Subject:
  calls x 19 pt 1

Message:

Radio Television Hong Kong is the only public broadcaster in Hong Kong.

We are planning a TV series featuring independent animators from all
over the world. The series will lead into an International Animation
Festival in mid July. We are sourcing outstanding animation work for
both the series and the festival at the moment. Hence, we would be
grateful if you could pass this message to students of the Animation
Dept.of California Institute of the Arts.

If anyone is interested in taking this opportunity to showcase their
work, they can send us a preview copy of their work (it can be more
than one) in DVD, CD ROM or VHS format. If their work is selected for
the TV
series, we will need them to send a broadcast standard copy
(Beta/DVCAM) of the work and an interview of themselves talking about
it. The series will be broadcast on TVB Pearl (a major English channel
in Hong Kong)
at 6.50 pm every Sunday starting from mid-April. This is a very good
time
slot and should be a wonderful platform for anyone who wishes to
showcase his or her own work. The festival, as said earlier, is the
culmination of the series. It is planning to be held at the Hong Kong
Arts Centre and will feature even
more animation works (not just short ones, but also feature-length
ones) from all over the world.

Being a non-profit making public broadcaster, we shall not be able to
pay any screening fees. If the work is chosen to be shown in the TV
series, we need an agreement from the author waiving any charges and
giving us the right to broadcast it once on the English Channel and
once on theChinese Channel.

As the TV series will be shown at prime-time the content should not be
of an extreme nature. The work submitted should also be accessible to
the general audience. Preferably, the films should be self-explanatory
without relying too much on language. If and when subtitling is needed,

we require a dialogue list. (This also applies to work submitted for
the festival.)

Should there be any inquiry, please feel free to contact Ms Cherie Ho
at hopy@rthk.org.hk or (852) 2992 9516.

Thanks for your kind attention. We look forward to hearing from you
soon.

Best Regards,
Cherie Ho
Assistant Producer
General Programmes
Radio Television Hong Kong










Employer: Savannah College of Art and Design

fax: 912-525-5222

Address1: PO Box 3146

Address2: Savannah, GA, 31402-3146

website: www.scad.edu

Job_Title: Professor of Video and Film

hours: Full_Time

Salary: Negotiable

Details: The Savannah College of Art and Design seeks candidates for
full-time faculty positions in the areas of film and television production
for the Video/Film department. These faculty positions will focus on the
following areas of concentration: Producing Feature Films and Television
Programming, 16mm and 35mm Field Production, Cinematography and Digital
Cinematography, Writing for Electronic Media, Documentary and Film and
Television Studies. TO APPLY: Interested candidates should send cover
letter, curriculum vitae,
samples of own and student work (if applicable), official transcripts for
all degrees, and three letters of reference to: Human Resources, Savannah
College of Art and Design, P.O. Box 3146, Savannah, GA 31402-3146, or fax to
912-525-5222, or e-mail to scadhr@scad.edu. Women and minorities are
encouraged to apply. AA/EOE. Please visit our web site at www.scad.edu.



qualifications: Qualified candidates will have an M.F.A. with professional
and some teaching experience, or undergraduate degree with a renowned
industry career. Consideration will also be given to candidates with
extensive professional qualifications in specialized areas of film and
television disciplines.



Apply: Send_Resume, Send_Samples

Deadline: One_Month











Call for Proposals: "Out of the Box [Net.Art and the 'Real World']"

Deadline: April 1, 2003
http://www.impakt.nl

No longer content with pure formalism and self-referentiality, and unwilling to be dismissed into the simple catagory of "graphic design", net.art is redefining itself in the realm of social critique and commentary. The old elements of hyperlink, the embedded images and sounds, the database and the live stream all remain in place, as do the digital pranks, parasitic spoofs and deliberate 'errors' which gave early net.art its timeliness and humour. Their scope, however, has been refocused and their use redefined in recent years to a razor-sharp critique of technological "progress", globalization, and the ever-present machinery of surveillance and control which the internet has helped to usher in.

