visual Arts, and the National Endowment for the Arts, between eight and ten new net art projects (works of art that are made to be experienced online) will be commissioned in 2005.
The fee for each commission will range from $1,500 – $3,500.
Rhizome.org is an online platform for the global new media art community. We are committed to supporting the creation, presentation, discussion and preservation of art that engages new technologies in significant ways. We emphasize innovation and inclusiveness in all of our programs and activities.
Artists are invited to submit proposals for new works of internet art. There is no required theme, but these works must be made to be experienced online, thus viewers/participants/players should be able to access the projects online, whether through a web browser, software, or some other use of internet technologies.
When evaluating proposals, the jury will consider artistic merit, technical feasibility, and technical accessibility.
Although we will provide some technical assistance with final integration into the Rhizome.org web site, artists are expected to develop projects independently and without significant technical assistance from Rhizome.org.
+ How to Submit a Proposal +
The jury will only consider proposals from members of Rhizome.org. To sign up for Rhizome membership, please visit: http://www.rhizome.org/preferences/user.rhiz?action=1&new=user
There are two parts to proposal submission:
1. You must create a proposal in the form of a web site that includes the following key elements:
+ Project description (500 words maximum) that discusses your project’s core concept, how you will realize your project and your project’s feasibility. If you plan to work with assistants, consultants or collaborators, their roles and (if possible) names should be included.
+ You are encouraged, but not required, to include a production timeline and a project budget, which should include your own fee. If you have other funding sources for your project, please indicate this in your budget.
+ Your resume or Curriculum Vitae. For collaborative groups, provide either a collective CV or the CV’s of all participants.
+ Up to 5 work samples. Note: More is not necessarily better. You should include only work samples relevant to your proposal. If your proposal has nothing to do with photography, don’t include images from your photography portfolio. Please provide contextualizing
information (title, date, medium, perhaps a brief description) to help the jury understand what they are looking at. The work sample can take any form, as long as it is accessible via the web.
When designing your web-based proposal, please note that the jury will have limited time for evaluations, so try to make your site clear and concise.
When your web-based proposal is complete, you are ready for Part Two of the proposal process:
2. Submit your proposal for a Rhizome.org Net Art Commission via an online form at http://rhizome.org/commissions/submit/.
We do not accept proposals via email, snail mail or other means. Proposals will be accepted until 5:00pm EST (that’s New York time) on Friday, March 15, 2005. The form at http://rhizome.org/commissions/submit/ requires the following information:
+ Name of artist or collaborative group
+ Email address
+ Place of residence (city, state/province, country)
+ Title of the project (this can be tentative)
+ Brief description of project (50 words maximum)
+ URL of web-based proposal
+ Jury +
Proposals will be reviewed by a jury consisting of Rachel Greene, Executive Director of Rhizome.org and author of Internet Art (Thames and Hudson, 2004); Francis Hwang, Director of Technology at Rhizome.org; artist Eduardo Kac, Professor and Chair, Art and Technology Department at the School of the Art Institute of Chicago; Sydney-based artist, writer and curator Melinda Rackham, also of the –empyre- forum; and the head of Tate Digital Programmes, and Net Art curator at Tate Online, Jemima Rellie.
Rhizome.org members will also participate in the evaluation and awarding process through secure web-based forms. In this phase of evaluation, Rhizome.org members will be directed to the submitted web-based proposals. While this more open jurying process does mean that proposals could possibly be discussed publicly, there have been no reported conflicts or abuses of information reported.
+ Winners +
Winners will be contacted on or after May 1, 2005. Each winner will be asked to sign an agreement with Rhizome.org governing the terms of the commission. Commissioned projects will be listed on the main Rhizome Commission page and included in the Rhizome ArtBase.
Winners will be announced on or before May 1, 2005. Commissioned projects must be completed by December 1, 2005.
+ Questions +
If you have any questions about the Rhizome.org Net Art Commissions, please contact Francis Hwang at francis@rhizome.org or 212.219.1222 X202.
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Experimental Television Center, offers finishing funds, deadline March 15
The Experimental Television Center Ltd. In Newark Valley, NY offers "Finishing Funds" to NY State artists for the completion of works of moving image and sonic art audio, film, video, digital and Web-based forms. The awards range from $500 to $2000. For full details please visit www.experimentaltvcenter.org
Deadline March 15.
