Subject:
calls x 55 pt 2
Message:
Dieu Donné Papermill seeks Executive Director
Dieu Donné Papermill is one of New York‚s most dynamic art centers dedicated to the creation, promotion and preservation of new contemporary art utilizing the hand papermaking process. Throughout its 27-year history Dieu Donné has worked with more than 500 world-renowned contemporary artists through residencies, art publishing, contract work and studio rentals. Highlights from 2002 - 2003 include: an edition of stenciled images by James Brown, a suite of watermarked and pulp painted images by William Kentridge, an artist book by Jane Hammond and poet Raphel Rubinstein and an editioned suite with Richard Tuttle. Dieu Donné's editions and unique works are reviewed by major art publications and have been collected by many of the major national and international museums and collections including: MOMA, Kunstmuseum Basel, the Metropolitan Museum of Art, the Whitney Museum of American Art, Wexner Center for the Arts and the Hallmark Collection.
In addition to its papermaking studios, Dieu Donné has a gallery and art sale showroom in its 5000 square foot space on Broome Street in NYC. Also housed in the space are its staff of 7 full time administrative and studio professionals. Currently Dieu Donné‚s budget is $850K, with $250K unearned and $600K earned. It has received a major grant from the Warhol Foundation, and is supported by the DCA, the NYSCA and the NEA, the Peter Norton Foundation, AMEX, the Verizon Foundation.
The ED reports directly to the board through the board chair. He/she has overall management responsibility for the organization and, in cooperation with the ED for Programs, guides the vision of the organization.
The ED is responsible for implementing the long-range plan and supporting the long-term growth and stability of the organization. Specifically, the Executive Director will:
- Prepare the budgets, oversee the monthly financial reporting and, with the Treasurer of the board, report on cash flow, balance sheet and profit and loss statements.
- Participate in all areas of fundraising; oversee the preparation of grant requests to corporations, foundations and government agencies, and help to develop a major gifts fund raising effort.
- Shape and guide the volunteers to insure a successful annual benefit.
- Work closely with the Art and Gallery Committee and the ED for Programs to insure that DD continues to produce cutting edge, innovative artistic projects and a robust and profitable publishing program.
- Ensure that Dieu Donne` reaches and is well known by its key constituents; artists, collectors, critics, connoisseurs and arts institutions.
- Have ultimate responsibility for mentoring and managing the staff; and
- Work with the board and board committees to strengthen the effectiveness of the board and contribute to its growth.
The ideal candidate will have five or more years of visual arts management experience, preferably in an environment where collaboration and creativity are essential. The Executive Director will be an excellent manager, have good financial and strategic planning skills, and have the proven ability to engage potential major donors. Knowledge of contemporary art and artists and institutions is essential, as is an interest and knowledge of the NY gallery scene. The person may come from the commercial art world, but in any case will have sensitivity to the mission and nonprofit status of DD and its historic and long-term goals. Poise, presence, and ability to communicate both in writing and verbally are essential. The ideal candidate will also have the temperament and flexibility to work in a studio-like setting with a staff that operates in an informal and collaborative manner.
All applications and nominations will be kept confidential. Please contact:
James Abruzzo
Managing Director, Nonprofit Practice
DHR International
Phone: 973-912-4444 x222
Fax: 973-912-4454
jabruzzo@dhrintl.net
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from artservis
The Hague, The Netherlands
Europa Nostra
Europa Nostra Awards 2003
EU Prize for Cultural Heritage
The entry forms for the European Union Prize for Heritage / Europa Nostra Awards 2003 are available as from 10 June 2003. You are kindly asked to disseminate the existence of this Awards Scheme as widely as possible and to encourage individuals or groups that have achieved exemplary results in the field of cultural heritage conservation and preservation to submit entries.
