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AURORA PICTURE SHOW ANNOUNCES
EXTREMELY SHORTS SEVEN and the AURORA 6TH ANNIVERSARY WEEKEND
June 19-20, 2004, Houston, Texas
Juried by Craig Baldwin




"(Baldwin is) the
unabashed Unabomber
of underground film,
assembling volatile
collages of found footage
into paranoid
stream-of-consciousness
narratives that touch on
conspiracy theory themes
and lunatic radicalism."

--Ed Halter, Village Voice
Postmark deadline: May 1, 2004

Aurora Picture Show's annual Extremely Shorts Festival features adventurous three-minute or shorter films and videos from a global constituency of moviemakers, artists, culture jammers, students, moms, security guards, and anyone with a camera and a vision. Send us your mini-masterpiece! POSTMARK DEADLINE: MAY 1, 2004. Follow the linkage below to download or print an Entry Form, or call 713-868-2101 or e-mail grover@aurorapictureshow.org to receive one by mail or fax.

Extremely Shorts 7: Works Three Minutes & Under is juried by Underground filmmaking hero Craig Baldwin. Baldwin has been an oracle for the avant garde film community for nearly 20 years, as a filmmaker, educator, master of détournement, and the founder of San Francisco's Other Cinema . His films, Spectres of the Spectrum (1999); Tribulation 99: Alien Anomalies under America (1991); and Sonic Outlaws (1995), have shown at venues internationally including The Whitney Museum of American Art; Museum of Modern Art, NY; Walker Art Center; Massachusetts Institute of Technology; CinemaTexas; and Anthology Film Archives.

Download PDF Entry Form

Printable web page with Entry Form



Aurora Picture Show
800 Aurora Street
Houston, Texas 77009
Fax (713) 868-2104
Tel. (713) 868-2101

Aurora Picture Show is funded by its congregation membership , a project support grant from Houston Endowment, Inc , a project support grant from the National Endowment for the Arts ; a grant from The Andy Warhol Foundation for the Visual Arts , a grant from the Texas Commission on the Arts , and a grant through the City of Houston through the Cultural Arts Council of Houston/Harris County .
Aurora Picture Show is a proud member of Fresh Arts Coalition .

Aurora Musarum Amica
Aurora is a friend of the muses.

Aurora Picture Show / www.aurorapictureshow.org


Dear Michael,
Is there any chance you could post this for us?

Best wishes,
Andrea
ABOUT AURORA :: CONTACT AURORA
AURORA PICTURE SHOW ANNOUNCES
EXTREMELY SHORTS SEVEN and the AURORA 6TH ANNIVERSARY WEEKEND
June 19-20, 2004, Houston, Texas
Juried by Craig Baldwin  





"(Baldwin is) the
unabashed Unabomber
of underground film,
assembling volatile
collages of found footage
into paranoid
stream-of-consciousness
narratives that touch on
conspiracy theory themes
and lunatic radicalism."

--Ed Halter, Village Voice

Postmark deadline: May 1, 2004

Aurora Picture Show's annual Extremely Shorts Festival features adventurous three-minute or shorter films and videos from a global constituency of moviemakers, artists, culture jammers, students, moms, security guards, and anyone with a camera and a vision. Send us your mini-masterpiece! POSTMARK DEADLINE: MAY 1, 2004. Follow the linkage below to download or print an Entry Form, or call 713-868-2101 or e-mail grover@aurorapictureshow.org to receive one by mail or fax.

Extremely Shorts 7: Works Three Minutes & Under is juried by Underground filmmaking hero Craig Baldwin. Baldwin has been an oracle for the avant garde film community for nearly 20 years, as a filmmaker, educator, master of détournement, and the founder of San Francisco's Other Cinema. His films, Spectres of the Spectrum (1999); Tribulation 99: Alien Anomalies under America (1991); and Sonic Outlaws (1995), have shown at venues internationally including The Whitney Museum of American Art; Museum of Modern Art, NY; Walker Art Center; Massachusetts Institute of Technology; CinemaTexas; and Anthology Film Archives.

Download PDF Entry Form

Printable web page with Entry Form


Aurora Picture Show
800 Aurora Street
Houston, Texas 77009
Fax (713) 868-2104
Tel. (713) 868-2101

Aurora Picture Show is funded by its congregation membership, a project support grant from Houston Endowment, Inc, a project support grant from the National Endowment for the Arts; a grant from The Andy Warhol Foundation for the Visual Arts, a grant from the Texas Commission on the Arts, and a grant through the City of Houston through the Cultural Arts Council of Houston/Harris County.
Aurora Picture Show is a proud member of Fresh Arts Coalition.

