Subject:
calls x 74 pt 1
Message:
Hello All,
in response to the post on the last list, the president of the HMC sent me a series of emails, of which I have posted her formal response. I would like to preface this with a couple observations:
There seem to be 4 kinds of residencies: Ones that offer a stipend, studio, and housing; ones that offer a studio and housing; ones that offer a studio but no housing but which will help you secure funding (such as banff, or gasworks in london); ones that charge a flat fee at the front. In my personal research, and my research in compiling this list it appears to me that almost no legitimate residency charges a flat fee upfront without helping/suggesting you secure art council/grant monies to offset the cost. The HMC residency call _did_not_ state that it charged a fee upfront, and if i had known that i would not have posted it.
In her letter Ms Szechy cites a figure of $25, but upon closer research, the current figure is $45/day (http://www.flash.net/~igazda/dms_HMC4.html). This seems like a very high daily rate, especially for accomodations in _rural_ hungary in a college dormitory. $45/day, or roughly $1400/ month is a New York/London/Tokyo cost of living. In fact, Gasworks cites a figure (which includes tube fare and all art materials) of 1200 GBP/ Month which is about $1900/ month. (http://www.gasworks.org.uk/varts/info/#funding) Closer inspection also found hungarian college dorm hostel prices to stay in a double room around $10 per day, and I would expect they could negotiate a lower price b/c the duration and quantity of rooms.(http://www.backpackers.hu/info.html)
With that, I leave you to make your own decisions,
Yours,
Michael
-------------------------------------------------------------------------
From: Beata Szechy
Dear Mr. Mandiberg:
This letter responds to the inaccurate statements concerning the
yearly Artistsí Residency program sponsored by the Hungarian Multicultural Center. I am
the president of this nonprofit organization. The residency is sponsored by the
Hungarian Culture Ministry, the American Embassy-Culture Department and the City of
Balatonfured.
We have successfully completed yearly artist in residency programs in each of the last
nine years. Over 80 artists from around the world have attended the residencies. All
but 3 have given us highly complimentary reviews.
The letter suggests that the financial dealings of the residency were suspicious
and that the costs were excessive. Nothing could be further from the truth. The costs,
accommodations and services provided were clearly set forth in the materials provided to
her before she registered. No profits were generated by the residency: instead, 100% of
the funds charged were spent on the program. The center maintains receipts and records
which evidence all funds received and expenses incurred.
The costs of the program included
--providing lodging in the historic Paloczi Castle,
--two meals a day,
--transportation to and from Budapest to Balatonfured (150 kilometers each way),
--an opening reception,
--a closing reception,
--studio,
--sightseeing,
--an exhibition of the residents works (including advertising and other costs) at the
Art East Gallery in Balatonfured, and
--the organization of media relationships (resulting in over 10 published articles and
publicity of the artists works on television and radio, all of which was most favorable).
As is described in the materials, in addition to the Balatonfured exhibition, every
three years another exhibition is held at the prestigious Vizivarosi Gallery in Budapest
to showcase the works of the artists for the past three years.
The cultural attache to the U.S. ambassador, television, radio and newspaper media
representatives and over 500 people attended the opening night of the month long
exhibition in 2001. A number former residency participants from the US and other
countries also returned for the exhibition and were pleased.
The next exhibition at the Vizivarosi Gallery will be July 1 -31, 2004. We believe that
this exhibition will be even more successful than those in the past.
All of this was provided at a cost of about $25 per day! The suggestion of profiteering
cannot be supported given this very modest cost.
I was present each day for the first and last weeks of the residency and was in daily
contact by telephone at all other times. In addition, the cultural organization curator
for the city was there each day. It is correct that we do not provide instruction
because the artists who must demonstrate competence before the are selected.
As is described in the materials, the accommodations in the Paloczi Castle (which dates
from the 1700s) are normally provided to college students during the school year. The person who wrote attended the residency 4 years ago. She and 2 others of the 80 plus attendees over
the years would have preferred to have stayed in major hotel accommodations of the type
available in her home city of New York. That is not practical for a program of this type
and cost. Indeed, virtually all of the participants preferred the ambiance of the castle
and the historic town of Balatonfured and the numerous other amenities available there.
