Subject:
calls x 64 pt 2
Message:
+++CALL FOR WORKS+++
Electro-acoustic pieces with video
In the past the Logos Foundation in Belgium has organised several electro-acoustic concerts. The Logos Foundation is a centre for new experimental music and audio arts and we wish to give our audience the opportunity to hear the latest electronic music.
In the following year we would like to organize several concerts with electro-acoustical pieces & video because we have noticed that recently more and more composers of electronic and electro-acoustic music have been collaborating with video artists.
Composers from all over the world are invited to send recent works. Works must be for SOUND AND VIDEO WITHOUT LIVE PERFORMERS or musicians. The works may be on DVD, Hi8 (8mm video) or any other video format playable on a PC. The duration of the separate pieces may not exceed 30 minutes. You may send as many works as you like.
First deadline (for a concert in september 2004): 15 july 2004
second deadline (for a concert in the beginning of 2005): 15 november 2004
address:
Logos Foundation ("call for works")
Kongostraat 35, B-9000 Gent, Belgium
contact: hans.roels@logosfoundation.org
http://www.logosfoundation.org
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Interdisciplinary Landscape
As interdisciplinary practitionners, we are nomads, traversing the borders
and boundaries of disciplines. As we travel, we challenge the parameters of
disciplines, creating new thresholds for dialogue. We are often defined by
the boundaries we break. How do we map ourselves as a community of
interdisciplinary practitioners and citizens within the new territory we have
created?
Join artists from across New England and around the world as they explore
interdisciplinarity and contemporary art practices at the first Goddard
College Interdisciplinary Artists Conference. This conference / retreat will
allow participants to expand their core art practices through a variety of
presentations, workshops, discussions, and restorative activities.
Based on a participatory model of learning, this event seeks to actively
question the notion of “expert and audience” by inviting all participants to
engage in dialogue as both artists and as citizens. Participants will be
encouraged to share their unique perspective, present and discuss their own
work, and benefit from the feedback of a supportive audience of peers.
For more information about the conference, to register, or for questions,
visit us at www.committingvoice.org, email klinep@goddard.edu, or call Paule
Gabrielle Kline at (802) 456-1208.
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FILE 2004 electronic language international festival
Call for entries
April 12th until June 15th- 2004.
http://www.file.org.br/file2004ins/english/index.htm
FILE 2004 is open for registrations to new media works such as webarts, netarts, artificial life, hypertext, web cam art, computer animation, digital design, tele-conference, virtual reality, interactive films, e-videos, on line robotics and others please visit: http://www.file.org.br/file2004ins/english/index.htm
The FILE SYMPOSIUM 2004 is open for new media theoretical papers, work presentation, performances digital-techno to read the guideline please visit: http://www.file.org.br/file2004ins/english/index.htm
FILE HIPERSONICA 2004 is open for entry works that explore the electronic sonority: electronic music, erudite electronic music, pop electronic music such as techno; drum'n'bass; trance; hardcore techno; break beat and others, biologic music, genetic music, sound installations, performances, dramaturgy music and resonant poetry. More information at: http://www.file.org.br/file2004ins/english/index.htm
FILE-GAMES 2004 is opening for the first time registrations to all the producers and developers (creators) of digital games. FILE-GAMES will be happening simultaneously with FILE 2004, FILE-SYMPOSIUM 2004 and FILE HIPERSONICA. To participate, you must read FILE 2004's guideline at: http://www.file.org.br/file2004ins/english/index.htm
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call for submissions
FUTURE SPECIES
Exhibition curated by David Liss, director of Museum of Canadian
Contemporary Art (MOCCA)
The call for submissions and proposals at Propeller Centre for the Visual
Arts is for artworks that address the broad-based theme of the future of our
species.
Given our increasingly intimate relationship with technology, experiments
with genetic modification, and the widespread introduction of chemicals and
pharmaceuticals into the food chain, it seems apparent that our species will
need to evolve and adapt physically in order to survive.
The 20th Century imagined man/machine hybrids, cyborgs and the
extraterrestrial. For the exhibition, taking place at Propeller in October
2004, the guest curator is seeking artworks in any media that thematically
speculate upon our appearance and physical characteristics several more
links along in the Darwinian evolutionary chart of natural selection;
post-post figurative, so to speak.