Aurora Musarum Amica
Aurora is a friend of the muses.


Aurora Picture Show / www.aurorapictureshow.org





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Internship w/ Matthew Barney

DESCRIPTION
The studio of Matthew Barney is currently seeking applications for Spring,
Summer, and Fall 2004 interns.

Interns will assist Studio Manager with the daily operation of a high
profile and fast-paced artist's studio. Depending on qualifications,
duties would range from answering phones to production research, project
archiving, and 2D graphics production.

Organized, upbeat, and motivated interns who are looking to explore their
interest in the arts are encouraged to apply. Solid writing, research, and
computer skills (PowerPoint, Excel, Filemaker) required.

We ask our interns to work a minimum of 20 hours a week. We are unable
to offer a salary/ stipend or housing. We will accommodate academic
credit requirements.

CONTACT INFORMATION
Alex Lee
E-mail: alex.lee @ matthewbarney.com






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Chicago Trans/Genderqueer Film Festival-Please Submit!

We are seeking submissions for the first Chicago
Trans/genderqueer Film/Video Festival!
We welcome and encourage you to submit your videos and
films!

Why?

**To build the trans/genderqueer community in chicago
and beyond!
**To show people's videos and films!
**To see people's videos and films!
**To have fun!
**As part of a trans-feminist conference to take place
in chicago in the summertime!

We are seeking submisions of all kinds (even
installation, write with your idea) although the
emphasis will probably be on shorter pieces.

If you are interested, please email
slightweightdewayne@yahoo.com so that I can email you
the address you should send your VHS tapes to.

It is totally and completely FREE to submit to this
festival!

Final VHS submissions will be due June1st, so please
email soon so we can make sure your tape is
considered.

We need your help to spread the word about this
festival, so please feel free to post this wherever,
email it to your friends and paramours, etc. We would
love submissions from all over the country and beyond,
why not.

We're excited about this, are you?




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ArtBots: The Robot Talent Show


Call for Works

The third annual ArtBots: The Robot Talent Show, an international art exhibition for robotic art and art-making robots, will take place in New York City in early fall 2004. Creators of talented robots are invited to submit their work for possible inclusion in the show. Proposals and works-in-progress are welcome, provided a detailed production timeline and samples of previous work are included in the application. The deadline for entries is May 1st, 2004.

Please see http://artbots.org for more information and entry instructions.


About ArtBots

ArtBots is an international art exhibition for robotic art and art-making robots. Each year we publish an open call for submissions, inviting artists from around the world to send us information about their work. No firm rules exist on the types of work that can participate; if you think it's a robot and you think it's art, we encourage you to submit. The final list of participants is a mix of works selected from the open call submissions and additional artists invited by the ArtBots curators.

The ArtBots curators for 2004 are: Douglas Repetto (Columbia University Computer Music Center), Mark Tribe (Columbia University Digital Media Center), and Mary Flanagan (Hunter College Film/Media Department). ArtBots is sponsored by the Columbia University Computer Music Center and Digital Media Center.

The first ArtBots took place in May 2002 at Pratt Institute in Brooklyn and included the work of ten artists/groups. The show was curated by Douglas Repetto and Philip Galanter (New York University). Nearly six hundred people visited the show during its one-day run, and the show received very positive coverage in many print and online publications in the USA and internationally, including The New York Times, TimeOutNY, BoingBoing.net, and NASA's Cool Robot of the Week website.

The second ArtBots show was held at Eyebeam Gallery in Manhattan in July 2003 as part of Eyebeam's summer robotics festival, ROBOT. Twenty two works by artists and groups from six countries participated in the show, which again received extensive press coverage, including national TV (CNN, NBC, NY1), radio (NPR, Future Tense, WBAI, Studio 360), print (Newsweek, Wired Magazine, New York Times, New York Press, Nature), and online publications. About two thousand people visited the two-day show, which was curated by Douglas Repetto, Philip Galanter, and Jenny Lee (Pratt Institute).