-------------------------------------------------------------------------
and without further ado, the calls:
-------------------------------------------------------------------------
note: this was on a website which was last updated in 2000, so the program may be defunct.
http://www.dowhile.org/physical/programs/air.html
Artists in Residence Program
The Artist in Residence Program at Do While Studio provides professional artists working in evolving technologies the opportunity to develop their work in a dynamic, technologically advanced environment. Three month residencies are available with a maximum of three residents each year. Do While Studio provides studio space for production and research, shared equipment access, and a community of professional artists with deep experience working with technology. Do While Studio does not supply staff for teaching software applications or bulding hardware configurations. Limited technical consult is available free of charge to residents who request their specific needs in their application.
Artists in Residence at Do While Studio are required to present their work publicly, to document their work online, to advance the mission of Do While Studio, and to share in community building.
Projects which are designed for community outreach or for educational purposes will be considered for the program.
No honorarium is available. There is no fee to the artist.
How to Apply
To apply, please send a project proposal of up to three pages in length, describing the work you plan for your Residency and how your work fits into and advances the mission of Do While Studio. Also submit a resume listing your professional art experience and technical skills, along with appropriate visual support materials (disks, CDs, slides, videotape, URLs etc.) to
Jennifer Hall
Director
Do While Studio
122 South Street
Boston, MA 02111
jenhall@massart.edu
If you need to have your materials returned, please send a self-addressed, stamped envelope.
updated (5/02/2000)*
-------------------------------------------------------------------------
Call for Proposals
NURTUREart Non-Profit
(New York NY)
Call for Proposals for Group Exhibitions:
NURTUREart Non-Profit announces the opening of its new Gallery and Emerging Curator's Resource Center in Williamsburg. The new NURTUREart Gallery is approximately 500 square feet with wood floors and high ceilings, lots of wall space, and a museum quality lighting system soon to be installed, just steps from the L train in Williamsburg. This new space will be dedicated to providing an ongoing laboratory for collaboration between emerging curators and artists, opening new opportunities for both.
All proposals must consist of a thoughtfully considered idea for a group exhibition utilitizing artists from the NURTUREart Slide Registry (currently over 450 artists). The registry being an ever growing family, welcomes new artists at anytime, thus a curator's proposal may contain up to 50% new additions to the registry. Artists wishing to join (FREE) or update their files please send in slides, resume and statement. Curators interested in submitting proposals must call in advance for an appointment to view the registry. Office hours begin after our grand opening on September 19
Application Date: 11/9/03
NURTUREart Gallery and Emerging Curator Resource Center 475 Keap Street, Ground Floor, Williamsburg, Brooklyn. Saturdays and Sundays 12 - 6 p.m. or by appointment. L train to Lorimer or G train to Metropolitan. Behind the Kellogg Diner. www.nurtureart.org nurtureart@nurtureart.org 718-782-7755 or 212-795-5566
-------------------------------------------------------------------------
Call for Entries: Graphic Design
Independent Curator
(Boston MA)
Seeking non-commercial posters for an upcoming travelling exhibit of experimental work by graphic designers, addressing the impact of cultural difference on contemporary graphic design practice. The goals are twofold: to focus on the role of the outsider as a visual practitioner with heightened sensitivity, and to promote gallery-based graphic design as a legitimate element of professional practice.
One may become an outsider through travel, study abroad, or immigration. One may be born an outsider. It may be a choice; it may be a self-imposed stance. One's outsider status may be evident on the surface; it may be consciously hidden. We are looking for visual evidence and exploration of various experiences and perspectives on the issue.
Additionally, the gallery context is one in which graphic design frequently takes a subordinate role. This exhibit seeks to reverse this situation and bring graphic design into the forefront, activating the "outsider" in the gallery.
Your poster can be digital, analog, or a combination of processes. It can be a single piece or a series. Work in the exhibit will include digital output, letterpress, and screenprinting, among other processes.
Submissions are sought from all over the world, from graphic designers in all areas of practice. We welcome and embrace a diverse array of experiences.
Please email a preview of your submission by Oct 1st 2003. Your entry should be a 72 dpi Jpeg file, no larger than 100k. If sending multiple submissions, each entry should be no larger than 100k. Email submissions to maya@montserrat.edu.
Submission checklist:
- Jpeg file(s)
- brief artist statement
- summary of education, employment, exhibit/publication history
- current contact information
- birthplace and current location
- summary of significant travel experiences
Application Date: 10/01/03
maya@montserrat.edu
-------------------------------------------------------------------------
Art in Moion V
Art in Motion
(Los Angeles CA)
AIM, the University of Southern California School of Fine Arts international festival of time-based media, in partnership with the Armory Center for the Arts, Pasadena, is pleased to announce AIM V: Syzygy (The Human Remix).
