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Call for Submissions - Aspect Magazine
Deadline: 1 August
Aspect Magazine is now accepting submissions for the fall issue: Text and
Language. Artists of all genres and media are encouraged to submit. With
the publication of Aspect Magazine, cutting-edge experimental artists
finally have a magazine that embraces their mediums. Utilizing a
multi-media format to showcase these works of new media art, Aspect creates
a museum experience in the home or classroom.
Find out more at www.aspectmag.com
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FOR IMMEDIATE RELEASE:
A CALL FOR ENTRIES:
SMALL WORKS SHOW 2004 - OPEN JURIED By LEAH OATES
November 13 – December 11, 2004
artSPACE@16 (Malden, MA) a non-commercial art space, is delighted to announce its 25th event. A call for entries for an upcoming open juried show entitled SMALL WORKS SHOW. Leah Oates, an independent curator, researcher and international artist from New York has accepted the invitation to be the guest juror. SMALL WORKS SHOW will be held from November 13 through December 11, 2004. A potluck reception has been scheduled for Saturday, November 20 from 12noon to 3pm. All artists over age 18 are invited to submit work for jurying: Works in all traditional or innovative 2d or 3d media, in all subjects, styles and approaches from realistic to purely abstract. The work is not to exceed 18” in either direction. Artists may submit up to 3 pieces for jurying. All entries must be original and have been executed within 3 years of entry date. Works will be judged from actual pieces on the basis of originality, technical quality, thematic depth and presentation. Prompt drop off and pick up of artwork is crucial. The ONLY DAY to drop off original work for jurying is on Saturday November 6 between 12noon to 3pm at artSPACE@16 located at 16 Princeton Road, Malden MA 02148. To request a pdf entry form and an exhibition prospectus, please send an email to sandt.artspaceat16@verizon.net. Hard copies of entry form and prospectus can be obtained by sending a self-addressed, stamped envelope to: RE: SMALL WORKS, Sand T/Director, artSPACE@16, 16 Princeton Road, Malden MA 02148. . To learn more about artSPACE@16, please visit web site http://www.artSPACEat16.com/
ABOUT artSPACE@16
artSPACE@16 is a non-commercial art space in Malden established in 1998. The exhibitions at artSPACE@16 feature local and regional artists, both emerging and established. artSPACE@16 is committed to making today's art accessible to everyone; to educate and encourage the community-at-large to experience contemporary art at non-traditional exhibition venues. As one of the grass root entities helping to shape a vibrant artists' community in Malden, Sand T organizes and curates exhibitions at artSPACE@16, she also works in collaboration with individuals and community organizations to promote art at other venues to enhance the cultural life of the community. By way of these events, artSPACE@16 hopes to bring high quality exhibitions to the community, strengthen the role of the arts in the community; providing networking and support among fellow artists. Your support for the Malden artists' community initiatives is essential in building a strong artists community in Malden. You're cordially invited to all FREE ADMISSION events at artSPACE@16. For more information, please contact Sand T, director of artSPACE@16, 781-321-8058 voice mail *3, SandT.artSPACEat16@verizon.net, or visit web site: http://www.artSPACEat16.com/
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ELSEWHERE, art processes re-invent Art contexts.
(interpret THE SPLACE speaking TO ITSELF)
Dear eyes right at origin,
Elsewhere Artist Collaborative, a conceptual artists space in
Greensboro, NC, is seeking journeypeople to pursue artistic
creations and criticism in a contextually interpreted and designed
environment.
Participating in a residency-like program, Journeypeople
will be provided access to a 12,000 sq. ft. converted thrift store and
haunted mansion (stuck in a locational palindrome). Artists are expected to integrate the plethora of 70 years of thrift resources: toys, furniture, books, clothing, fabric, etc. or their experience at Elsewhere into the content (subject or object) of their work. Elsewhere artists explore traditional and emerging media and media fusion, representational possibilities, and community/communication models.
Elsewhere’s non-commercial space is a constantly reflexive environment where artwork becomes the medium of expression between other members of the living installation. Located in Greensboro, NC’s small town, historical district, the experience of southern America offers a backdrop to Elsewhere’s conceptual, artistic and intellectual realm, which houses a gallery, orientation center, press office, studio, kitchen, performance venue, library, closet, lounge. Artists are encouraged to redesign space and its accompaniments (objects) for a contextual artistic experiment that can be as powerful as the works created within. Elsewhere seeks writers, musicians, painters, designers, and others to make-up the living art installation piece.
Toys are people too.