ArtBots FAQs:

Q: Is ArtBots a robot competition like BattleBots, RobotWars, etc?
A: No. ArtBots is an art exhibition featuring robotic art and art-making robots. While ArtBots is not a competition, we do give out two awards at the end: the "Audience Choice Award" and the "Artists' Choice Award."

Q: Then why do you call it a talent show?
Q: We call it "ArtBots: The Robot Talent Show" because the robots demonstrate their talents during the show. However, it's not structured like a traditional talent show. It's really an art exhibition with a funny name.

Q: How many works will be in the show?
A: Fifteen to twenty.

Q: I'm not sure if my work qualifies for your show. What exactly are you looking for?
A: As the name of the show implies, we're looking for work that is some part art and some part robot. The meanings of "art" and "robot" are left open. Possible formats/media include objects, installations, sculpture, live performance, etc. If you're still not sure, the documentation of previous participants on http://artbots.org should give you some idea of the kind of work we're looking for.

A: Are the artists that participate in the show compensated in any manner?
Q: Each participating artist/group will receive an artist's fee of $500. This fee may be used in any way the artist/group desires. All other costs, including transportation, shipping, lodging, etc. are the responsibility of the artist/group.

Q: When/Where will the event take place?
A: In early fall 2004, in New York City, most likely in upper Manhattan. The exact date and location have not yet been determined.

Q: Is ArtBots open to people outside of New York City?
A: Yes, ArtBots is an international art show, and has featured the work of artists from around the world. Unfortunately we're not in a position to offer anything in the way of support or accommodations for out-of-town participants, beyond the artist's fee described above. (Although we can probably help you find a place to stay if needed.)

Q: What's the point of ArtBots?
A: We started ArtBots because we wanted to have fun and to celebrate some of the creative, non-violent, and not-so-competitive aspects of robotics. People all over the world are making work that combines art and robotics and they're asking interesting, important questions about art, technology, creativity, responsibility, authorship, consciousness, and so on. ArtBots is our way of focusing attention on that work.




--
.............................................
........ArtBots: The Robot Talent Show.......
..............http://artbots.org.............
.............................................



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CALL FOR SUBMISSIONS

Submissions are now being accepted for
The 2nd Annual Reel Venus Film Festival
In New York City at Symphony Space
on July 20, 21 & 22, 2004

Deadline For Entries:
April 23rd, 2004 (early)
May 14th, 2003 (late)

A 3-Day event to celebrate the diversity of new and established
Women filmmakers from the United States and Abroad.
Showcasing Film/Video Shorts, 30 minutes and under,
directed and written by a woman, who's work inspires, informs,
excites and provokes it's audience with challenging images,
topics, themes and innovative use of technology.

All Genres Accepted.
Work must have been completed after June 2002

DOWNLOAD Submission Guidelines and Entry Form
go to: www.reelvenus.com
or contact info@reelvenus.com

Melissa Fowler
Festival Director/Curator
Reel Venus Film Festival



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8th festival garage 23rd July - 14th August 2004 in Stralsund / Germany
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interface - black box : white cube
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black box_ something whose internal structure and internal functioning are
unknown or not considered to be important

white cube_ an ostensibly neutral space, wholly geared toward the
presentation of "the artwork" and thus never unproblematic

Assertion, perception, illusion. black box and white cube can be defined in
terms of the interface concept. Interfaces form transitions and enable
communication between various systems. Contact points, surfaces,
transmitters. Unknown factor? The interface as translator and mediator
between medium and message. It's easy to extend the digital analogy to a
more general level: user and content, individual and society, public and
artist. What demands are thereby placed on interfaces; how consciously do we
deal with interfaces; how easily do we let ourselves be manipulated by
surfaces...?

garage 04 will attempt a critical examination of the interface principle,
between surface and source of friction, claim and actual function. This
applies both to interesting technical interfaces for entering the black box
and to the practice of placing, presenting and producing art and the
conditions under which it is received, oriented equally toward artists,
producers/curators and the public. Send us your proposals for presentations,
installations, performances, projects, papers, and workshops.

Works or proposals can focus on following topics:

1. use me (public interfaces)
The public space as opposed to the private or institutionalized space seems
to be especially made as a room for interaction. Can artistic intervention
work as a communication catalyst? Which forms of artistic occupation of the
public space exist? How do we deal with the tight net of rules and
conventions? use me is looking for positions that understand the public
space as interface and will present projects which discuss the public on a
formal, social and communicative level.

