Subject:
calls x 29 pt 1
Message:
After much delay, The Yes Men film is out! It opens this week in LA and NYC. Check it out, and check out their request below.
Dear Yes Men subscriber,
This is just a quick note about a couple of things--and to ask you
for a big, big favor.
First, we're on the road, at the moment in Oregon, doing our strange
variety of campaigning. We plan to keep going, mostly through swing
states, up till November 2; watch here for updates:
http://www.theyesmen.org/blog/
Also, in just two weeks, on September 24, the movie about our *last*
strange round of campaigning--a three-year stint posing as WTO
representatives--will be released by United Artists in New York and
Los Angeles.
In "The Yes Men," a lot of powerful folks, including our current
"president," find their ideas and actions exposed and skewered in
crazy, funny, and horrible ways. Many of those who have seen the
movie in festivals have said they left the theater enraged, engaged,
and full of the urge to act; even press screenings, usually dour
events, have people rolling in the aisles, then writing us heartfelt
messages.
A number of viewers have even told us they think "The Yes Men" could
make a difference in the thinking of "middle America." Just in case
they're right, we have to do everything in our power to make sure it
gets to that audience.
This is where the favor comes in. If our movie doesn't have a big
opening week in New York and Los Angeles, it won't go anywhere
else--that's the way it works with small films these days. For folks
in smaller cities to see it, "The Yes Men" has to be seen by many
thousands of people in New York and Los Angeles the week of September
24. Can you help make that happen?
This movie (like our new book, http://www.theyesmen.org/book/) has
already been ringingly endorsed by George W. Bush ("There ought to be
limits to freedom") and the ex-director of the World Trade
Organization ("Deplorable"). But believe it or not, even such glowing
reviews won't get it into theaters in Toledo and St. Paul.
So please: on September 24 or in the week thereafter, if you live in
or near New York or Los Angeles, PLEASE go see "The Yes Men." Take
your friends. Take your enemies. Take people you've never met. And
forward this message widely.
That way, other people you've never met, who live in swing states,
will get yet another dose of political education in movie form--this
one coated in a thick, sugary layer of laughs.
Your friends,
The Yes Men
----
and without futher ado
the calls:
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The Anti-Advertising Agency is a new, artist run organization creating collaborative works
which critically examine outdoor advertising and the use of public space.
We are currently looking for proposals from artists able to work in the SF Bay Area. Selected artists will:
- recieve up to $1000 stipend
- recieve up to $950 supply budget
- be able to work in collaboration with the Agency.
Please visit the site and download a call for entries for more information.
http://antiadvertisingagency.com
Sincerely,
Steve Lambert, CEO
steve@antiadvertisingagency.com
the Anti-Advertising Agency
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Dear fellow artists and friends,
OPPORTUNITY: I've been asked by the Jersey City Museum (www.jerseycitymuseum.org) to select a few "NoHu" artists for a public slide presentation to be held at the Museum on October 14, 2004 from 5:30-8:00pm. "NoHu" means artists living or working in Northern Hudson County, New Jersey, including the communities of Guttenberg, Hoboken, North Bergen, Secaucus, Union City, Weehawken, or West New York.
DEADLINE: If you are interested in this opportunity, or know of a qualified artist who is interested, please reply to me (ben@bengoldmanart.com or the address below) by Friday September 3rd, 2004 with the following information.
SUBMISSION: (1) Indicate the address where artist lives or works, which must be located in the "NoHu" area of New Jersey; (2) include a few images of your work and a brief bio or resume; (3) email is preferable (with jpegs and documents), or send slides and SASE; (4) late submissions will not be considered for this event, but may be selected for future slide shows.
I hope you can attend this exciting presentation, even though I won't be able to show everyone's work who applies. The Jersey City Museum (350 Montgomery Street) is one of the metro-region's finest visual arts organizations, and needs our support. This is the second in a series of slide shows featuring NoHu artists. Last spring's first "NoHu" show included a fabulous roster of award-winning artists, filled the auditorium, and generated television and print coverage as well as additional artist opportunities (for more info, see: http://www.bengoldmanart.com/Docs/!cid_937271717@04032004-214.jpg).
Thanks for spreading the word.