Journeypeople are needed to engage projects: spatial development and construction, documentation via still and video photography, fashion design, interior design, graphic design, magazine and newspaper publishing run via the press office, archiving, research, educational programming and design, and artistic pursuits in traditional and emerging art forms. After participating in the community for a week, Journeypeople will submit proposals for independent or collaborative projects. With a project underway, you will be given free rent (some utilities are requested), inexpensive meal options with the food co-operative, access to the seemingly infinite resources, customizable space within which to work, and involvement in a community of artists all speaking to and interacting in a post-modern thematic of Americana and re-application. Journeypeople will also be involved in the larger conceptual project which includes a functioning performance venue in addition to other community i!
nterfacing programs. Gallery and performance space will also be made available to journeypeople free of cost. Work becomes property of Elsewhere’s concept and contextual environment for a negotiated period of time. Nothing of the space leaves the space (objects function like a number set), however possibility exists for works to become part of a national collaborative show.
Those interested in the residency program or in booking a performance or art show should contact
George Scheer and/or Stephanie Sherman at wanderingzoo@mac.com or 336.549.5555. We will respond
with a brief application to gauge interest and experience. Elsewhere, a 501(c)3 organization, is funded in part by a grant from Greensboro’s United Arts Council. For more information, check out
www.homepage.mac.com/wanderingzoo.
Signed, the understated.
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ARMORY CENTER FOR THE ARTS
Northwest Territories
CALL FOR PROPOSALS
To be considered for a juried exhibition at Armory Northwest,
284 East Orange Grove Boulevard, Pasadena, CA
Proposal deadline: May 28
July 18 - October 10, 2004
The new Armory Northwest location, a former nursery filled with trees and plantings, provides a wide variety of challenging locations for site-specific works. Artists wanting to participate in this show are asked to explore images or concepts that relate to this area of Pasadena. Many recognized Southern California artists are being asked to submit proposals. As a community art center, one of the Armory's goals is to provide equal access to exhibition opportunities.
Chosen artists will construct site-specific installations to be shown outdoors or indoors. Works may be in a wide variety of media, including sound-based or light-based media, and may be installed in the different types of spaces which the site has to offer such as windows, garden pathways, walls, grass cloth enclosures, or in the plants and trees themselves. Outdoor installations must be weather-resistant and remain in good condition for at least four months. Issues of public safety must be considered.
Submissions are due at the Armory by Friday, May 28 at 5 p.m.
Artists are encouraged to visit Armory Northwest to explore the possibilities of the space. Armory Northwest hours are Monday through Friday, 10 a.m. - 3:30 p.m., Saturday, 12 - 5.
Installation proposals will be reviewed by Jay Belloli, Director of Gallery Programs, Elise Barclay, Exhibitions Coordinator, and Scott Ward, Executive Director at the Armory Center for the Arts.
For submission, please send an installation proposal of no more than 150 words, diagrams as necessary, up to 10 slides of related work and SASE to:
Northwest Territories
Armory Center for the Arts
145 North Raymond Avenue
Pasadena, CA 91103
DEADLINE:
Proposals must arrive at the Armory by Friday, May 28 at 5 p.m.Artists will be notified as to whether or not their proposals are approved by Friday, June 11, 2004.
For additional submission information and additional information about the Armory, go to www.armoryarts.org or call 626-792-5101 x. 116.
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ARMORY CENTER FOR THE ARTS AND ONE COLORADO
ART OVER YOUR HEAD
A CALL FOR PROPOSALS
To be considered for a one-person installation exhibition
in the Courtyard at One Colorado, Old Pasadena
Beginning March 2005, the Armory Center for the Arts will organize four outdoor site-specific installations for the 2005-06 program year in the central courtyard area of One Colorado. Three of these will be one-person shows selected from proposals. Each installation will be on view for approximately four months. This exhibition series is a collaboration between the Armory and One Colorado.
One Colorado consists of seventeen historical buildings including shops, restaurants, offices, and a central courtyard on one city block in the heart of Old Pasadena. Set between Colorado Boulevard and Union Street and between Fair Oaks Avenue and Delacey Street, the One Colorado courtyard attracts between 2,000 and 4,000 visitors daily.
We are looking for innovative ideas that explore the possibilities of the extensive space. Chosen artists will construct a site-specific installation to be installed at least 8 feet above the ground. Works may be in a wide variety of media, including sound-based or light-based media, and may be installed in different types of spaces, such as the courtyard windows, outer passageways, walls, rooftops, or towers. Works may be visible by day, night or both. All works must be weather-resistant and remain in good condition for at least four months. Issues of public safety must be in consideration. Artists are encouraged to visit One Colorado and its venues to possibly integrate related subjects into their proposals. One Colorado site plans are available at www.onecolorado.net.