Working from this position, the "Out of the Box" theme for the Impakt Online seeks to examine how technology and the internet manifest themselves on the human level by asking such questions as; where do such on-line concepts as navigation, avatar, or algorithm find their place in the "real world" outside the computer? And, similarly, how can such physical activities such as performance, protest, or love maintain their "real-ness" in a virtual environment? In short, we seek the point where real life affects the internet,and (more importantly) where the internet affects real life.

Impakt will commission two projects for this theme. The accepted commissions for this project will be invited to produce a hybrid project involving a website and a live, "real-world" intervention [performance, action, prank, interface, etc] which will take place during the Impakt Festival this coming spring, between June 3 and 10. Depending on the submissions we receive, we may invite the accepted artists to collaborate on a single project.

Because this is a commission for new works, previously exhibited projects will be immediately disqualified. However, as we realize the timeframe is somewhat short, we are happy to support projects already under development with an eye towards their premiere at the Impakt Festival 2003. Applicants are urged to submit their proposals early so that the editorial team has a chance to go over them and contact with artist with questions and suggestions.


Final Deadline: April 1, 2003
Launch: June, 2003

*Proposals must be written in English, and the project accessible to an English-speaking audience
*They should include a project description:
---description of content
---technical implementation
---time line
---relation to the theme
*They should also include an artist[s] biography:
---short CV
---documentation + URLs of previous projects
*Previously exhibited projects will be immediately disqualified

Impakt will provide webhosting for the project for 1 year, and pay a fee to the accepted artist[s] of EURO 1000. The winning commission[s] will also be invited to submit a budget for the live event which will take place during the festival. 
Address for submissions:
online@impakt.nl

http://www.impakt.nl

IMPAKT
PO Box 735
3500 AS Utrecht
The Netherlands









Two full-time, tenure-track postions (Artists and Art Historian) available at Suffolk County Community College.Ê Review of applications will begin February 15th and continue until the position is filled.

Artist: (pending budgetary support) Full-time, tenure-track position beginning August, 2003. Visual Arts department seeks practicing artist with active exhibition record to teach foundation drawing, design and another studio discipline to visual art majors and general education students. MFA or MA in Studio Art required; specialization in printmaking or new media desirable. For information about the college see <>www.sunysuffolk.edu. Review of applications will begin February 15th and continue until the position is filled.Ê Interested persons should send an application letter with teaching philosophy, CV, three letters of recommendation, and slides of recent work to: Human Resources, NFL Building, Suffolk County Community College, 533 College Road, Selden. New York 11784-2899.



Art Historian: (pending budgetary support) Full-time, tenure-track position beginning August, 2003. Seeking a broadly trained art historian to teach art history surveys as well as art appreciation to visual art majors and general education students. Ph.D. in Art History preferred. For information about the college see <>www.sunysuffolk.edu. Review of applications will begin February 15th and continue until the position is filled. Interested persons should send an application letter with teaching philosophy, CV, three letters of recommendation and samples of recent scholarship to: Human Resources, NFL Building, Suffolk County Community College, 533 College Road, Selden. New York 11784-2899.












PS122 Gallery, is accepting applications for 2 person and group exhibitions. Deadline: April 13th.



PS122 Gallery, a not for profit exhibition space dedicated to providing exhibition and support services to emerging artists is accepting applications for 2 person and group exhibitions. Individual artists are also encouraged to apply, they will be paired with another artist by the jury. (Applications from students are not accepted). 



Juries consist of a panel of art professionals including a curator, critic, artist and a member of the PS122 Gallery Advisory Board. The 2003-4 jury is still in formation. Past jurors have included Lawrence Rinder (Whitney Museum), Jerry Saltz (Village Voice), Dan Cameron (New Museum), Valerie Smith (Queens Museum) and the artists Kiki Smith, Lynn Yamamoto and Michael Ashkin.



Deadline: April 13th. For further information please call: Susan Schreiber, Gallery Director, 212-228-4249.Ê Applications can be downloaded from our web site at www.ps122gallery.org or send a s.a.s.e. to PS122 Gallery, 150 First Avenue, New York, NY 10009.