Warm regards,
Ben Goldman
53 Fulton Street
Weehawken, NJ 07086
201-223-5474
ben@bengoldmanart.com
www.bengoldmanart.com
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The IMAGES FESTIVAL is seeking submissions for our upcoming celebration of new and exciting media art. The 18th edition of the Images Festival will take place April 7-16, 2005 in Toronto, Canada, and will showcase approximately 200 film, video, performance, installation and new media works from Canada and around the world.
Submission deadlines are as follows:
FILM & VIDEO: November 5, 2004 (final deadline is November 19 - higher entry fees apply)
INSTALLATION, NEW MEDIA, PERFORMANCE: September 17, 2004
Full guidelines and entry forms for Film & Video submissions (Competition Program or Student Program):
http://www.imagesfestival.com/corp_site/submit_2005_av.pdf
Full guidelines and entry forms for Installation, New Media and Performance submissions:
http://www.imagesfestival.com/corp_site/submit_2005_other.pdf
If your computer is unable to download these files, you may request a text version (please specify whether you need the FILM & VIDEO or INSTALLATION, NEW MEDIA & PERFORMANCE forms) from submissions@imagesfestival.com.
Please forgive us if you have received this posting numerous times, but we REALLY want your submissions... However, if you haven't been receiving the Images newsletters or announcements, but would like to, please join our mailing list:
http://www.imagesfestival.com/corp_site/popup_join/join.html
"The Images Festival boldly anticipates the future of the moving image" - EYE WEEKLY
"Toronto's most eccentric and interesting film festival" - TORONTO LIFE
IMAGES FESTIVAL
April 7-16, 2005
401 Richmond St. W. #448
Toronto ON Canada M5V 3A8
T 416.971.8405 F 416.971.7412
http://www.imagesfestival.com
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EXHIBITION OPPORTUNITIES & CALLS FOR ENTRIES
1) United Net-Works Mobile Archive of Wonders at Southern Exposure
2) EPIC Southern Exposure‚s Fourteenth Annual Juried Exhibition
3) MONUMENTAL Southern Exposure‚s Fifth Annual Film/Video Screening
4) BAVC‚s 2004 Mediamaker Award
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1) United Net-Works Mobile Archive of Wonders at Southern Exposure
You are invited to participate in United Networks Mobile Archive of Wonders. As part of United Net-Works‚ >>On the Road<< 2003-2005 project, United Net-Works will set up a San Francisco branch of the mobile archive as part of Southern Exposure‚s 30th anniversary exhibition The Way We Work. United Net-Works will also present a selection of 15 artists work & binders from their Stockholm archive.
United Net-Works >>On the Road<< 2003-2005 ˆ is a collaborative art project, initiated and run by Sofie Sweger, which investigates networking and social action as strategies for empowerment, collaboration and exchange between artists and arts professionals around the world. An open invitation is extended to all artists and groups who wish to participate in the project by submitting a hardcover binder with documentation of their work. The mobile archive and the individual binders act as a point of contact with a wide range of artists work as well as a communication channel and supportive structure for meetings, presentations and screenings in the different local contexts in which the project is able to participate.
Submissions Guidelines for United Net-Works Mobile Archive
To participate in United Net-Works mobile archive project please submit a standard hardcover binder (for 8 ? x 11‰ paper) containing a presentation of you, your work, projects, interests and ideas. Each artist, artist group, artists organization, artists project, curator, researcher, independent arts professional etc. decides freely how their work should be presented in this binder. Conceptually the file should be imagined as an individual space made available within the archive and the tour. The binder should provide an introduction to you and your work acting as a point of contact and communicative link with other artists, artists groups, curators, galleries, organizations, museums etc. The binder may be looked upon as an Œartbook‚ or a portfolio all depending on your interest. Please make sure to clearly mark the file with your name before you submit it.
Early Deadline: September 7, 2004 (For participation throughout the entire duration of the exhibition). After this deadline, artists' binders will be accepted on an on-going basis during the exhibition, which runs from September 10th until October 23rd 2004. Materials may be submitted by mail or in person during gallery hours (Tuesday thru Saturday 11am-5pm and Wednesday thru Friday 12noon-8pm).
1. cv / resume
Name, address, e-mail, telephone number, web address
Education
List of exhibitions, projects, collaborations
2. image material
Documentation of single art works and installations, State relevant information, such as title, year, media, participants etc. If relevant please also submit short descriptive text about works/installation.
Documentation from a selection of projects and exhibitions, State relevant information about the exhibitions/project, such as title, place, year, participants etc. Please also submit short descriptive text (press release).