Since last year, there are 6 categories for which one can apply:
1. An outstanding project in the field of:
a. architectural heritage
b. cultural landscapes
c. collections of works of art
d. archaeological sites
2. An outstanding study in the field of cultural heritage
3. Dedicated service to heritage conservation by individuals or groups
The entry forms can be requested from the Secreatriat or can be downloaded from Europa Nostra's website (see below).
Rok prijave: 15/09/03
Kontakt:
Europa Nostra, Pan-European Federation for Heritage
Mrs Laurie Neale, Heritage Awards Co-ordinator
Lange Voorhout 35
NL-2514 EC The Hague
The Netherlands
tel: +31 70 302 40 51/55/57
fax: +31 70 361 78 65
ao@europanostra
http://www.europanostra.org
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************************************************************
ISEA2004: The 12th International Symposium on Electronic Art
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CALL FOR PROPOSALS
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+++ Deadline extended to 20 September, 2003 +++
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http://www.isea2004.net
- Stockholm - Tallinn - Helsinki -
August 14 - 22, 2004
new media art - media culture research - electronic music -
art and science - cultural and social applications for new media -
New media meets art, science, research, and popular culture at
ISEA2004 in Stockholm - Tallinn - Helsinki. For the first time an
event of this scale is being organised between three cities and on the
ferry travelling between these three Baltic countries.
International participants and local audiences attend thematic
conferences, exhibitions, live performances, screenings, satellite events,
concerts and clubs. Many events are also interfaced via
television, radio, broadband Internet, and mobile networks.
We are encouraging: Socially, critically and ecologically engaging work;
Projects that bring the creative media to the streets; Projects that are
worn on or inside people; Context sensitive work in the museums; Projects
that float, dock or sail; Screen based media as it appears in 2004; Sea
Fair: technological gizmos for ferry travellers and future media
archaeologists to discover; Bridges between club scenes and art venues;
Most engaging works from performing arts that engage new media, users, and
audiences; Networks to network...
Key themes for the event include:
Networked experience (Stockholm)
Wearable experience (Tallinn)
Wireless experience (Helsinki)
Histories of the new: media arts, media cultures, media technologies - all
cities
Additional themes include:
Open source and software as culture (Helsinki)
Critical interaction design (Helsinki)
Geopolitics of media (Tallinn)
Interfacing sound (Helsinki and on the Ferry - in collaboration with
Koneisto - check out http://www.koneisto.com for details of this year's
Koneisto Festival 24-26 July 2003)
We are currently inviting proposals for projects and papers for the
exhibitions, conferences and associated programs during ISEA2004.
Projects might include: works for exhibition in a gallery; workshops;
installations in public spaces; live performance; interfaced screenings;
games or shared environments; projects which encourage remote
participation - etc.
Proposals for the conference can include papers and panels but we are
equally interested in workshops and roundtables: discussion formats that
encourage participation and exchange of ideas.
We are also working with a range of local organisations who may be able to
host short and medium term residencies or workshops for artists who are
keen to spend a longer time working with local artists and organisations.
Information on these opportunities will be regularly added to the web
site, so do register to receive updates. ISEA2004 will be an exciting
week long event, but we are also interested in providing a space to build
long term, sustainable exchange and collaboration.
The time on the Ferry will provide a space for less formal dialogue and
social intercourse, so feel free to propose workshops and meetings for the
exchange of information and ideas.
Our over all aim for ISEA2004 is to create an event which is thematically
and critically coherent and provides new insight.
Please note that ISEA2004 is a forum for artistic, academic, and
culturally or socially relevant work that has not previously been
presented in international forums (you may have showed/presented it in
your local context).
All submissions are done via our website using a web form and stored into
a database. This procedure allows us to have the proposals reviewed by
International Programme Committee (IPC) members. We very much look
forward to hearing your ideas!
For further information:
http://www.isea2004.net
info@isea2004.net
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Heidelberg, Germany
halle_02
RE//ACT
International Media-Art-Festival offering students from all over the world a stage to present to the public their experimental projects from the departments 'interactive art', 'room installation', 'video art' and 'computerinstallation'.