The resulting exhibition is related to a cycle of research, exhibitions and
projects developed by the guest curator, exploring cultural and artistic
speculations upon the future of the human condition. The first exhibition in
this series, titled Future Species, took place at the d.u.m.b.o. arts center
in Brooklyn, New York, from June 27th to August 10th, 2003. (see
www.dumboartscenter.org)
All media are welcome and the call is open to artists at the emerging or
advanced stages of practice.
To submit please send:
· 5-10 labelled slides of your work (do NOT send original artwork)
· List of submitted slides showing the title of the work, creation
date, dimensions and medium
· CV and artist's statement
· Self addressed stamped envelope (SASE) if you want your slides
returned
· Non-refundable submission fee of CAD $25. We will accept a cheque
payable to Propeller Centre for the Visual Arts, cash or money order.
Submission deadline May 31, 2004.
Propeller Centre for the Visual Arts is an artist-run collective gallery
that supports vital contemporary art practices and initiatives by emerging
artists. Incorporated as a not-for-profit in 1996, we are located in the
Queen West Gallery District in downtown Toronto. For information on
membership, please contact us: gallery@propellerctr.com
Propeller Centre for the Visual Arts, 984 Queen St. W. Toronto Ontario M6J
1H1 416.504.7142
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Call for Proposals: Performance Art
In September 2004, The Eye Level Gallery in Halifax, Nova Scotia, Canada will host a series of performances. This is a great opportunity for emerging and established artists, who will be able to perform right on the premises or off site in downtown Halifax. This program, organized by the gallery‚s Windows Committee will feature works that use the unique public relationship to the street and the people that habitat the city. The performance should create a dynamic interaction between the artist and the viewer. This call for proposals is directed to regional, national and international art communities.
Artists interested in using the windows spaces or doing an off-site performance are invited to submit proposals to the Windows Committee. Submissions should include:
· documentation or examples of previous projects
· a clear one page description of the proposed work along with any available visual documentation (video, cd-rom, audio tapes, and photographs)
· a curriculum vitae
· a self-addressed stamped envelope for the return of
materials.
The deadline for submissions is 5pm on Friday May 21, 2004. Eyelevelgallery offers exhibitions fees and project assistance.
For more information about eyelevelgallery and exhibition plans for the Windows Exhibition spaces visit www.eyelevelgallery.ca, or contact Rodney Johnstone at publicrelations@eyelevelgallery.ca, or 902 425-6412.
Rodney Johnstone, Performance Festival Coordinator
eyelevelgallery
1587 Barrington Street, Halifax, Nova Scotia, Canada
B3J 1Z7
Tel: 902 425 6412
Fax: 902 425 0019
Email: publicrelations@eyelevelgallery.ca
www.eyelevelgallery.ca
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San Francisco, USA
Datum dogodka: Oct-Nov, 2004
Microcinema International and S.F. Camerawork
Monument Recall
an exhibition of work by artists who are challenging ideas of 'monument.'
Through media, visual and audio design, subject matter, and concept, the works in this exhibition reframe and challenge conventions and traditions of public monuments in public spaces.
Short films, videos, and digital works, no longer than 15 minutes in length will be considered.
Materials for review:
Send clearly-labeled DVD or VHS (NTSC or PAL), or Mini-DV (NTSC only!), synopsis and Artist Statement. Submissions will not be returned.
About Microcinema International:
Microcinema's mission is to curate, exhibit, distribute and promote innovative international moving image artists whose deeply personal and culturally relevant works are typically marginalized by the mainstream entertainment industry.
About S.F. Camerawork:
Founded in 1974 San Francisco Camerawork encourages emerging and mid- career artists to explore new directions in photography and related media by fostering creative forms of expression that push existing boundaries.
Rok prijave: 31/07/04 (postmarked)
Kontakt:
Microcinema International
Attn: MONUMENT RECALL
531 Utah Street
CA 94110 San Francisco
USA
tel: +415-864- 0660
info@microcinema.com
www.microcinema.com
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A CALL FOR ARTISTS WORLDWIDE
"summer summit 2004" - in Poetovio, Slovenia and in Chicago, USA
L.I.P.A. announces two international events: an art exhibition and symposium in the historic city of Poetovio, Slovenia, and an art exhibition at LIPA Gallery in Chicago, IL. After seven years of promoting international dialogue through the arts in Chicago and Washington D.C., L.I.P.A. (Links for International Promotion of the Arts) invites artists to submit work and proposals for two events to be held in Chicago (from July 9 through September 5) and in Poetovio, Slovenia (from August 25
through September 25). Artwork that promotes dialogue between artists from different world communities and addresses contemporary issues is encouraged. All media are accepted.