2. re-use me (instruction manual)
re-use me deals with the critical question of the further development of
original artistic inventions and ideas.
Interfaces, instruments, machines, installations, software - quite a few
interesting artistic concepts and projects stay behind their potential power
when being realised. What would be possible if a project would be further
developed, focussed or the relevant topic be followed with greater
consequence? What could happen if an idea, a project would be passed on?
re-use me deals with the upcoming questions and problems, presents concrete
projects in this realm and initiates collaborations.

3. play me (interface music)
One focus of the festival programme lies on the presentation of acoustic art
forms. The social quality of music - especially its function as carrier and
mediator of content - is unquestioned.
Artists and projects are invited to discuss furthermore concepts of
interaction and interfaces in music in various ways. Performative
intermediations, ways of communication between artist and audience will be
questioned as well as forms of interaction of musicians in performances, but
also production processes, unusual and special (software) interfaces, the
presentation of different listening habits, the construction of sound
environments and factors of perception.

4. tune me (radio as interface)
tune me is the continuation of an ongoing engagement of the festival with
the topic radio and its artistic and social implications.
Starting from the in 2003 initiated closed meeting "radio art today? radio
art perspectives" the discussion between the positions of a classical ars
acoustica, as represented by the public radio, and the subcultural
approaches stamped by the use of new technology and the network idea of
exchange and interaction, will be continued and expanded by a presentation
and performance section.


Submission deadline for materials and proposals is 30th April 2004.
application forms and info: http://www.garage-g.de/call04

---------------------------------------------------------
all proposals should be submitted to:

Festival garage
Kastanienallee 73
10435 Berlin
Germany

questions?
+49 (0) 30 441 20 15
info@garage-g.de



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George Parsons
Dream Magazine
PO Box 2027
Nevada City, CA
95959 - 1941
USA

Dream Magazine seeks: Dreams, Found Art, Found Letters, Music, Art,
Visions, Nightmares, Mail Art, Psychedelia, Maps, Brigitte Bardot,
Images, Dada, Balinese Puppets, School Yearbooks, Fuzzy Memories,
Ghosts, etc.