All students from the departments media art,video,film and design can participate but have to submit the documentation of their projects or the projects itself on VHS or DVD.
Rok prijave: 29/09/03
Kontakt:
RE/ACT Festival in der halle_02
Güteramtsstraße 2
Heidelberg
tel: +49(0)6221.137687
contact@react-festival.de
www.react-festival.de
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Los Angeles, USA
Sundance Institute
Sundance Film Festival
Call for submissions
International Narrative Feature Film
A fiction film made outside of the U.S. with less than 50% U.S. financing, longer than 70 minutes. The film must have a completion date after 2002.
Eligibility: International feature films may screen in up to 2 previous festivals (U.S. and International). Priority is given to U.S. Premieres. All International films compete for the Audience Award.
International Documentary Feature Film
A documentary film made outside of the U.S. with less than 50% U.S. financing, longer than 50 minutes. The film must be completed after 2002.
Eligibility: International feature films may screen in up to 2 previous festivals (U.S. and International). Priority is given to U.S. Premieres. All International films compete for the Audience Award.
International Short Film
A fiction film made outside of the U.S. that is under 70 minutes OR a documentary film made outside of the U.S. that is under 50 minutes. Film must have less than 50% U.S. financing.
Eligibility: New this year, International short films, under 35 minutes will compete for an International Jury Prize in Short Filmmaking. International short films may screen in any number of previous festivals (U.S. and International).
Razpisni obrazec
Rok prijave: AUGUST 15: INTERNATIONAL SHORT FILMS, OCTOBER 3: U.S. FEATURE FILMS / DOCUMENTARIES / INTERNATIONAL FEATURE FILMS - this is not a postmark deadline!
Kontakt:
Sundance Institute
festivalinfo@sundance.org
http://institute.sundance.org/
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Vienna, Austria
KulturKontakt Austria
Henkel Arts Prize for Photography and Henkel Young Artists Prize – “Artists-in-Residence” programme of KulturKontakt Austria
Posebni pogoji: Artists from the "countries in transition" in Central, Eastern and South-eastern Europe are eligible to apply.
Henkel Arts Prize for Photography
The winner of the prize will be selected by an international jury. The award will consist of a monetary prize of 5000 Euro and the organisation of an exhibition displaying this person's works, both in Vienna and in his or her home country.
The application should include:
· a curriculum vitae and documentation of the artist's creative development (in English or German)
· documentation of the artistic work (original photographs or reproductions, maximum size: A3, no slides or videos)
· all works must date from 1998 onwards
· The competition is only open to artists from Belorussia, Bosnia-Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Hungary, Latvia, Lithuania, Moldavia, Poland, Romania, Russia, Serbia and Montenegro, Slovakia, Slovenia and the Ukraine.
Please note that no liability can be assumed for any works which are lost or damaged. Photography which has been submitted will be returned to the owners after the selection process by the jury. Oversized work will not be accepted.
There is no application fee!
Henkel Young Artists Prize – “Artists-in-Residence” programme of KulturKontakt Austria
KulturKontakt Austria’s "Artists-in-Residence" programme provides for a stay of three months in Vienna, including the studio, accommodation, insurance, a monthly grant of Euro 900,-, a one-time subsidy for materials as well as an exhibition of the artist’s work at the end of the three-months period. Two studios for the fine arts and one for photography are available. Artists from these "countries in transition" in Central, Eastern and South-eastern Europe are eligible to apply.
Within the framework of KulturKontakt Austria’s “Artists-in-Residence” programme, Henkel CEE will additionally be awarding a Young Artists Prize to one of the participants. This person will be named the best young artist in the fine arts and photography. Artists from the following countries, who are under the age of 40, are eligible to apply: Belorussia, Bosnia-Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Hungary, Latvia, Lithuania, Moldavia, Poland, Romania, Russia, Serbia and Montenegro, Slovakia, Slovenia and the Ukraine. The winner will receive a cash award of 1500 Euro from Henkel in addition to the three-months grant from KulturKontakt Austria for his or her stay in Vienna.