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Journal of Aesthetics and Protest seeks submissions, deadline March 15
deadline 15 march
The Journal of Aesthetics and Protest is looking to promote actions, images, projects, and ideas that thrive in spaces of refusal by embodying alternative ways of being.
A function of art is to shape consciousness- a truth embodied demands reality structure itself around it. The Fascists' Agenda will not win because it cannot erase all un-conforming bodies. Images of refusal expand collective ideas of truth and possibility.
O' heretic- what discoveries have you made? Perform your difference, our otherness. You experience the sublime in places other than death. We want your living gay agenda. Show us how you don't need their foreign oil. Illustrate your day-to-day diet for a new america. We want to see the means by which you live otherwise.
The truths we live refute the notion that George Bush''s own God created the universe for him to run. While they believe.... -endless war creates freedom -the goals of global capitalsm should dictate social policy -love is only between a man and a woman -resource depletion and waste are the driving forces of a functioning economy ... we know otherwise.
If it is a culture war they want then shall we fight!
SPECIFICATIONS.
All media, actions and performances will be considered.
Contributions will be published online or in our pocket sized book (ideally fitting on one or two pages). Please consider these formats with your submission.
Questions/problems: contact(at)journalfofaestheticsandprotest.org
Submissions must be received by 3/15/05
Email to contact(at)journalofaestheticsandprotest.org
or
self-addressed, stamped envelope to JoAP 3424 Council Street LA, CA 90004.
Please enclose your contact information.
The Journal of Aesthetics and Protest is a site for critical and creative inquiry and, now, incitement. In print it is distributed internationally and online it is available at www.journalofaestheticsandprotest.org
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Open deadline New Media
Grant Program, The Jerome Foundation
web: www.jeromefdn.org P: 800.995.3766
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March 1 New Media
Individual Artists Program,
The New York State Council on the Arts (NYSCA)
email: ind@nysca.org web:www.nysca.org
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March 4 Residency
Cooper Union for the Advancement of Science and Art,
New York, NY
web: www.cooper.edu/artsummer
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April 1 Residency
Artist Alliance, Inc. /Alianza de Artistas.
web: www.artistsai.org/Rotating_Studios/index.html
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April 1 Performance and New Media
Franklin Furnace
web: www.franklinfurnace.org/guidelines.html
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CALL FOR ENTRIES: Turbulence Juried International Net Art Competition
New Radio and Performing Arts, Inc. is pleased to announce that with the support of the Andy Warhol Foundation for the Visual Arts, 5 net art projects will be commissioned for the Turbulence web site in a juried international (open to everyone) competition. Each commission will be $5,000 (US).
DEADLINE: March 31, 2005
GUIDELINES: http://turbulence.org/comp_05/guidelines.htm
JURORS: Wayne Ashley (US), Arcangel Constantini (Mexico), Sara Diamond (Canada), Melinda Rackham (Australia), and Helen Thorington (US).
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Kunsthalle Exnergasse, Vienna
CALL FOR EXHIBITION PROPOSALS FOR 2006
Application deadline: March 1st 2005 (postage stamp)
KUNSTHALLE EXNERGASSE
WUK
Wahringer Strasse 59
A-1090 Vienna, Austria
Tel. +43-1-40121-41
exhibition.proposals@wuk.at
http://kunsthalle.wuk.at
The Kunsthalle Exnergasse in the WUK Werkstatten- und Kulturhaus [House of Artwork and Culture] in Vienna defines itself as an open platform and exhibition space for the presentation and realization of projects belonging to innovative, experimental and contemporary art in its most different formats and forms.
The Kunsthalle Exnergasse is not commercially oriented and has regarded itself from the beginning as a place dedicated particularly to the artist and the artists' needs. Therefore, a particular emphasis is placed on the establishment and strengthening of contacts with national and international art- and artists•organizations. Corresponding exhibition programmes are decided upon by a committee in cooperation with the manager of the Kunsthalle Exnergassse whereby process oriented group projects are preferred. Interdisciplinary events are held within the programme of exhibitions in the 400 square meter space, such as symposiums, lectures, readings, concerts, book and catalogue presentations.
Kunsthalle Exnergasse invites you to submit exhibition proposals for the year 2006.
To evaluate the proposals we would need: concept (idea), name and a short CV of person/curator submitting the project and names of the people who participate in this project. This time there will be two phases of selection. Thus we request that you submit your proposal in a short version in form of one page. You can send this page per email or regular mail.