3. VHS/DVD ˆ works.
Submit works clearly indicating title, length and year of production. Please enclose short descriptive text if relevant. No works will be screened or loaned outside of United Net-Works >>On the Road<< project without special permission from the artist.
4. VHS/DVD ˆ documentation
From projects/exhibitions. Please enclose descriptive text.
5. CD-Rom ˆ presentations
Mark clearly with name & address.
6. slides/digital images
Select 2-3 representative slides (35mm), preferably in plastic frames, or 2-3 digital images in tiff format 300 dpi on CD. The images will be used for a marathon slideshow presenting all participating artists, artists groups, curators etc. in the archive.
7. texts & articles
Copies of texts & articles. State source, issue, and year if applicable.
8. hardcover binder
Please submit all presentation materials in a standard binder for 8 ? x 11‰ paper. Please make sure you mark the binder with your name before you submit it.
Other printed and digital materials such as CD-ROMs, catalogues, magazines etc. are gratefully accepted as part of your presentation but cannot replace a specially constructed binder.
Artists‚ materials will become a permanent addition to the San Francisco branch of the United Net-works mobile archive and they will not be returned. The archive will travel to other cities and locations.
Please send or bring materials to:
Southern Exposure
401 Alabama Street @ 17th Street
San Francisco, CA 94110
contact: Kristen Evangelista
e-mail: programs@soex.org
tel: 415 863 2141
www.soex.org
Exhibition: The Way We Work
Dates: September 10 ˆ October 23, 2004
Opening Reception: Friday, September 10th 7:00 pm ˆ 9:00 pm
Special gallery hours: Tuesday and Saturday, 11:00 am ˆ 5:00 pm
Wednesday ˆ Friday, 12:00 pm ˆ 8:00 pm
About The Way We Work:
Southern Exposure is proud to present The Way We Work, an international exhibition developed in recognition of its 30th anniversary and collaborative approach to working and organizing. This exhibition and series of projects takes Southern Exposure's innovative community-based working model as its starting point. The Way We Work is comprised of six projects by artist collectives who build networks and involve a great number of communities in the creation and presentation of their work. Participants include Instant Coffee (Toronto, Canada), Neighborhood Public Radio (Oakland, CA), Red76 Arts Group (Portland, OR), Jon Rubin and Stephen Wight (Oakland, CA), Stretcher.org (San Francisco, CA) and United Net-Works (Stockholm, Sweden).
For more information about The Way We Work and Southern Exposure visit www.soex.org
For more information about United Net-Work, upcoming >>On the Road<< programs and list of participants visit www.unitednet-works.org
2) EPIC
Southern Exposure's Fourteenth Annual Entry Fee-Free Juried Exhibition
Juried by Magali Arriola. Art critic and Independent curator
Exhibition dates: November 12 ˆ December 16, 2004
Opening reception: Friday, November 12, 2004, 7 PM ˆ 9 PM
THEME: Every year Southern Exposure selects a theme for the juried exhibition, which encourages as broad a range of artistic interpretation as possible. This year‚s theme, Epic, was chosen to explore narrative-based work, suggesting a structure that strays far beyond reality and spans an entire life-time or even multiple life-times. We invite artists to submit work that responds to this idea in some way, shape or form.
ELIGIBILITY: Open to all artists living in Northern California, north of King City and south of the Oregon border.
RULES: Entry Fee: None! One work per artist. Work must be completed within the last year. All artistic media will be accepted for jurying. Dimensions of work submitted may not exceed 6' x 6' x 8' and/or 150 lbs., in order to accommodate as many entries as possible. Actual works must be submitted. No written proposals will be accepted. Work must be ready to install. Site-specific installation of artwork during drop-offs is prohibited. While every precaution will be made in the care of submitted artwork, Southern Exposure is unable to insure work during the jurying phase of Epic.
DROP-OFF TIMES: Friday, October 29, 12 PM - 7 PM
Saturday, October 30, 10 AM - 2 PM
AT Southern Exposure
401 Alabama St. (at 17th)
San Francisco, CA 94110
JURYING: Sunday, October 31
Only accepted artists will be notified by Sunday evening, October 31. To keep the phone lines from jamming, please do not call Southern Exposure.