The prize winners will be selected by an international jury.
The application should include:
· a curriculum vitae and documentation of artistic development (in German or English)
· examples of work in the form of photos, slides, folders and/or catalogues (maximum size: A3)
Rok prijave: 31/08/03
Kontakt:
KulturKontakt Austria
Att: Department of Visual Arts
Spittelberggasse 3/DG
A-1070 Vienna
Austria
tel: +43-1-523 87 65 ext. 43
kultur@kulturkontakt.or.at
www.kulturkontakt.or.at
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New York, USA
CEC International Partners
ArtsLink
ArtsLink is accepting applications from artists and arts managers in Central/Eastern Europe, Russia and Eurasia for Residencies and Independent Projects in the United States.
RESIDENCIES
The Residencies program places artists and arts managers from Central/Eastern Europe, Russia and Eurasia at U.S. arts organizations for 5 week residencies. Applicants do not need to have any contacts in the U.S. to apply for a residency. This year, Residencies is open to artists and arts managers working in visual and media arts.
INDEPENDENT PROJECTS
Independent Projects grants provide funds to artists and arts managers from Central/Eastern Europe, Russia and Eurasia who have been invited by a U.S. arts organization to undertake a project in the U.S. Independent Projects is open to artists and arts managers working in all disciplines.
The application deadline for both programs is November 5, 2003. Guidelines and applications are available on the ArtsLink pages of CEC International Partners website or upon request from ArtsLink.
Kontakt:
SCCA-Ljubljana
Mateja Lazar
Metelkova 6
1000 Ljubljana
Slovenija
tel: (01) 431 83 85
fax: (01) 430 06 29
mateja.lazar@mail.ljudmila.org
www.cecip.org
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Florence, Italy
Datum dogodka: 24.-28.3.2004
Robert Schuman Centre for Advanced Studies at the European University Institute
Mediterranean Social and Political Research Meeting
Call for papers
www.iue.it/RSCAS/Research/Mediterranean...
The meeting will take place from 24-28 March 2004 in Florence and Montecatini Terme and will bring together about 250 scholars from the Middle East & North Africa (MENA), Europe, and elsewhere.
Goals
- First, to bring together scholars from the MENA, Europe and elsewhere whose studies focus on the MENA and on the relationships between the MENA and Europe
- Second, to enable in-depth discussions of high standard original research papers on central topics
- Third, to encourage the publication and dissemination of papers in the form of working papers of the Mediterranean Programme, of thematic issues of journals, and/or edited volumes
Structure
The core of the Meeting is up to 15 workshops in which scholars will present original research papers.
Each workshop is directed by two workshop directors and will have 10 to 12 participants.
The members of each workshop meet in four of five sessions for a total of approximately fifteen hours in which they discuss papers, general topics, ways to publish the papers and how to continue collaborative efforts.
Most workshops of the Meeting are selected from the proposals that are received responding to the "Call for Workshops".
Since the Fourth Session of the Meeting in 2003, a number of workshops are co-organised and co-sponsored with other renowned institutions and organisations.
For the Fifth session, agreements have been made to co-organise and co-sponsor five workshops with the following institutions:
-European Cultural Foundation (ECF), Amsterdam (Workshops No. 6 & 7)
-Institut Europeu de la Mediterrania (IEMed), Barcelona (Workshop No. 3)
-Social Science Research Council (SSRC), New York (Workshop No.10)
-Euro-Mediterranean Human Rights Network (EMHRN), Copenhagen (Workshop No15).
Workshops
For each workshop, there are an abstract and a full description of the workshop as well as abstracts of the papers of the workshop directors.