George Parsons

geo@gv.net
www.dreamgeo.com



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POSITION: ASSISTANT PROFESSOR OF ART
SCHOOL OF ARTS AND COMMUNICATION
10-MONTH, TENURE TRACK POSITION
VACANCIES ARE CONTINGENT UPON AVAILABLE FUNDING.
This position may include a combination of day, evening, weekend, extension
site and online or hybrid assignments.
RESPONSIBILITIES: Under the direction of the Dean of the School of Arts and
Communication, the person will be primarily responsible for
teaching three dimensional design (3-D) with an emphasis in sculpture,
installation, and three dimensional design. Possible assignments could
also include introduction to art and other studio classes.
The Visual Art Department is committed to the integration of digital
technology into all aspects of the Studio Arts curriculum. We seek
candidates who embrace the use of the computer as a creative tool for
artists in all media. As the only full-time faculty for the 3D Studio Arts,
provide leadership for the revision of curriculum offerings to reflect
contemporary practices including installation and new genres and integration
of technology into the curriculum. The successful candidate is also
expected to provide outreach to the community, including high schools.
General Faculty Attributes and Responsibilities:
Southwestern College is committed to meeting the educational goals of its
students in an environment that promotes intellectual
growth and develops human potential.
SWC faculty are collegial and collaborative. They demonstrate the highest
degree of professionalism, integrity and respect when interacting
with students, peers, classified employees and administration. They observe
proper and appropriate channels of communication, enforce the
policies and regulations of the college and strive to support and improve
college programs.
In addition to instruction, general responsibilities include, but are not
limited to, the following:
? teaching all classes as assigned or scheduled and maintaining
contractually-defined office hours that are supportive of students
? appropriate class preparation in support of all course objectives
? impartial assessment and evaluation of students
? adequate tracking and record keeping of student performance and outcomes
? consistent involvement in professional development and/or extracurricular
activities
? participation in meetings pertinent to faculty professional
responsibilities, including standing and ad hoc committees
? involvement in the shared governance process
? participation in strategic planning and program review
? knowledge and practice of pedagogy that supports a variety of learning
styles and includes a wide range of instructional delivery systems
Faculty are expected to take a proactive role in the updating and revision
of their discipline-specific courses and development of new
curriculum, as well as student recruitment, advising and retention. This
includes the appropriate merging of technology and student outcomes
into the curriculum, as well as effective applications and utilization of
instructional technology.
MINIMUM QUALIFICATIONS: Masters in Fine Arts, Art, or Art History OR
Bachelor‚s in any of the above AND a Master‚s in Humanities OR
the equivalent OR a valid California Community College Instructor
Credential in Arts.
Candidates must exhibit an appreciation of, a sensitivity to, and respect
for a rich and diverse academic environment, inclusive of students,
faculty, and staff of varying social, economic, cultural, ideological and
ethnic backgrounds, and those with disabilities. Experience working in a
community with a similar diversity pattern as is found in the service are
for Southwestern College is desirable.
DESIRED QUALIFICATIONS: Recent teaching experience, especially at the
post-secondary level; experience in teaching basic studio art
courses; an active professional exhibition record is essential; familiarity
with computer-assisted technology as related to art education; evidence
of a strong commitment to remain current in art and its instructional
practice, and to involvement within the campus and the surrounding
community.
EMPLOYMENT OPPORTUNITY
900 OTAY LAKES ROAD ? CHULA VISTA, CA 91910 ? (619) 482-6395 ? (619)
482-6418 ? SOUTHWESTERN COMMUNITY COLLEGE DISTRICT ? Governing
Board, David J. Agosto, Christine Aranda, Ed.D., Jean Roesch, Ed. D.,
Yolanda Salcido, Terri Valladolid, Interim Superintendent/President Norma
L. Hernandez
Page 2
Assistant Professor of Art
A short teaching demonstration may be required of those invited for an
interview.
SALARY & Upon initial employment, full-time faculty members are placed on
the salary schedule based
BENEFITS: upon years of experience and education. The maximum initial
placement for experience is Step 6.
Faculty members are encouraged to continue their professional development
through additional study qualifying
them for advancement on the salary schedule. For current salary schedules
and information on salary placement
visit our website at www.swc.cc.ca.us. Excellent fringe benefits.
STARTING DATE: August 16, 2004 (Fall Semester, 2004)
APPLICATION All application materials must be received in the Human
Resources Office by
DEADLINE: 5:00 p.m. on Friday, April 16, 2004.
E-MAIL MATERIALS WILL NOT BE ACCEPTED, HOWEVER, APPLICATION MATERIALS ARE
AVAILABLE
ON-LINE AT OUR COLLEGE WEBSITE, www.swc.cc.ca.us.
APPLICATION Submit the following application materials to the Human
Resources Office:
PROCEDURES:
(1) Letter of application (cover letter); maximum 1 page typed.
Address why you feel your personal qualifications and goals have prepared
you to teach in the diverse
academic, social, economic, cultural, ideological and ethnic environment
represented in the School of
Arts and Communication at Southwestern College.
(2) Academic Staff Employment Application (must be typed)
(3) Resume
(4) Two current letters of recommendation
(5) Unofficial copies of college transcripts
(6) Narratives (must be no more than 1 single spaced typed page each)
(a.) Describe a recent student assignment in which students were required
to work collaboratively to
achieve a common outcome. Describe your role and the group dynamic. If you
could repeat the
project, what would you do differently?
(b.) Provide an artist‚s statement that addresses your work and its
historical and contemporary context.
(7) A portfolio containing:
(a.) Twenty to forty slides of your work. Attach a slide inventory sheet
containing title, size, media and
date of work. Each slide is to be labeled with the applicant‚s name, media,
and year created.
(b.) Ten to twenty slides of recent student work. Attach a slide inventory
sheet containing project name,
size, media and date of work. Each slide is to be labeled with the
applicant‚s name, project name,
and year created.
(8) Please include a self-addressed, stamped envelope for return of the
portfolio.
Applicants who do not possess appropriate degree or credential must
request, complete, and submit a
Supplemental Equivalency Application.
It is the sole responsibility of the applicant to ensure that all
application materials are received by the
deadline date. Only completed application packets will be forwarded to the
Search Committee.
Southwestern Community College District
Human Resources Office, Room 1650
Attn: Assistant Professor of Art Screening Committee
900 Otay Lakes Road
Chula Vista, CA 91910
www.swc.cc.ca.us
(619) 482-6395
All materials included in your application packet become District property,
will not be returned,
will not be copied, and will be considered for this opening only.
INTEVIEW TRAVEL COSTS MUST BE BORNE BY THE APPLICANT.
ALL COLLEGE OFFICES WILL BE CLOSED ON APRIL 5-9, 2004 FOR SPRING BREAK
AN EQUAL OPPORTUNITY EMPLOYER
Qualified minorities, women, and members of other protected groups are
encouraged to apply. Southwestern College, a public two-year community
college, located in the
southwest portion of San Diego County, serves approximately 17,000 students
from the communities of Bonita, Chula Vista, Coronado, Imperial Beach,
National City, Nestor,
Otay, Palm City, San Ysidro, & Sunnyside. Southwestern College is a
smoke-free campus. Smoking is not permitted within any facility owned or
operated by the college.