 








Queens Museum to Commission Five Artists’ Gardens for Summer 2004 Exhibition.Ê Deadline for submission of QUALIFICATIONS is MAY 16, 2003



The Queens Museum of Art announces an open competition for the commission of five artists’ gardens to be created for the exhibition Down the Garden Path: Artists’ Gardens since 1960, opening Summer 2004. An historical exhibition based on the work of international artists from the 1960s-1990s will take place inside the museum. The newly commissioned gardens will be sited outdoors in Flushing Meadows Corona Park and the Queens Botanical Garden.

ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ

The deadline for submission of materials is MAY 16, 2003. An initial group of ten artists or teams of artists will be selected in May 2003 to make proposals based on site visits and research.Ê From these proposals five artists or teams of artists will be awarded commissions in September 2003. Planting will begin in Spring 2004 for a Summer 2004 presentation. The budget for each commissioned garden is $10,000.

ÊÊÊÊÊÊÊÊÊÊÊ

Artists: Please do not send proposals at this time. This is a request for qualifications only.Ê To be considered, please send a resume and ten images as slides or on DVD (PC compatible). Include this completed form with your submission. As an “Artists’ Gardens” project, teams must be led by practicing artists.



Participants Name(s): ___________________________________________

Telephone: ___________________________________________________

Email: ‹_______________________________________________________

Address: _____________________________________________________

Primary Contact (if submitting for a team): __________________________

Send materials to:

Valerie Smith, Director of Exhibitions

Queens Museum of Art

NYC Building

Flushing Meadows Corona Park

Corona, NY 11368-1168

ÊÊÊÊÊÊÊÊÊÊÊ

For more information, visit www.queensmuseum.org/gardens.



About the Exhibition

Down the Garden Path: Artists’ Gardens Since 1960 is an exhibition based on the work of approximately 25 international artists who take a critical approach to the design and realization of gardens. The exhibition traces the history of contemporary artists gardens while showing how artists use gardens as a vehicle to explore topics such as war and memory (through memorial gardens), socialist utopias (through Schrebergartens), land reclamation (through gardens that focus on the environment), and philosophy in contemporary society.Ê








South Asian Women’s Creative Collective announces the creation of the SAWCC LIVING ARCHIVE PROJECT for SAWCC members



As part of our ongoing commitment to the professional advancement of emerging and established South Asian women artists, the SAWCC board is proud to announce the creation of the SAWCC LIVING ARCHIVE PROJECT. SAWCC is creating an archive and media registry of the works of our members, to be made available to curators, gallery owners, exhibition planners, and educational organizations. It is our hope that the LIVING ARCHIVE PROJECT will serve as a tool for professional and community development, one that will assist south Asian women artists to occupy the leading place in the New York arts community that their work so richly merits.



For further information on submitting packets to the SAWCC Living Archive please refer to our website: http://www.sawcc.org/living.html









Current vacancy: On-line Developer

FOLLY is a media arts organization based in Lancaster, UK / www.folly.co.uk
Further details about how to apply can be found at www.folly.co.uk/job.htm

The On-line Developer will be responsible for coordinating all aspects of
online content under five key areas:

1. Maintenance of web site.

Seek out cost effective design and production solutions ensuring that
quality of presentation is not jeopardized.
To work closely with all members of staff to ensure that all aspects of the
organisations activities are given maximum exposure.
To develop production / maintenance methodologies that is simple to manage
and user friendly leading to individual staff adopting responsibility for
content within their own areas.
Liaise with Marketing Coordinator to ensure that marketing materials are
made available over the Internet and that all Internet based marketing
opportunities are realised.
Coordinate all graphic design work and technical functionality of the web
site liasing with external contractors where appropriate.
Advise management team of any ways to maximise the use of Internet
technologies to support maintenance of web site.
Produce regular reports indicating online audience participation


2. Implementation of Internet technologies

Liaise with other staff to support project/workshop activities ensuring that
there is adequate access to Internet technologies and that technical support
is available.
Be aware of new developments and opportunities for the use of internet
technologies
Advise management team with guidance on future development needs and
practices.
Initiate training opportunities to develop staff within the organisation and
act as a mentor in this process.
Support the Director in developing new curatorial initiatives and online
events utilising Internet technologies.