Installation proposals (maximum 150 words), should include diagrams as necessary and a maximum of 10 slides of related work by each submitting artist. One Colorado will provide a $500 honorarium to each of the selected participating artists. "Art Over Your Head" is made possible through the generosity of One Colorado.
For submission send up to 10 slides, installation proposal (up to 150 words, may include diagrams and drawings), and SASE to:
Attn: Elise Barclay/Art Over Your Head
Armory Center for the Arts
145 North Raymond Avenue
Pasadena, CA 91103
DEADLINE:
Proposals must arrive at the Armory by Monday, November 8, 2004, 5:00 p.m.
Artists will be notified as to whether or not their proposals are approved by Monday, November 29.
If you have any questions, please call:
Elise Barclay, Exhibitions Coordinator, 626-792-5101 x 116
For further information about the Armory Center for the Arts, visit www.armoryarts.org.
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Call for entries Electrohype 2004 - the third Nordic biennial for
computer-based art.
Deadline May 31st 2004.
Electrohype is pleased to announce this call for entries for the
exhibition that will be a follow up to two previous exhibitions
Electrohype 2000 and 2002. The upcoming exhibition will be a large
scale and broad presentation of computer based and high tech art.
The exhibition Electrohype 2004 will be held at Malmo Konsthall, one
of the most beautiful exhibition spaces for art in Scandinavia. The
exhibition will be presented for eight weeks on 1700 square meters
(13 000 square feet). This gives us a unique opportunity to compile a
spacious exhibition that gives all works and installations good
conditions.
Our goal is to present an exhibition consisting of 15 - 20 works of
art. The concept of the Electrohype biennial is that it shall be a
Nordic exhibition but this does not exclude works by artists from
outside the Nordic region. To give the exhibition a broad perspective
we are usually working with a 60/40 model, 60 percent from the Nordic
region and 40 percent from the rest of the world.
Given the opportunity to present an exhibition in this large scale in
a space that reaches a large audience (235 000 visitors annually) we
have decided to choose the theme PERSPECTIVE for this exhibition.
This means that we will not only include newly produced works but
also look for artwork that draws a historical line for a rather young
art genre.
Important dates
Deadline for this call for entries may 31st, 2004
Exhibition opening November 27th 2004
Exhibition closing January 23rd 2005
What kind of art are we looking for?
Electrohype has since the start in 1999 focused on what we choose to
call computer based art. Art that runs of computers and utilizes the
capacity of the computer to mix various media, allow interaction with
the audience, or machines interacting with each others etc. in other
words art that can not be transferred to "traditional" linear media.
This might seem as a narrow approach but we have discovered that it
gives us a better focus on a genre that in no way is narrow.
We are not looking for "straight" video art (even if it is edited on
a computer) or still images rendered on computers and other material
that refers to more "traditional" media forms. Forms were the
traditional tools have been replaced with computers and software.
Practical
An online application form and a PDF form can be found on our website:
http://www.electrohype.org/2004/entrieinfo02.html
NOTE: Please do NOT send documentation material as attachments to
e-mail and do NOT send 8 pages CVs. Put your material online and send
us the url or ftp address or send us a CD in the mail. Please read
the form and follow the guidelines. We receive a large amount of
proposals and all of them are reviewed closely. To be able to do this
we ask you to follow this structure.
Financial
We are still working on the fundraising for the exhibition. We will
hopefully have final numbers sometime during this summer. We will
have to adjust the final selection of works for exhibition according
to the financial situation. This is unfortunate but it is also
necessary, art is beautiful but financial reality is harsh.
We will encourage everyone submitting material to look for
possibilities for local funding to help cover costs for transport,
travel and rent of technical equipment.
In previous exhibitions we have managed to keep a high level both in
artistic content and exhibition design, even on a modest budget. It
is therefore very important for us to avoid unpleasant surprises, so
please keep this in mind when filling out the various posts in the
form, especially when it comes to technical requirements, transport
weight etc.
We are looking forward to see new and interesting works of art.
Best regards from the Electrohype team.
Anna Kindvall and Lars Gustav Midboe
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If you encounter problems with this mail address please notify me at
electrohype@swipnet.se
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Lars Gustav Midboe www.electrohype.org
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Electrohype office +46 40 780 20 mobil/tel:+ 46 705 198817
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Electrohypes kansli 040 - 78020 mobil/tel:+ 0705 198817
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please post/forward...