Non-selected work pick-up times: Monday, November 1, 12 PM - 8 PM
Work left after the pick-up day will be charged $5 per day storage fee
ABOUT THE JUROR:
Magali Arriola is an art critic and independent curator currently sharing her time between Mexico City and Los Angeles. From 1998 - 2001 she was chief curator at Museo Carrillo Gil (Mexico City). Among her most recent projects are How to Learn to Love the Bomb and Stop Worrying about it, (CANAIA, Mexico City / Central de Arte at WTC, Guadalajara, Mexico, 2003-2004); We are all Sinners, Nordic Contemporary Art (Museo Tamayo, Mexico City / MARCO, Monterrey, N. L., 2002-2003); and Zebra Crossing (Haus der Kulturen der Welt, Berlin, 2002). She has written for the magazines Poliéster, Curare, ArtNexus, Parachute, and Journal des Arts. She is a founding member of the group Teratoma and the independent space CANAIA (National Chamber for the Arts Industries, México City).
3) MONUMENTAL Southern Exposure‚s Fifth Annual Film/Video Screening
Programmed by Anne Walsh, Video Artist and Curator
Southern Exposure is seeking short film and video submissions from Northern California artists for our Fifth Annual Entry Fee-Free Juried Film Event, Monumental, held in conjunction with Southern Exposure‚s 14th Annual Juried Exhibition, Epic. This year we are looking for films and videos that in some way relate to the theme of „Monumental‰.
RULES/ELIGIBILITY
- Open to all Northern California artists living north of King City and south of the Oregon border.
- Film/videos must be completed in the past year.
- Artists must submit their work on VHS or mini DV for jurying. If work is accepted, it may be screened in one of the eligible formats listed below.
- More than one film/video can be submitted, but the total running time of ALL SUBMISSIONS COMBINED must be 15 minutes or less.
DEADLINE
- Saturday, October 30, 2004 by 2 PM (Entries can be hand-delivered or mailed to Southern Exposure, 401 Alabama Street, San Francisco, CA 94110).
PLEASE INCLUDE
- Each submission must be labeled with artist name, contact info, title, a short synopsis of the submission, and total running time.
- Artist statement/bio and filmography.
- Self-addressed stamped envelope for return of submission(s).
-ELIGIBLE FORMATS FOR EXHIBITION
16mm, super 8, VHS, and mini DV
Selected artists will be notified by November 19, 2004. Non-selected work will be returned by self-addressed stamped envelope.
MONUMENTAL will be screened THURSDAY, DECEMBER 2, 2004 at 7:30pm at Southern Exposure.
ABOUT THE JUROR:
Anne Walsh is a Bay Area video artist and curator whose solo and collaborative work has been shown at numerous national and international venues, including the Institute for Surrealism Studies (Essex, England), the Los Angeles Museum of Contemporary Art, The Pacific Film Archive, and the Whitney Museum of American Art. She has curated several exhibitions and is also an editor of X-Tra, the art and culture journal published in Los Angeles. Currently, Walsh is Assistant Professor of Video Art in the Department of Art Practice at U.C. Berkeley.
4) BAVC‚s 2004 Mediamaker Award
Could your video project use a $3,500 boost?
Are you in the post-production phase and in need of media services, suites,
and classes?
Yes, yes, yes?
BAVC is now accepting applications for the 2004 Mediamaker Award.
Visit http://bavc.org/media/grants/mediamaker.htm for information and an
application.
Want to learn more?
Come to Orientation September 1 6-7:30pm at BAVC. The
evening will include a tour of BAVC's facility, Q & A from BAVC technical
and education staff members, and light refreshments.
Please RSVP to samantha@bavc.org for orientation; orientation is not mandatory for
Applicants.
2004 MediaMaker entries must be received by September 23, 2004.
***
SOUTHERN
EXPOSURE
401 Alabama St. (at 17th)
San Francisco, CA 94110
t- 415 863 2141
f- 415 863 1841
e- soex@soex.org
w- www.soex.org
November 15
A.I.R. Gallery's 6th Biennial Exhibition: Juror: Maura Reilly, Curator, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum. Send SASE for prospectus to 511 W. 25th Street, #301, NYC, NY 10001 or enter online at www.airnyc.org
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October 22
A.I.R. Fellowship Program: Two-year sponsored membership with solo show opportunity for NYC greater metro area women artists. Selection panel: Maura Reilly, Florence Lynch, and others (TBD). Application deadline: October 22, 2004.