1. Information and Communications Technology: Critical Issues in the MENA Region
directed by Elia Zureik & Rafal Rohozinski
2. Small Business and Development in the MENA Countries: Opportunities and Constraints
directed by Umayma Yamut & Andrea Manuelli
3. International Migration: A Positive Sum Game?
directed by Philippe Fargues, Gemma Aubarell, Ahmet Icduygu & Heba Nassar
This workshop is co-organised and co-sponsored by the Institut Europeu de la Mediterrania (IEMed), Barcelona and the Mediterranean Programme.
4. Migration and Human Rights
directed by Khadija Elmadmad & Ryszard Cholewinski
5. Displacement and Resettlement in the Middle East: Access to Rights as a Regional Policy Issue
directed by Behrooz Morvaridi & Géraldine Chatelard
6. Euro-Mediterranean Expressive Culture(s) between Markets and Cultural Policies
directed by Walter Armbrust & Mona Abaza
This workshop is co-organised and co-sponsored by the European Cultural Foundation (ECF), Amsterdam and the Mediterranean Programme.
7. Cultural Policies and Immigrant Cultural Production in Euro-Mediterranean Space: Cultural Intermediaries or Interlocutors
directed by Ayse Caglar & Ayse Öncü
This workshop is co-organised and co-sponsored by the European Cultural Foundation (ECF), Amsterdam and the Mediterranean Programme.
8. Subalterns and Social Protest: "Politics From Below" in the Middle East and North Africa
directed by Stephanie Cronin & Driss Maghraoui
9. New Technologies, International Fragmentation of Production, Migration of Competences, and Development: From the Necessity to the Conditions of a New Euro-Mediterranean Dynamics of Cooperation
directed by Bachir Hamdouch & Paolo Guerrieri
10. Public Spheres and Urban Spaces in the Middle East and North Africa
Directed by Seteney Shami and Fawwaz Traboulsi
This workshop is co-organised and co- sponsored by the Social Science Research Council (SSRC), New York and the Mediterranean Programme.
11. Land and Conflict in the Middle East and North Africa
directed by Ray Bush & Mohamed Abdel Aal
12. Dynamics of Stability: Middle Eastern Political Regimes Between Functional Adaptation and Authoritarian Resilience
directed by Oliver Schlumberger & Farid El-Khazen
13. Cooperation across Ideological Divides: Comparative Locales Within Arab Public Spheres
directed by Jillian Marie Schwedler & Bassel F. Salloukh
14. Determinants and Consequences of Population Trends in Israel and Palestine: Views from the Center and from the Diaspora
directed by Sergio della Pergola & Hasan Abu-Libdeh
15. Economic and Social Rights in the Mediterranean Area and the Impact of the Euro-Mediterranean Free Trade Areas
Directed by Ivan Martin & (co-director to be announced) Mohammed Said Said (or Nader Fergany )
This workshop is co-organised and co-sponsored by the Euro-Mediterranean Human Rights Network (EMHRN)
Conference Venue
Most of the activities of the Meeting will take place in Montecatini Terme which is about 40 kilometres from Florence (and 50 kilometres from Pisa) and this is where all participants will be hosted. Some events will take place at the European University Institute in San Domenico di Fiesole.
Rok prijave: 05/09/03 in some cases late applications may be considered
Kontakt:
Robert Schuman Centre for Advanced Studies at the European University Institute
Mediterranean Programme
Via delle Fontanelle, 19
50016 San Domenico di Fiesole (FI)
Italy
tel: + 39 055 4685 785
fax: + 39 055 4685 770
medmeet@iue.it
http://www.iue.it/
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Bilbao, Spain
Datum dogodka: from Friday 23rd to Friday 30th of April
Fundación Bilbao Arte Fundazioa
Ciber@RT Bilbao 2004, International Festival of New Technologies, Art and Communication
Challenges for a Ubiquitous Identity
http://www.ciberart-bilbao.net/bases_en.htm
Since the beginning, in 1995, the main aim of this festival has been to deal with the essential elements in artistic production through digital media and to reflect on the changes society undergoes as a consequence of the presence of technological resources, processes and mediations.