3. Management of resources

To be responsible for technical support across all areas of Digital
resources, including networking, peripherals, software. This support will be
applicable across all aspects of the organisations activities including
exhibitions, projects and workshops.
Provide information to all users to facilitate good use and care of digital
resources, including Health and Safety guidelines.
To ensure that appropriate security and backup systems are adopted by all
users of digital resources, including the management of Internet / e-mail
access.
Advise management team of purchasing requirements to sustain cost effective
future delivery and development.


4. Database integration

Folly expects to use database technologies to make full use of Internet
systems as part of the marketing and promotion of the gallery, development
of resources for the community and the development of creative projects. The
Online Developer will play a key role in facilitating this and should have
the ability to implement, design and manage such systems.


5. Design

Whilst the Online Developer will not be directly responsible for all new
media design activities and Folly may draw upon the design skills of various
staff members / freelance designers / artists etc. the Online Developer will
coordinate all new media design content.
The Online Developer will be expected to take a collaborative design role,
should be capable of working with a range of new media design content and be
in a position to take a fall back position of delivering all such new media
design content.
New media design content may also include supporting design work for
Marketing materials that has a traditional design for print output.


£16-19000 pro rata / 2 days p/w / Initial 6 month contract
Application pack: (01524) 388550 / info@folly.co.uk / Deadline March 1st

Regards

Taylor Nuttall
Director










FRANKLIN FURNACE OPEN CALL TO ALL ARTISTS, DEADLINE: April 1st, 2003 (postmark date) http://www.franklinfurnace.org

THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART 2003-2004
Supported by Jerome Foundation and the New York State Council on the Arts, Franklin Furnace awards grants between $2,000 and $5,000 to performance artists, allowing them to produce major works anywhere in the State of New York. Artists from all areas of the world are invited to apply.

THE FUTURE OF THE PRESENT 2004
Franklin Furnace offers artists an honorarium (this year of $5,000) and a residency facilitated by Franklin Furnace, for a 2-4 month duration at a physical or online venue appropriate to your proposed work. For THE FUTURE OF THE PRESENT 2004, we hope to continue to expand the technology available to our artists through Parsons and beyond. The residencies may take place in the Spring or Fall of 2004. Artists who are interested in developing new artwork for the Internet (you don't have to know everything about technology) are encouraged to apply.

See below for details on HOW TO APPLY.

Franklin Furnace has no curator; each year a new panel of artists reviews all proposals. We believe that this peer panel system allows all kinds of artists from all over the world an equal shot at presenting their work. All applicants are automatically considered for both categories of awards. Every year the panel changes, as the definition of „emerging artist,‰ and the definition of „performance art‰ itself changes, so if at first you don't succeed, try again.

Since its inception in 1985 THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART has boosted the careers of such emerging artists as Papo Colo, Karen Finley, John Fleck, Holly Hughes, Cathy Weis, Pamela Sneed, Murray Hill, Tanya Barfield and Patty Chang.

This past year's esteemed selection panel consisted of artists Natalie Bookchin, Zhang Ga, Dor Green, Tracie Morris, and Pat Oleszko, This year's Fundwinners are Jess Dobkin, Laure Drogoul, Zlatko Kopljar, Mendi Lewis Obadike, James Scruggs, Alexander Viscio. THE FUTURE OF THE PRESENT 2003 artists are Brody Condon, Ricardo Miranda Zuniga, and Mouchette. The full schedule and project descriptions are available on our website).


HOW TO APPLY
Required
1. Write a 100-word summary of your proposed work. Make your summary as clear and complete as possible. You may also send a more detailed description of your proposed work.

2. All proposals to THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART must have a ? inch videotape (VHS - NTSC American format), cued for two - five minutes, of your proposed work or past work. You may also include other visual support materials.