AIM V: Syzygy calls for entries that explore the question of the human/machine remix. Derived from a Greek root meaning yoked or paired, syzygy implies a state of interdependent duality that speaks to the increasingly permeated relationship between human and machine. In this renegotiation of what it is and means to be human, we are exploring the ramifications of the "remix"- its impact on the human relationships (from global to interpersonal), on perception and the expression of subjectivity (human and/or machine), and on the experience of being a body (physical or virtual, flesh or machine).
The AIM V: Syzygy (The Human Remix) exhibition will be held March 7- June 6, 2004 at the Armory Center for the Arts, Pasadena. AIM V will also include screenings on the video billboards on West Hollywood's Sunset strip and satellite lectures and events in Los Angeles, Hong Kong, and Cusco, Peru.
Works must be time-based and address the festivals theme (however obliquely). Works may be submitted by anyone working in any discipline and medium. Submit proposals and/or copies of projects (no originals please) in the form of DVD, VCD, VHS (NTSC), Macintosh CD-ROM or URL, as appropriate. Entry forms will be available mid-September and may be found at www.usc.edu/aim.
Deadline for entries is November 30, 2003. For more information please email aim@usc.edu
Application Date: 11/30/03
www.usc.edu/aim
-------------------------------------------------------------------------
Beyond Urban Culture
Emerging Arts
(New York NY)
CALL FOR ARTISTS
SUBMISSION
EMERGING ARTS......PRESENTS..............
BEYOND URBAN CULTURE
A GROUP EXHIBITION RELATING THE CONNECTION BETWEEN EXTREME SPORTS AND EMERGING ART.
"BEYOND URBAN CULTURE"
WE ARE INVITING ALL ARTISTS TO SUBMIT WORK. ALL WORK MUST BE ORIGINAL, AND RELATE TO THIS THEME THROUGH MEDIUM AND/ OR INFLUENCE.
THE EXHIBITION WILL INCLUDE:
2-DIMENSIONAL: PAINTING, DIGITAL ART, GRAPHICS, PHOTOGRAPHY, AND FILM 3-DIMENSIONAL: SCULPTURE, CONVENTIONAL ART, AND FASHION
FOR FURTHER INFORMATION ON BEYOND URBAN CULTURE AND EMERGING ARTS PLEASE CONTACT:
SHAYNA T. BLUM, CURATOR, BEYOND URBAN CULTURE, 802 464 7431, BLUMSHAYNA@HOTMAIL.COM. OR VISIT OUR WEBSITE AT WWW.EMERGINGARTS.COM
Application Date: 11/1/03
Shayna T. Blum, 802 464 7431
blumshayna@hotmail.com
-------------------------------------------------------------------------
Printmaking Workspace Opportunity
Lower East Side Printshop
(New York NY)
The Lower East Side Printshop offers 24-hour access to professional printmaking facilities for emerging artists through its Keyholder Programs. The Printshop’s studio is equipped for etching and intaglio, water-based silkscreen, photo techniques, and papermaking. Participation is competitive and applicants must have working knowledge of the printmaking techniques they wish to explore. The Resident Keyholder Program is a minimum residency of six months at a fee of $70/month; recipients receive private storage, slide documentation, and internet presence. 50% Scholarships are available for artists of color. Full Scholarship Residencies are available to printmakers with specific projects-- maximum residency duration is 3 months and is non-renewable. For more information about these and other programs and/or application process, visit our website http://printshop.org or contact: Lower East Side Printshop, 59-61 East 4th Street, 6th Floor, New York, NY 10003. Tel: 212-673-5390. E-mail info@printshop.org.
Application Date: 09/15/03
212-673-5390
-------------------------------------------------------------------------
SCI-FEMME FILM SHOW
Cinefemme
(San Francisco CA)
Cinefemme announces a Call for Entries for its second curated film show and benefit. This year's theme is "Sci-Femme: Women, Technology & the Future."
We cordially invite films made by men or women, but each one must have a women in at least one key role (Producer, Director, Scriptwriter or Cinematographer).
We accept films of all genres and lengths that in any way pertain to the future.
Application Date: 09/15/03
kat Drabkin
1550 Davidson St
SF, CA 94124
415-609-0343
-------------------------------------------------------------------------
Hidden Agenda- Call For entries
The Drawing Room
(Chicago IL)
Hidden Agenda
Call for Entries: Deadline September 10, 2003
Call for Submissions for Hidden Agenda
Exhibition to open The Drawing Room: a new Pilsen gallery belonging to SAIC graduate students.