Ciber@RT Bilbao 2004 is a multidisciplinary festival, as it becomes obvious from the great variety of programmed activities in its various sections: Net-Art, Off-line Multimedia Projects, International Conference, Computer Animation, Minimisation and Interactive Installations.
Rok prijave: 15/12/03
Kontakt:
Fundación Bilbao Arte Fundazioa
Ciber@RT
Av. Reino de Valencia, 58 - 8
46008 Valencia
Spain
tel: 00 34 96 373 10 82
fax: 00 34 96 373 05 45
www.ciberart-bilbao.net
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Lublin, Poland
Majdanek Museum
Majdanek 2004
Competition of works of art produced on paper, adopting one of the following techniques: graphics, drawing or photography.
The works, belonging to the artist, shall be produced between the year 2000 and the year 2003, they must not be displayed at any prior international exhibition. The works should explore the broad theme of the triennial exhibition. The organisers will hold the right not to show works which offend morality or hurt religious or national feelings. Each artist may send up to 4 works, unframed, without glass. The size of the paper should not exceed the dimension of 100 x 70 cm. The works should be posted in tubes or packages, preferably by registered post, the weight of the parcel cannot exceed 3 kg. A label 'Tylko na wystaw´' (Only for the exhibition) must be stuck to the package.
Majdanek, the former concentration camp, acquired its historic status as a place of the sufferings and the extermination of 300 thousand people of 52 nations. It was a place where man had to undergo unbelievably traumatic experiences, a place of the ultimate contempt for There is the historic remembrance of tragic past events. It is the role of the Majdanek Museum to store still full of unrest, intolerance, illegal deeds, phobias, persecutions, suffering, wars, terrorist attacks and the threat of total annihilation. Evil international triennial art exhibitions serve this role of the museum. The major award of these exhibitions, the Grands Prix, was given to the following artists, Jiri Anderle from the Czech Republic (1985), Michel van Overbeeke from Holland (1988), Jacek Tybur from Poland (1991), Peter Zeiler from Germany (1994), Leszek Kilja®?ski from Poland (1997), Pawe©© Warcho©© also from Poland (2000). The collection of works of contemporary art on the war and martyrdom has been built up in Majdanek after the exhibitions which have taken place so far. The collection consists of 6175 works produced by artists from 42 countries. The works are seen by thousands of people from many countries. They have also been displayed in exhibitions in Poland and abroad, in, among others, Austria, Bulgaria, Belorussia, the Czech Republic, Japan, Germany, Slovakia, Sweden, Hungary and the USA. human life. Today Majdanek is a place of deep silence and quiet reflection. There is the Monument of Struggle and Martyrdom. There is the Cemetery of the Nations.
Rok prijave: 15/09/03
Kontakt:
Majdanek Museum
VII Mi´dzynarodowe Triennal Sztuki MAJDANEK 2004
ul. Droga M´czenników Majdanka 67
20-325 Lublin
Poland
http://www.triennale.art.pl/
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Submissions for the Surrealist Film Festival
The Williamsburg Art and Historical Center
(brooklyn NY)
As part of the Brave Destiny Exhibition, Cinema VII is hosting The Surrealist Film Fest at the Williamsburg Art and Historical Center, the evenings of October 3rd and October 4th, 2003.
Prizes will be awarded for the best films submitted.
Application Date: 8/31/2003
Peter Dizozza
c/o The Williamsburg Art and Historical Center
135 Broadway
Brooklyn, New York 11211
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Date: 7.30.03
From: Andrea Brogi (andrea@ffll.it)
Subject: 4¬?th GOLDEN BIT
1) The 3C Cinefoto Club Cascina calls and organizes the 4th Grand Prix
BIT D'ORO IMAGES OF SYNTHESIS WITH FREE THEME (virtual representation
processed by computer) with the sponsorship of the Town Council of
Cascina and the cooperation of INTERFREE.