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Getty Multicultural Internship
SUMMER, 2004
Highways Performance Space & Gallery


Highways is accepting resumes for one intern to assist the Gallery
Curator /Administrative Director of Highways. This is a ten- week internship
that pays $350 per 40-hour week. DEADLINE is MAY 15, 2004. Internship
begins at the mid/end of June (dates flexible).

Highways is an alternative performance space with two
galleries. We exhibit approximately twelve eclectic and innovative shows a
year that explore our communities’ diversities and challenge, address and
raise questions on issues that impact our lives. Our galleries present
works by emerging artists, mid-career artists, older artists, the
gay/lesbian communities who are creating art. We also have a mentoring
program for emerging artists and curators.

Throughout the internship the intern will gain experience and understanding
on Curatorial and Administrative processes in presenting visual artists,
grant administration, visual art programs and expanding our Gallery Web Page
and archiving past exhibitions.


Duties of the Getty Multicultural Intern are as follows:
Work on our Gallery Web Site and Annual Benefits.
Work on Outreach and update our Archives.
Review of incoming proposals
Write press releases for upcoming shows
Research visual artists, organizations and subject matter pertinent to
future exhibitions
Gain knowledge of each artist presented and assist opening receptions for
the artist.
Educate visitors about the gallery and current/past artists presented
Assist in Ad/Flyer design
Coordinate reception for opening shows and special events
Assist in the installation and break down of shows
Research perspective granting foundations
Handle mailings, phones, light typing, etc.
Attend weekly meetings with Supervisor to organize and create
Development plans for the gallery.
Deal with daily office work; phones, mailings etc.
For this position writing proficiency, basic office skills, MS Office, and
some basic Internet knowledge is necessary. Photoshop and Quark is a plus.
Overall interest in non-profit/alternative arts organizations, good work
ethic and sense of humor are also important!
www.highwaysperformance.org


Requirements:
Individuals of African American, Asian, Latino/Hispanic,
Native American & Pacific Islander may apply
*You will not graduate before Dec. 2004
Currently enrolled undergrad with at least 1 semester bu June
2004
*Resident of LA area or attending college here
Not received Getty Internship here or at more than one other
organization
Not related to Board or Staff

Email resume to: highways@earthlink.net
or send resume to:
Mary Milelzcik, Gallery Curator/ Administrative Director
Highways Performance Space & Gallery
1651 18th St.
Santa Monica, CA 90404
310.453.1755




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The May event in the CONVERSIONS series of Mott Haven Bronx art events will be
Wednesday, May 5, and Sunday, May 9. I am currently looking for new work to
show at this event --- if you are interested in exhibiting or know people who
might want to show their work (it can be film, video, visual art,
performance, dance, or music), please let me know.

The event is held every few months in our 2000 square foot loft in the Mott
Haven neighborhood of the Bronx, a mere 20 minutes from Union Square on the
4-5-6 line (the first 6 stop outside Manhattan). We are also part of the
larger CONVERSIONS series of monthly art events in the Mott Haven
neighborhood.

Please tell your friends about this!

Sincerely,

Mitsu Hadeishi
mitsu@syntheticzero.com
718-401-9347
http://www.syntheticzero.com/events/




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Sciart Experiment Awards
Deadline: 16 July 2004

Experiment Awards (up to £5000) aim to enable artists and scientists to
explore the very early stages of potentially promising ideas for an arts
project informed by science through, say, a feasibility study, workshops,
and in-depth research into a scientific area. Experiment Award proposals are
tentative, but will need to demonstrate an overall purpose. The Awards are
aimed at individuals as well as groups.

Find out more at:http://www.wellcome.ac.uk/sciart2004