Eligibility: Open to artists working in any medium.
Proposals should be sent electronically, including digital files (jpeg, Quicktime, etc.) to klodge@artic.edu. Email for more information or to arrange proposal delivery. We realize this is short notice and that we are expecting a rapid turn around for both proposals and submitted work, but bear in mind, the Opening coincides with the Pilsen Artwalk, which draws a large crowd and offers great exposure to emerging artists.
Hidden Agenda conceals its actual intent the moment the doors open to the public. The perpetrators of this ruse obscure true meaning within a calculated fog of subliminal misdirection, bombarding their victims with coded language pounding one’s capacity to recognize reality. But the Hidden Agenda blinds both, victim subjected to the ruse, and the perpetrator entangled in their own devices. It suffocates truth and nourishes their amnesia. Whether we perceive it or not though, a line has two sides, a negative a positive, and so then a Hidden Agenda its own virtuous opposite that, rather than deceive, enlightens. What is backwards becomes informative, nurturing fertility and elasticity of the mind over ignorance. Because it does not offer easy solutions, to circumvent opposing intentions, a Hidden Agenda solicits a higher form of thinking from its victims, whom seek to yank a true understanding of reality from the darkness. Like the Sirens’ song, the evening news, the sexual allure of the female praying mantis and the boy who unexpectedly does his chores, a work of art has a hidden agenda. To effectively communicate, it need not slap the viewer’s senses, principles and personal philosophies, but should (for this exhibition) implement more covert means, located in both content and presentation. When the fog dissipates a more harmonious existence is revealed. So while the Agenda may be Hidden from the moment the doors open, its purpose remains to guide the audience into a deeper engagement with the art.
Application Date: 09/10/03
klodge@artic.edu
-------------------------------------------------------------------------
Special Editions Fellowship
Lower East Side Printshop
(New York NY)
Lower East Side Printshop invites emerging artists of all disciplines and cultural backgrounds to apply for the Special Editions Fellowship Program 2004. No previous printmaking experience is necessary. Awarded artists will create printmaking projects in collaborative residencies that will take place between February 2004 and February 2005. Each artist will have 8-12 day-long working sessions with a master printer to develop and complete a new body of work. The Printshop will provide materials, tools and equipment, full studio access, technical assistance and an artist honorarium of $1,000. Applications must be postmarked or hand-delivered by December 1st. Application available on http://printshop.org, or send a self addressed stamped envelope to Lower East Side Printshop, 59-61 East 4th Street, Ste. 6W, New York, NY 10003, 212-673-5390, info@printshop.org. The Lower East Side Printshop advances and promotes the art of printmaking and supports emerging artists.
Application Date: 12/01/03
Lilly Chu, Programs Administrator
212-673-5390
-------------------------------------------------------------------------
THE NEW ORLEANS CANAL STREET PROJECTION PROJECT
NIGHTWORKS
(New Orleans LA)
LARGE SCALE PROJECTIONS. The City of New Orleans and The New Orleans Canal Street Projection Project invite ALL MEDIA ARTISTS to submit their work to be included in a first time multi-media event of large-scale projection in an outdoor gallery with new media content. Images will be projected on the facades and sides of buildings lining 5 blocks of New Orleans’ historic Canal Street. From 6PM to Midnight every night for 7 nights a pedestrian only projection corridor including high-resolution projections, LED Screens, and Gobo Projections will illuminate the urban heart of a city with new dynamic imagery. The Projection Project is an Adjunct Event to the New Orleans Media Experience – New Orleans’ new Signature Media Festival celebrating film, video art, music videos, video games, animation, computer graphics, and all mixed media. It’s New Orleans’ new fall event, dedicated to “convergence” in art, technology and commerce culminating in a Gala Halloween Party. Please see the CPP and NOME websites at:
http://www.night-works.net/
http://www.neworleansmediaexperience.com/
SUBMISSION GUIDELINES: Screener copies may be submitted in VHS or DVD. Selected entries need to be in Beta SP, DV, DV Cam, or DVD. DVD is preferred. Please direct tech Q’s to: terry@MCPCI.com. Better the source material, better the transfer, better the final image blown up. There is no time limit on running time of submitted pieces or number of pieces submitted. MOS projection. Highly visual pieces will work more effectively than narrative works. Submitted works may include video art, film, commercials, music videos, video games, animation, computer graphics and animation, visual abstractions, conceptual photo albums, and digital renditions of paintings, photographs, and mixed media. If it’s on DVD we can show it.