SF Camerawork
CALL FOR ENTRIES
Receipt Deadline: July 30, 2003
Online and Web proposals for
Improbable Monuments
(Part of our upcoming Fall 2004 show, Monument Recall)
Monument Recall is an exhibition of work by artists who are
challenging ideas of what a 'monument' can be. Through scale,
material, point of view, location, subject, and concepts, work in
this exhibition challenges the conventional expectations of public
monuments in public spaces.
As part of this exhibition, we are looking for work in proposal form
only, to be exhibited online.
Submissions should include:
1. a description of your Improbable Monument
2. a visual rendering of the idea, in images, animation, digital video, etc.
3. a description of its purpose and function within the context of
improbable monument.
4. all current and pertinent contact information.
The ideas should not be restricted by materials, funds, and subject
matter or by any other practical considerations. Instead, we're
looking for grand visions of what monuments can be without regard to
the usual constraints. We are particularly interested in how ideas
can function specifically within the cyber realm,
All submissions should be available online or in Web-ready digital
files on a CD-ROM. If the work is already online, please send the
URL. Otherwise, send the CD-ROM to the address below. Please include
an Artist Statement & Vitae, as well as a self-addressed, stamped
envelope for the return of your materials. Mail the material to:
SF Camerawork
MONUMENT RECALL
1246 Folsom Street
San Francisco, CA 94103
or email material to: Laurie Blavin
For more information, contact any of the exhibition curators:
Paula Levine (plevine@sfsu.edu)
Trena Noval (tnoval@mindspring.com)
Laurie Blavin (laurie@blavin.com)
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http://www.transition-media.com
The Transition Media Gallery is an online intermedia center for art. In an age of postmodernism and new media, art disciplines have merged and blurred lines that previously existed between media (painting, sculpture, etc.). Art is in a continual transitional state. The Transition Media Gallery is a document of that change and a symbol of that change. Based in Brooklyn, Transition Media makes specific efforts to reach out first to its New York community while always remaining open to the international community.
We host sound-as-art (experimental, creative, noise, sound poetry, etc.), text-as-art (hypertext, flash text, concrete, abstract, experimental poetry, etc.), and image-as-art (painting, photography, video art, installations, new media, etc.).
The Transition Media Gallery is using internet technology for the purpose of exhibiting art. The democratization of art is a dream realized through the internet. Galleries have sprung up and multiplied in numbers never before imagined. The unrecognized artist now has a chance to show their work to a worldwide audience without the traditional gallery system. The internet gallery also gives the viewer a chance to study and explore contemporary work in ways only previously dreamed. With major sites like rhizome.org, art-mine.com, artnet.com, ubu.com, and walkerart.org, art has proven that its transition to the new technologies is successful and continues to offer yet unrealized possibilities.
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Isabel Aranda * yto.cl * (visual - digital artist) and Ismael Frigerio
director of the Center of Visual Arts of Santiago CAVS. invite you to
participate in the International call of Mail Art : F5 Reload that will be
exposed in the CAVS, Santiago de Chile.
F5 Reload. Reload your art. New means in the art. Technology, communication
and vanguard.
F5 Reload is the key of the computer that is used to reload the files that
are visualizing. Make your own "reload". Send a work that integrates the new
means in the art. It can be in the technique or in the topic. Theoretical
texts are also received. What do you understand for "new means?"
Size: A4 or free.
Technique: Free.
Deadline: July 31 2004
The works will be exposed in the C.A.V.S (Center of Visual Arts of
Santiago).
No Jury. No return of the work.
All the works will be published in the web site : www.escaner.cl/artepostal
(except those that surpass the 300 kb.)
Not forget send e-mail address please! I want inform and send
participation certificates through e-mail. If you don't have address e-mail
you please inform me.
To send works to:
Isabel Aranda yto.cl F5 Reload
Casilla 140 - Santiago 11. Santiago de Chile.
Only Digital animations through e-mail: ytoaranda@lycos.es or
ytoaranda@hotmail.com
(or if you have problems to pay the postal mail)
Note:
(2001) Flies on the soup: Please download CD :
http://www.escaner.cl/artepostal/uniacc2001 (7MB)
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Grant program for Researchers in Residence: August 31 2004 deadline
Please note that as part of its international competition open to
historians, curators, critics, independent scholars, artists and scientists,
the Daniel Langlois Foundation is offering the chance for two researchers to
work at the Centre for Research and Documentation (CR+D) in Montreal,
specifically in its documentary and archival collections. Research projects
must be directly related to one of the Foundation's archival collections or
research projects supported by the foundation.