If the committee agrees on accepting your project in the first round, we will ask for further materials in the second. People whose proposals were not accepted will be informed immediately via email.
For more information on applications to exhibit, see http://www.kunsthalle.wuk.at/4e/frame.htm .
If you are interested, we encourage you to submit a proposal and also to inform other people, groups and organizations about this option.
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Grant. Ars Electronica Art & Technology Grant, Linz, Austria. NB open to students and individuals between the ages of 19-27. Deadline : 11 March http://www.aec.at/en/prix/nextidea/registration/index.asp
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apologies for cross posting
msdm| protest academy| london inaugural lecture:
‘What are we doing? What is happening to us? What needs to be done? I prefer not to’
I am writing to invite you to take part in the forthcoming
Protest Academy’s project - ‘What are we doing?(…)’ which will be on display
between 19 th Feb – 6th March 2005 at the Elastic residence, London
msdm launches protest academy at the elastic residence london for 3 weekends
19-20, 26-27 february and 5- 6 march 2005, 12:00-18:00 saturday and sundays.
For the lauch of protest academy london msdm paula roush and isa suarez are issuing
this call for contributions of tactical audio material with an invitation to participate in the
public live performance /broadcast and recording session of
‘What are we doing? What is happening to us? What needs to be done? I prefer not to’
This is the schedule for the 3 weekends events:
weekend1: registration, indexing of incoming material and preparation of the new score
19-20 february 12:00-18:00
weekend2: live performance/ lecture ‘What are we doing?(…)’ with simultaneous radio+web transmissions
26-27 february 12:00-18:00
weekend3: exhibition of the recorded performance with score, props and workshops
5-6 march 12:00-18:00
Elastic residence is a gallery space for projects and durational performance. It was established
in autumn 2004 and is situated in a house built in 1779 in Whitechapel, East London. For the
inauguration of its first module protest academy london msdm will dedicate the first weekend
19-20th february to the collection and archive of tactical audio production – followed by the
creation of a new score that will be performed live and broadcast on sat 26-27 as protest
academy’s london inaugural lecture titled:
‘What are we doing? What is happening to us? What needs to be done? I prefer not to’
‘What are we doing?(…)’ is part of protest academy x-cUrricular activities an experimental de-schooling
platform that will be staged next in Leipzig as part of the public art project Homeland Modernity (may
2005) when [msdm]+[general panel] will map protest and the production of urban space in the city.
paula roush is the founder of msdm; recent projects include ‘sos:ok’ at Coleman Project Space London
when the gallery was used to stage an emergency food relief operation, and ‘bowville’ a networked
performance during which marian manesta forrester was electronically tagged and had 3 days to earn
honourary citizenship of bowville.
Isa Suarez is a composer/singer and sound artist, most recent works include ‘à trouble sens’, Musée de
Guéthary, Hendaye, France (2003) and ‘4 key instructions on how to rob a Swiss bank without getting caught’
(2004), as part of Hand Luggage at K3 Project Space, Zurich, Switzerland.
We would be delighted to have your participation.
In order to contribute to the project we are requesting:
copies of released audio material [historical or contemporary]
additional material such as catalogues and flyers to be displayed
and handed out during the presentation.
Contributions can be brought in during opening hours or sent by post to
ELASTIC RESIDENCE
22 Parfett St Whitechapel London E1 1JR (behind the east london mosque)
T: +44(0)207 247 1375 and 44(0)7883008639
E: msdm@msdm.org.uk
U: http://WWW.ELASTIC.ORG.UK
map:
http://www.streetmap.co.uk/newmap.srf?x=534444&y=181507&z=0&sv=E1+1JR&st=2&pc=E1+1JR&mapp=newmap.srf&searchp=newsearch.srf
updated info:
http://www.msdm.org.uk/projects/whatarewe.html
Please feel free to contact me any time if you need further information
looking forward to hear from you,
paula roush
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Idensitat Calaf/Manresa 05
third edition
Call for Proposals
http://www.idensitat.org
idensitat@idensitat.org
We call for the third edition of Idensitat Calaf/Manresa 05, promoted by the Town Councils of Calaf and Manresa, and by Diputació de Barcelona and Generalitat de Catalunya. The aim is that of gathering different people attached to creative practices related to public space, either through practices of intervention or through an open and critical debate.