Contact nightworks@earthlink.net for forms.
Application Date: 10/05/03
NIGHTWORKS MAIL
5500 Prytania Street, #414
New Orleans, LA 70115
nightworks@earthlink.net
-------------------------------------------------------------------------
Workspace Grant for NY Emerging Artists
The Center for Book Arts
(New York City NY)
Short residencies in 2004 Workspace Grant for New York Emerging Artists Program. We provide space, stipend, materials budget, tuition for letterpress/bookbinding workshops towards experimentation in book art. Postmark deadline 10/1/03.
Application Date: 10/01/03
For an application, visit www.centerforbookarts.org email info@centerforbookarts.org or send an SASE to The Center for Book Arts, 28 West 27th Street, 3rd Floor, NY, NY 10001.
-------------------------------------------------------------------------
MURAL ARTIST RFQ
Town of Huntington Public Art Advisory Committee
(Huntington NY)
Public Art Initiative Request for Qualifications (RFQ) seeking submission of qualifications by mural artists interested in being considered for a series of alleyway mural projects in Huntington Village, Long Island.
Application Date: 12/01/03
Copies of the RFQ can be obtained from the “Public Notice” section of the Town’s web site (http://town.huntington.ny.us/publicnoticedetails.cfm?id=34) or by contacting Michael Moss, Director of Purchasing, Town of Huntington, 100 Main St., Room 209, Huntington, NY 11743-6991. (Fax: 631-351-2833).
-------------------------------------------------------------------------
PERMANENT ART COMPETITION, DOBBS FERRY STATION, METRO-NORTH RAILROAD
MTA Arts for Transit
(New York NY)
CALL FOR SLIDES
Dobbs Ferry
MTA Metro-North Railroad
Metropolitan Transportation Authority Arts for Transit is seeking artists to create original two-dimensional designs for mosaic artwork at the Dobbs Ferry station on the Hudson Line, Metro-North Railroad. This station is currently being reconstructed as part of the MTA Metro-North Railroad Capital Program.
Up to one percent of the construction budget for each station is allocated for the design, fabrication, and installation of permanent artwork. The commissioned artist will create designs that will be reproduced into glass or ceramic mosaic. Because a fabricator, approved by the MTA, will translate the artwork into mosaic, an artist’s prior experience - or lack thereof - with this material will not be taken into consideration when reviewing artists for this project.
LOCATION OF ARTWORK
The area in the station designated to receive the artwork will be the retaining wall on the northbound platform. This wall will be refinished and the mosaic will be installed on this surface according to the artist’s design.
AWARDING OF PROJECT
A selection committee comprised of arts professionals and MTA Arts for Transit and MTA Metro-North Railroad representatives will select finalists based on the quality and appropriateness of the artists' portfolios. Finalists will be given a detailed overview of the project and receive a $750 honorarium to create a proposal for original artwork for the station.
PROJECT BUDGET
The maximum budget for the design and fabrication of the artwork for each station will be approximately $100,000, which includes an artist fee of 20% of the final project costs. As part of this fee, the selected artist will be required to submit a fabrication budget, produce completed designs, and oversee the fabrication and installation of the artwork.
APPLICATION PROCEDURE
Interested artists must submit the following:
A portfolio of up to 20 slides in a slide sheet, each slide labeled with your name and artwork specifications
An artist statement
OPTIONAL: Resume, press clips, postcards, catalogues, etc.
Submissions must be received in our offices by 5:00pm Wednesday, October 8 2003. All materials must fit in self-addressed 10”x 13” envelope or they will not be returned. MTA will cover the cost of return postage via regular mail.
Mona Chen
MTA Arts for Transit
347 Madison Avenue, 5th Floor
New York, NY 10017
Direct inquiries to Arts for Transit via email or fax (include a daytime phone number):
fax: (212) 878-7492
email: mochen@mtahq.org
All material will be returned by November 30.