Artwork and proposals will be jury selected by L.I.P.A.'s exhibition committee. Artists may submit works for either Chicago or Poetovio, where several sites will be available. Each participating artist will receive four complementary catalogues. All applications must be received by June 10, 2004. Fee $30.- for 6 slides or CD.
Please consult L.I.P.A.'s web site www.LipaArt.org for more information. If you have any questions, please contact info@LipaArt.org, or Vesna@LipaArt.org
Poetovio is an ancient city, poised for new ideas. As it stands today, Poetovio reflects the many cultures of its long 40-century history. 8th annual "summer summit 2004" will coincide with Poetovio's candidacy for the UNESCO registry of historic sites and Slovenia's new membership in the European Union.
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June 26
The Japan-United States Friendship Commission's US/Japan Creative Artists' Program sponsors travel to Japan by traditional and experimental US artists working in visual arts, performing arts, music, and literature. Selected artists normally stay in Japan for six months. For application information, visit www.jusfc.gov.
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June 15
Exit Art - Call For Proposals
The office of the President of the United States is one of the most visible positions in the world. We are asking artists to put into a visual balance or a visual feeling their concept of the presidency. Who is this individual who every 4 or 8 years changes? How does that change the image the country has of itself? For guidelines, visit www.exitart.org/emailers/emailer_current.html
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une 10
The Charles A. and Anne Morrow Lindbergh Foundation Grants award up to $10,580 to visual artists and designers whose work expands the Lindbergh's vision of technological advancement, combined with the preservation of a natural environment. For complete application information, visit www.lindberghfoundation.org.
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Film/Video 825, a bi-monthly screening of locally, nationally and internationally recognized film and video artists' work, curated by Gallery 825/LAAA and members of the Los Angeles arts community. Film/Video 825 includes experimental, documentary, narrative, conceptual and animation videos and takes place every third Thursday of every other month.
We are currently looking for work for up-coming shows:
Jan. 2005: Student Film and Video Festival open to students who will graduate in 2004 or later (must send photocopy of valid student ID).
Deadline: Oct. 31, 2004
We are also reviewing tapes for open submissions throughout the year.
Deadline: ongoing
Please send NTSC /VHS tapes labeled with exact duration, name address, email, phone.
Also include technical/conceptual description, brief bio, still image and SASE to:
Video 825
Gallery 825/LAAA
825 N. La Cienega Blvd.
Los Angeles, CA 90069
Gallery 825/Los Angeles Art Association (LAAA) is a 501(c)(3) nonprofit arts organization supporting Southern California artists, with an emphasis on emerging talent. Gallery 825/LAAA provides resources and a professional venue to further artists' goals while inviting the public to interface with members of the arts community.
Founded in 1925, Gallery 825/LAAA, one of the oldest surviving visual arts organizations in Los Angeles, has launched the art careers of many celebrated artists and has played a central role in the formation of Los Angeles' arts community.
http://www.laaa.org
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New Works Residency: Media & Visual Arts, The Banff Centre, Canada. Deadline: 1 July. http://www.banffcentre.ca/programs/program.aspx?id=18
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16th Onion City Experimental Film and Video Festival, Chicago, USA. Deadline: 25 June. http://www.chicagofilmmakers.org
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Utrecht, The Netherlands
Impakt foundation
Impakt Online Commissions - theme Translation
Impakt would like to show six projects by artists who use the Internet as medium as a starting point for their work (net. art).
The Impakt foundation started in 1988 by organising the Impakt Festival in Utrecht, the Netherlands. At this festival Impakt presents its audience with the newest developments in the audiovisual arts, film, video, new media and music.
Impakt Online
Since 2003 Impakt expanded their terrain with Impakt Online. Impakt Online gives artists the opportunity to realise their net.art projects. Each year, Impakt Online selects six artists and supports them in accomplishing and presenting their net.art projects. Impakt deliberately chooses projects which use specific elements of the Internet. Next to projects that exclusively exist on the Internet, Impakt Online actively looks for projects which connect the Internet to the real world and vice versa.
During the past year Impakt Online has worked with three themes which were used as a starting point for the artists. Different artists have developed projects within these themes, some of these projects include Beadgee by Tamar Schori, E-bay Longing and the Inhabitants by Marika Dermineur.