Idensity is a program that calls for projects, promotes interventions and proposes debates. Communal space, interaction, identity, communication, confrontation, participation and conflict are elements which, linked to social and cultural factors of a specific place, become activating tools for projecting and intervening in the public space from the field of creation. The present edition intends to lead these parameters of work towards a specific subject matter: Urban Growth and Expansion, an emerging phenomenon in both towns where the project takes place, Calaf and Manresa, and which, in short,will redefine their social and cultural context.
The call promotes the production of 5 projects in the contexts of Calaf and Manresa, and there is a fund of 8.000 • for project. The deadline for the projects is the 30th of April 2005. It is possible to consult the terms and conditions in http://www.idensitat.org. Contact for more information with idensitat@idensitat.org.
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The Dance and New Media Project at the University of California, Los Angeles
announces the launch of
Extensions: The Online Journal for Embodied Technology
Volume 1 (2004)
At URL: http://www.wac.ucla.edu/extensionsjournal
Now accepting submissions for Volume 2 (2005) entitled:
Mediated Bodies: Locating Corporeality in a Pixilated World
The journal welcomes submissions from artists and scholars working at the intersection of the body and new technologies. We encourage the submission of interactive media in scholarly essays, interviews, and live or web-based art works, dance, as well as visual, sound and performance art. The deadline for submissions has been extended to February 18, 2005--and we will begin to accept ongoing submissions for this and future issues.
For consideration, please submit your work with a short biography in electronic form by e-mail. Please also note, that if your work is accepted, the journal requires either a hard copy of your work or high-resolution files uploaded to the internet. For hard copy submissions, please send a CD or DVD to the address below. Artists and scholars retain the copyright to their materials.
E-Mail:
ExtensionsJournal@yahoo.com
Snail Mail:
Extensions: The Online Journal for Embodied Technology
University of California, Los Angeles
Department of World Arts and Cultures
Glorya Kaufman Hall
120 Westwood Plaza, Suite 150
Box 951608
Los Angeles, CA 90095-1608 USA
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Residency. Arts Council Artists' Residencies in Europe/ Pépinières européennes pour jeunes artistes 2005 - 2007, UK. Deadline: 12 March. NB you must be between the ages of 20 - 35 and resident in England to apply. http://www.art4eu.net
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Commission. Immediate Commissions 2005, Site Gallery, Sheffield, UK. Deadline:28 February. NB open to artists based in the North of England working with lens-based media. http://www.sitegallery.org/v8/cuevents/cu_FS.html
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Residency/Fellowship. Global Arts Village, New Delhi, India. Deadline: 28 February. http://www.globalartsvillage.org/
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Open call to artists, All media.
This dream, America
Artists are invited to submit work for an upcoming
show at the Art league of Long Island. ìThis dream,
Americaî will be an investigation of the realities,
myths, perceptions and misperceptions of the American
dream. Artists are encouraged to consider the concept
of the American dream in their own terms, personal,
political, geographic, architectural, etc.
The show will take place May 7 (Saturday)- June 12,
2005 with an opening reception on the 7th.
All work should be submitted via email to:
sacgallery@yahoo.com
Deadline: Friday February 17, 2005
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open call for video work
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Amsterdam's DIY art house cinema, The Age of Communication, will be hosted by American art group N.I.N.E. for approximately 8 weeks starting March 3, 2005. The cinema generally shows outrageous, controversial, or simply amazing fictional and nonfictional features. The main focus of these 8 weeks will be on the process of moving forward to find solutions, on what "future oriented present" means, and on various responses to paradigm shifts.
N.I.N.E. is currently seeking submissions of short film and video work to precede the features and to be showcased in an evening of shorts at the conclusion of the 8 weeks.
Send (multiple submissions on same media ok) submissions of 15 minutes or less, on NTSC or PAL DVD (+/-R(W)) or PAL VHS or DIVX or AVI to:
N.I.N.E.
Kattenburgergracht 41
1018KN
Amsterdam
Netherlands
About N.I.N.E.
N.I.N.E. does art stuff,
like:
working towards widespread personal and institutional veneration of paradigm shifts.
http://0009.org
There is no financial compensation for these screenings, and submitted materials will not be returned unless correct Dutch postage and packing materials are supplied, or if you come to visit.
jasonWILSON
http://0009.org