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October 15
The Japan Foundation is now accepting proposals for eligible projects in the Performing Arts Japan (PAJ) grant program in fiscal 2005-2006 (April 2005 - March 2006). The PAJ program was started in 1994 with the mission to establish a system for promoting Japanese performing arts in the United States. To date, PAJ has funded 129 projects of Japanese performing arts in both traditional and contemporary art forms. Program Guidelines and Application Form are available at www.jfny.org. The Japan Foundation, New York, 152 West 57th Street, 39th Floor. New York, NY 10019. Tel 212-489-0299 or Email info@jfny.org
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diego
sala-manca group / no-org.net
(H)earat Shulaym - Independent Art Journal - Issue # 8
Call for Entries
Encyclopaedic Dictionary of 21st Century - (P)Art I
Collective project by (H)earat Shulaym Art Journal
The deadline for submission is: 30.9.04
The aim of the call is to produce an encyclopaedic dictionary, which will define through a poetical,
and/or theoretical approach central concepts and keywords related to art through a project of collective
collaboration.
Though art considers as a result of a dialogue between the artist/s and the community/society where
he/she acts, as well as a result of an interaction with economic, social and political factors, we encourage
a wide range of concepts related to those topics (from concepts such: Collective work, Common property,
Net, New media, Cybernetics through keywords such as Social, Activism, National, Intervention, Macro-economy,
Resistance, Performance, Video, Digital, Avant-garde, Canonical, Local, Museum, Gallery, Pencil, Paper, Ink,
Data, Printer, Finger, Market, Studio, Critics and so on).
We ask for artists, curators, critics and cultural mediators to send us keywords and concepts that seems
to be relevant to their own definition of art, defined through an image (photo, painting, sketch, collage, etc.)
or/and a text (definitions, articles, references, etc.)[see submission form].
The result of this call will be the publishing of an encyclopaedic dictionary [(p)art I] as the coming issue of
(H)Earat Shulayim Art Journal - independent journal for contemporary art, on November 2004, in 1000-1200 copies.
January, 2005 the issue will be available @ no-org.net site, for free downloading and print continuing the data/reference/art
project at no-org.net (edited with VagRearg)
Submission form
For further questions & comments please contact:
Lea Mauas, Diego Rotman
(H)earat Shulaym/ Sala-Manca Group /no-org.net
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South Asian Visual Arts Collective, Toronto, calls for film and video, deadline Sept. 24
Call for SHORT FILM & VIDEO Submissions:
SAVAC (South Asian Visual Arts Collective), Toronto, ON, CANADA
Deadline: September 24, 2004
No Entry Fees
SAVAC (South Asian Visual Arts Collective) is looking for contemporary, independent and innovative short films and videos by artists of South Asian origin from around the world. From subtle abstractions, documentaries to figurative works, the program will reflect the range of current activity and talent by South Asian artists.
Works must be under 50 minutes, not produced before 2002, and have a South Asian artist in a key creative role. Submissions from emerging directors and students are welcome.
The screening will take place in Toronto, Canada on November 10, 2004.
Artists Fees will be paid.
Submissions should be sent on VHS enclosed with the following:
Artist or Director name
Full contact information (address, phone, fax, email)
Title of work
Date of Production
Brief synopsis of the work
Brief biography of the artist
Production stills – if available
Publicity kit – if available
Send all materials to:
SAVAC – film and video program
401 Richmond Street West, Ste 450
Toronto, ON
Canada M5V 3A8
Inquiries can be sent to info@savac.net
All deliveries from international participants must be marked: "NO COMMERCIAL VALUE - FOR CULTURAL PURPOSES ONLY" Please do not claim any monetary value on your package for insurance or otherwise over $50 or you will be charged customs, duties and taxes.
All submissions must be sent prepaid. SAVAC will not accept collect or C.O.D. shipments and will not accept shipments incurring expenses for duties, taxes or customs brokerage. Submission will only be returned with a self addressed stamped envelope (in Canadian postage) or send a cheque payable to SAVAC for the return postage amount.
SAVAC is a Toronto-based, artist-run, nonprofit organization dedicated to the development and presentation of contemporary visual art by artists of South Asian* origin, within Canada and internationally. South Asians are people who can trace their ancestry to countries of the Indian subcontinent: Bangladesh, Bhutan, India, Nepal, Pakistan, and Sri Lanka.