2) The Contest is open to all the digital authors who intend to take
part to it with images of synthesis - virtual representation of the
reality which don't have their origin in any photographic click but are
realized by the computer using specific software. Up to 4 works (files)
can be sent.
3) The size of the pictures (for both the showing to the jury and for
the projection that will be made by a video projector) can be at maximum
of 1024 pixel for the horizontal side and 768 pixel for the vertical
one. Files must be JPG and named with a maximum of 7 alphanumerics plus
extention, composed as following: CCC | NN | F | n |.jpg, in which CCC
is the first three letters of the surname, NN is the first two letters
of the name, F identifies the number of sended files, n identifies the
sequential number and .est identifies the extention (.JPG).
4) The participation in the single Grand Prix INTERFREE is completely
free, it doesn't need the sending of the paper entry form and of the
relevant participation fee. It is necessary to fill in the participation
form on line on this web site: http://www.3ccascina.com/Concorsi_ENG.asp
Works must arrive within the 11th September 2003 on Floppy Disk or CD
Rom to the following address: 3C Cinefoto Club Cascina - c/o Pubblica
Assistenza Viale Comaschi, 42 - 56021 CASCINA (Pisa) - ITALY o by
INTERNET to the following address: concorso@3ccascina.com
5) The judgment of the jury is unappelable. Prizes will be awarded at
all events.
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PITZER COLLEGE
MEDIA STUDIES TECHNICIAN
# 317
Hourly Rate: $13.77 minimum plus benefits
Regular, part-time position (nine months) working 20 hours per week,
September through May. Work will be conducted during early evening hours
and may vary due to the needs of the department.
Essential Functions: The Media Studies Technician assists with the
installation and repair of film, video and computer assisted equipment in
the Media Studies Program. Consults with, advises and instructs media
studies students regarding systems operations. Assists with providing
technical presentations. Maintains equipment inventories, checks out
equipment and maintains records. Supervises student employees.
Required Skills and Abilities: Basic technical skills and knowledge of
equipment related to media studies department. Macintosh platform
familiarity a must. Familiarity with Final Cut Pro a must; knowledge of
Photoshop, Illustrator, After Effects, Flash, animation and sound editing
programs a plus. The ideal candidate should have a degree from a film &
video or art program; experience as a media maker is a plus. Ability to
troubleshoot, repair and maintain media related equipment. Ability to
interact well with diverse student groups and work effectively in a
tutorial setting. Knowledge of safe work practices as it pertains to
equipment operation and repair. Ability to bend stoop and lift heavy
equipment. The successful candidate must undergo a full background check
and employment is contingent upon satisfactory results.
To Apply: Send application and resume to Eric Otto, Assistant Director of
Media Studies, Pitzer College, 1050 N. Mills Ave., Claremont, CA 91711.
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rom: VideoLisboa
VideoLisboa 2003 - CALL FOR ENTRIES
VideoLisboa is back!
Beyond the Soundbyte
From 19-30 November 2003.
Features:
Video Competitions - recent productions from around the world
CD-Rom, Internet and DVD projects
Retrospectives
School presentations
Live Events
visit and download forms: www.videolisboa.com
--
VideoLisboa
Rua do Sol ao Rato 73 1?
1250-262 Lisboa Portugal
tel: +351 21 3878121/2
fax: +351 21 3876667
videolisboa@videolisboa.com
www.videolisboa.com
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from:
August, 20 - final dedline for 2nd international poetic film festival
W O R D I N M O T I O N !!!
organised by "Orbita" - group of Russian poets, based in Riga, Latvia!
First festival took place in 2001, film screenings were organised in
Kinogalerija (http://www.kinogalerija.lv) cinema and on TV tower!
more info at:
http://wordinmotion.orbita.lv
Ieva Auzina,
festival coordinator