Impakt Online 2004: Translation
Impakt Online has chosen the theme: 'Translation' for the projects that will be realised this year. In the world of the Internet, translation is a daily practice. It can be a computertranslation from Russian to English, from one programming language to another, or a transformation of data relating to physical and tangible occurences to virtual and digital data.
The intention of Impakt Online is to research in which matter translation plays a role for artists who produce art on the Internet, or make use of its structure.
The way in which artists make use of the Internet to develop its own aesthetics and means of translation is important for the realisation of the themes. Impakt Online wants to use the term translation to investigate the use of the Internet in a critical and fundamental way.
The practical implications of translation can take different forms. A possible form can be a translation between real and virtual worlds. These are projects in which elements from the real world are being translated to a virtual environment or vice versa. Of course a translation between virtual environments, (like translation of online user input) can also be a possibility. Translation of this tangible, often quantitative data between environments can lead to new points of view.
Another form can be the translation of more qualitative data, such as transferring exisiting cultural, aestethic or social themes, into various medial online formats.
Procedure
Since Impakt runs a tight schedule, we urge artists to hand in their proposals as soon as possible. Our deadline for submission has been set on juli 1st.
Only proposals that are relevant to the theme will be taken into account. Projects that have already been publicly presented are excluded from participitation.
A proposal has to consist of the following parts:
- an abstract of the concept. (200 to 400 words)
- a summary of the technical and productional plan. (200 words max.)
- a summary of the relation between the project and the theme 'translation' or one of the subthemes. (200 words max.)
- information about the phase the project is in at the moment, the steps which have to be taken to finishing the project, pertaining to the current project phase, and the estimated budget that is needed to finish it.
Please note that all proposals must be in English. The final project should also be in English unless of course the use of other languages is part of the concept of the proposed project.
Rok prijave: 01/07/04
Kontakt:
Impakt foundation
PO Box 735
3500 AS Utrecht
The Netherlands
online@impakt.nl
http://www.impakt.nl
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Call for Submissions - Impakt Online 2004
Deadline: 1 July
The Impakt foundation invites to artists to send proposals for their online
art project Impakt Online. Impakt would like to show six projects by artists
who use the Internet as medium as a starting point for their work (net.
art). The Impakt foundation started in 1988 by organising the Impakt
Festival in Utrecht, the Netherlands. At this festival Impakt presents its
audience with the newest developments in the audiovisual arts, film, video,
new media and music. Since 2003 Impakt expanded their terrain with Impakt
Online. Impakt Online gives artists the opportunity to realise their net.art
projects. Each year, Impakt Online selects six artists and supports them in
accomplishing and presenting their net.art projects. Please send in your
proposal by email to: online@impakt.nl. Impakt Online is looking forward to
your proposal!
Find out more at http://www.umatic.nl
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Call for Films - Amon Tobin
Deadline: None Stated
Internationally recognized musical artist and producer Amon Tobin (on UK
label Ninja Tune) is seeking the work of young filmmakers to score. If you
are interested in submitting a demo of your work for consideration, please
mail a package to:
P.O. Box 872
Place du Parc Post Office
Montreal, Quebec
H2X 4A6 Canada
Find out more at www.amontobin.com
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Habitat New Media Lab
Canadian Film Centre
2489 Bayview Ave.
Toronto, ON
Canada M2L 1A8
Tel. + 1 416.445.1446 ext. 296
habitat@cdnfilmcentre.com
http://www.cdnfilmcentre.com
Habitat New Media Lab at the Canadian Film Centre is currently accepting applications for the Fall 2004 session of the Interactive Art & Entertainment Programme (IAEP), a five-month, post-graduate residency focused on creating inventive interactive narrative projects for the Canadian and international marketplace.
A maximum of 12 spots are available.
Established by acclaimed filmmaker Norman Jewison, the Canadian Film Centre created Habitat in 1997 as a collaborative, production-based learning environment where diverse teams push the evolution of art and entertainment.
Based on a cycle of training, production and research, Habitat is an internationally acclaimed facility that has produced award-winning new media prototypes ranging from simulation-based interactive documentaries, to wireless storytelling networks, to interactive short films and narrative-driven media installations.
Application Deadline: June 11, 2004
For more information or to request an application please contact: habitat@cdnfilmcentre.com