Application Date: 10/08/03
Mona Chen
MTA Arts for Transit
fax: (212) 878-7492
email: mochen@mtahq.org
-------------------------------------------------------------------------
PERMANENT ART COMPETITION, RIVERDALE STATION, METRO-NORTH RAILROAD
MTA Arts for Transit
(New York NY)
CALL FOR SLIDES
Riverdale Station
MTA Metro-North Railroad
Metropolitan Transportation Authority Arts for Transit is seeking artists to create original two-dimensional designs in metal for integration within new fencing at the entrance of the Riverdale station on the Hudson Line, Metro-North Railroad. This station is currently being reconstructed as part of the MTA Metro-North Railroad Capital Program.
Up to one percent of the construction budget for each station is allocated for the design, fabrication, and installation of permanent artwork. The commissioned artist will create designs that will be reproduced in metal (steel, stainless steel or aluminum). Because an MTA approved fabricator will translate the artwork into the metal medium, an artist’s prior experience - or lack thereof - with this material will not be taken into consideration when reviewing artists for this project.
LOCATION OF ARTWORK
The area designated to receive the artwork will be a new fence located at the station entrance. All arriving and departing commuters must pass by this prominent site. The fence measures approximately 6 x 100 feet.
AWARDING OF PROJECT
A selection committee comprised of arts professionals and MTA Arts for Transit and MTA Metro-North Railroad representatives will select finalists based on the quality and appropriateness of the artists' portfolios. Finalists will be given a detailed overview of the project and receive a $750 honorarium to create a proposal for original artwork for the station.
PROJECT BUDGET
The maximum budget for the design and fabrication of the artwork for this station will be $120,000, which includes an artist fee of 20% of the final project costs (approximately $24,000). As part of this fee, the selected artist will be required to submit a fabrication budget, produce completed designs, and oversee the fabrication and installation of the artwork.
APPLICATION PROCEDURE
Interested artists must submit the following:
• A portfolio of up to 20 slides in a slide sheet, each slide labeled with your name and artwork specifications
• An artist’s resume and statement
OPTIONAL: Press clips, postcards, catalogues, etc
Submissions must be received in our offices by 5:00pm Wednesday, October 8, 2003. All materials must fit in a self-addressed 10”x13” envelope or they will not be returned. MTA will cover the cost of return postage via regular mail.
All material be returned by November 30.
Application Date: 10/08/03
Jodi Moise or Therese Tripoli
MTA Arts for Transit
347 Madison Avenue, 5th Floor
New York, NY 10017
Direct inquiries to Arts for Transit via email or fax (include a daytime phone number)
fax: (212) 878-7492
email: ttripoli@mtahq.org
-------------------------------------------------------------------------
CALL FOR SUBMISSIONS
IMAGES FESTIVAL 2004
INSTALLATIONS & NEW MEDIA//GUIDELINES & REGULATIONS
The Images Festival annually exhibits a selection of media arts installations and new media artworks as part of the festival. Images works with several Toronto galleries and other alternative exhibition spaces to show installations incorporating the moving image and interactive media.
Among the artists whose installations and new media works have been featured in past festivals: Harun Farocki, Steve McQueen, Pipilotti Rist, David Rokeby, Masashi Iwasaki & Tadasu Takamine, Jane & Louise Wilson, Bob Ostertag & Pierre Hébert, Gustavo Artigas, Carolee Schneemann, Judy Radul, Luke Jerram, Paulette Phillips, Joe Kelly, Nell Tenhaaf, Jean-François Guiton, Deanna Bowen, Haruki Nishijima, Gebhard Sengmüller, Marion Coutts, Willy LeMaitre & Eric Rosenzweig, Adriana Arenas Ilian, Michael Snow, Althea Thauberger, Taras Polataiko, Dara Gellman & Leslie Peters, Michelle Teran, badpacket.
DATES
Deadline for receipt of entries:
Friday, September 19, 5:00 pm
The 17th annual Images Festival runs April 15 to 24, 2004 in Toronto, Ontario, Canada.
Submission results will be sent out by mail or email in late January, 2004.
pdf of submission forms are downloadable at www.imagesfestival.com/corp_site/pdf_files/installation_newmedia.pdf
-------------------------------------------------------------------------
Girls Go Global - feminist website
The Girls Go Global Project is an international initiative to bring together contemporary and pop culture images of global feminism from women and girls across the globe. Send your words, essays (not more than 3000 words), photos, art, web images, lyrics, poems, graffiti, and multimedia depictions of feminism to be a part of a global collection for publication and possible exhibition. See the website for more details on how to enter. The goal of Girls Go Global is to demystify feminism and promote a positive and engaging connection with the term.
Info:
http://www.girlsgoglobal.org