SAVAC - The South Asian Visual Arts Collective
www.savac.net | info@savac.net
tel: 416.542.1661
401 Richmond St. West, #450
Toronto, ON Canada M5V 3A8
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One to One Individual Artist Bursaries in Live Art, Live Art Development Agency, London. NB open to London-based artists working in live art. Deadline: 11 October. http://www.thisisliveart.co.uk/prof_dev/one_to_one/index.html
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Residency. Bemis Center for Contemporary Art, Omaha, Nebraska, USA. Deadline: 30 September. http://www.bemiscenter.org/residency.html
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eKsperim[E]nto Film and Video Festival 2004, Manila, Philippines. Deadline: 15 October http://www.geocities.com/eksperimento/
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Rotterdam International Film Festival, Netherlands. Deadline: 1 October. http://www.filmfestivalrotterdam.com/en/filmentry/article/339576.html
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Tirana Short Film Festival, Albania. Deadline: 30 September. http://www.tiranashortfilmfest.com
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The Department of Communication at the University California, San Diego
(www.communication.ucsd.edu) seeks to fill four positions to begin July
1, 2005. Two positions are in the area of communication technologies;
two positions are in media studies and studies of expressive
culture/performance. Rank of each position within the areas will be
determined by skills and qualifications.
1. Digital Media Production and Theory. The Department seeks a
professor, strongly preferred at the assistant or early associate level,
who is a creative producer/scholar in digital media arts with a strong
background in critical studies and who can work with a faculty that
spans the social sciences, humanities, and the arts. Specialization
areas may include but are not limited to: net art, net radio, electronic
performance, interactive installation, electronic curating, computer
music, digital sound, robotics, architectural design; conceptual or
public media art, and transitions between old and new media forms. We
seek applicants who are engaged with digital media scholarship and who
are qualified to teach at the graduate level and in areas of the
curriculum beyond production. Candidates should hold a PhD, MFA or
equivalent qualifications and have a strong exhibition record and
demonstrated potential for teaching excellence. (Additional sites that
may be of interest: http://crca.ucsd.edu; http://www.calit2.net/,
http://www.activistsandiego.org/, http://www.mediaartscenter.org/).
2. Critical Studies of Communication Technologies. The Department seeks
a professor, strongly preferred at the associate or full level, with a
national and international reputation in research and demonstrated
graduate and undergraduate teaching strengths. Research and teaching
areas may include but are not limited to the study of human-technology
interfaces; technologies of information, communication, cognition, body,
and language; and technologically supported networks in institutions,
workplaces, environments, or social movements. We seek applicants whose
work considers one or more of the following: gender, race, cultural
identity, ability, globalization, and development. The appointee may be
affiliated with UCSD's graduate Science Studies Program
(www.sciencestudies.ucsd.edu). (Additional site that may be of interest:
http://www.calit2.net/).
3. Media Studies. The Department seeks a professor, strongly preferred
at the assistant or early associate level, in media studies. Research
and teaching areas may include the analysis of media culture, history,
industries and production processes and/or audiences, especially but not
necessarily limited to a focus on television and film.
4. Expressive Culture and Performance. The Department seeks a professor,
strongly preferred at the assistant or early associate level, who works
on various forms of expressive culture and/or performance. Particular
foci might include discourse, language and social interaction; everyday
forms of communal expression and citizenship; drama in a dramatized
society; rituals, festivals, and commemorations; cultural tourism and
transnational networks; performances of identities/identifications; and
resistance/domination through ritual/art/performance.
Send vita, statement of research and teaching interests, one work sample
(a single publication or media work), home page URL, and contact
information for three references by October 30, 2004 (late applications
will be accepted).
For positions 1 and 2, send to Professor Lisa Cartwright.
For positions 3 and 4, send to Professor Dan Hallin.
Department of Communication (0503)
University of California at San Diego
9500 Gilman Drive
La Jolla CA 92093-0503
Salaries are in accordance with UC pay scales. UCSD is an equal
opportunity/affirmative action employer committed to excellence through
diversity. Applicants are invited to preview campus diversity resources
and programs at the campus website for Diversity
(http://diversity.ucsd.edu/). To assist applicants who may have an
interest in employment opportunities for spouses/partners, consult the
UCSD Academic Job Opportunities Bulletin
(http://academicaffairs.ucsd.edu/offices/aaa/recruitment/), the Staff
Employment Opportunity Bulletin (http://joblink.ucsd.edu/) or our links
to employment opportunities at other education and research institutions
in San Diego (http://www.ucsd.edu/sandiego.html).