A description of the collections is available at:
http://www.fondation-langlois.org/flash/e/index.php?NumPage=147
Descriptions of the project supported by the foundation is available at:
http://www.fondation-langlois.org/flash/e/index.php?NumPage=148
Guidelines for the Grant Program for Researchers in Residence:
http://www.fondation-langlois.org/e/programmes/bourses.html
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CALL FOR WORK
SUBMISSIONS DUE BY: JUNE 11, 2004
We are doing a call for work for a one evening art and music event, to be
held in a location in Times Square, New York City.
What is the theme of the show?
TAGTEAM. Because there‚s no „I‰ in art.
We're interested in what happens when two (or more) people from different
disciplines or different ways of working interact on a shared idea. We
want to explore how their individual methods correspond and clash,
cross-fertilize, provoke, or self-destruct, and how the working process
affects what physically comes out of that collaboration.
The collaborative art effort does not necessarily have to revere the
tagteam as magical/wonderful/larger than a single person, but we‚re
excited by it as a different way of working, a way of letting go of your
own working methods, and as a challenge.
You could be working together in the same space or half way around the
world. Or maybe you have a piece with a collaborative element (with
another person or with the audience) within a given project. Show us
what you've got.
What are we looking for?
All media, all genres: prints, paintings, photography, handmade books,
sculpture, installation, video, web, performance. Do you do something
else? Surprise us. We are seeking both projects that have already been
completed, and projects that WILL be completed by early July.
We are also offering a Residency Opportunity:
Three artist teams will be selected for a 2-week residency at the space,
for the 2 weeks leading up to the event. We are offering access to space
and tools to realize your tagteam project. Pitch us a proposal of what
you could do with it.
What else do we want?
If accepted for the show, you will also produce a series of small works
to be sold at the event. It should be a series of multiples or objects
that you can cheaply and easily reproduce within a 4 week time period, to
be sold for prices between $2 and $10.
These commissioned pieces don‚t necessarily have to be in the same medium
as your main piece, or even have anything to do with the exhibited work,
but,
-The pieces need to be in an edition of at least 30.
-Commissioned pieces must be completed by July 10th, 2004.
Examples from past show that people really seemed to like: stuffed
animals, accordian books with digital prints, cd‚s, pencil and ink
drawings, hand bound hardcover books, t-shirts, decorated boxes,
paintings on panel, mix tapes, silkscreened patches, sheets of stickers,
magnets.
Be creative, the more innovative it is, the more likely it is to sell.
It‚s really pretty open, go buck wild, and have fun.
How do you apply?
To submit work for review, please send a description of your work, and
any pertinent resume/cv/artist statement/websites or places your work
appears online IN THE BODY TEXT OF YOUR EMAIL to spitinfo@mailas.com
DO NOT SUBMIT IMAGES. Any emails with attachments will be discarded.
Once your application is successfully reviewed, we will contact you if we
need any further information and/or images.
SUBMISSIONS DUE BY: JUNE 11, 2004.
Want to know more about us?
check out the website: www.spitandducttape.com and see our past shows
contact us at: spitinfo@mailas.com
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Electrofringe Festival -
Call for an Emerging Curator
30 September - 4 October 2004, Newcastle, NSW Australia
Electrofringe is a hands-on, all-in new media arts festival dedicated to
unearthing emergent forms, highlighting nascent trends and encouraging young
and developing artists to explore technology and its creative possibilities.
Electrofringe 2004 is looking for an EMERGING CURATOR to co-curate a media
art based exhibition at Rocket Art Gallery, Newcastle. You will be working
with Ashley Whamond from Rocket art based on the ideas of mediation of the
everyday through technology. You will also be able to assist in the curation
of the Net.Art exhibition with Electrofringe co-directors.
The ideal person will have a good knowledge of the Australian media art
landscape, have some experience in curating, is able and willing
to
collaborate and can work with limited resources. (You do not have to be NSW
based.)
The exhibition will run from September 16 until October 4 2004, at the
Rocket Art Gallery Hunter Street, Newcastle. For more info on Rocket Art go
to http://www.rocketart.org
Please send us a one page biography/description of your prior work to
electrofringe@octapod.org with subject header Electrofringe Emerging Curator
Deadline: June 17 2004
More information on the Festival www.electrofringe.org