To apply to THE FUTURE OF THE PRESENT series you may send a ? inch videotape, audio cassette, slides, photos, CD-ROMS, Jaz, Zip, floppy disks or URL (either MAC or PC formatt).

If you do not specify which fund you are applying for, you will automatically be evaluated for both funds.

3. You MUST include a self-addressed, stamped envelope for return of materials, or indicate that you will pick up your packet at our office.

4. Contact Info: Name, Mailing Address, Phone number/Fax number, Email/WWW.

Optional
5. You may include a budget (i.e. space rental, equipment, tech personnel). If you have other funding sources for your project please indicate this in your budget.

6. You may also submit your resume, reviews of previous work, and any other support materials.

Send it to:

2004 Proposals
Franklin Furnace Archive, Inc.
45 John Street, Room #611
New York, NY 10038-3706

You may also email your proposal to: proposals@franklinfurnace.org
(url proposals only, please don‚t send huge attachments)


Questions? Contact us: info@franklinfurnace.org http://www.franklinfurnace.org
or call us at 212.766.2606 or fax at 212.766.2740











A call for submissions
FUCK YOU at the 291 Gallery, Hackney, London on the 13th of March



C6 Anger Management System (AMS) presents fuck you.

A collaborative work between C6, and you. C6 endeavour to connect different peoples from different countries and walks of life together in a audio visual presentation /installation created by the public and curated by c6 (the original art wankers).



To take part phone +44 (0) 7092009270 and leave your fuck you message. This will become part of a work on the C6 web site and gallery work that will be premiered at the 291 Gallery, Hackney Road, on the 13th of March and set to tour other countries during the following year. You can also get involved by sending your own fuck you graphics (320 x 240 pixels at 72dpi either jpg, gif or png) mail them to fuckyou@c6.org and they will be incorporated into the work.

(All calls charged at .45 euro per minute off peak and .55 euro peak rate)

www.c6.org/fuckyou



C6 are Strategic artists using Tactical media interloping in your everyday. First hitting the headlines in 1998 with 'Man in a box' placing a member in a 7 foot by 7 foot wooden crate

for 7 days without food, under 24 hour light and surveillance constantly broadcast to the public using video and world wide web. Since then C6 have courted public, web and media responses with works ranging from the 'new media new arse' a series of web and stencil campaigns, to newmediaspy.com a phone fax and email invitation for the public to play in a contextualased secretive broadcast event. C6 have appeared on channel 4, ITV, BBC television and radio news programmes. Over the years C6 have drawn comment from all the british broadsheet papers.



As an Anger Management System (AMS) Fuck you is the collective assemblage of enunciation venting from the concrete machine.



Using profanity has never been new. Contentious voices rallied by emotive taboo words have been heard for many decades. The sensibilities of previous years have been dulled by the furore. However the word fuck is still seen as a useful stick to beat a call to indignation, tickle us with its humour or offend us with its violence.



C6’s AMS is a strategic media network creating connections and new layers of public cooperation and interaction. Fuck you, the automated response within the contextual fine art sausage machine.



Its so often the case of not what you say, but the way you say it.



The success of this project depends on you. You are vital in its production.

Go on phone +44 (0) 7092009270

Say fuck you











*Call For Papers*

CALL FOR PAPERS : T h e S t a t e o f t h e R e a l
An Interdisciplinary Conference
Glasgow School of Art, UK
21-22 November 2003

Deadline for abstracts: 22 April 2003
Abstracts may be sent by email to real@gsa.ac.uk.

Keynote address: Prof. Linda Nochlin, New York University *
[* A second keynote speaker of high standing is currently being
approached.]

"How real can you get?"
The conference organisers propose a debate on the subject of
'the real' in aesthetic philosophy, criticism and practice.

"When is representation not real?"
Recent years have seen notions of reality discussed in the
open. What relationship do current views developed by this
discourse have with those tenets of realism and represent-
ation that once provided the foundation for aesthetic study?
What are the philosophical consequences of the introduction
of technologies that increasingly blur the boundaries between
art and popular culture? What is the effect of aesthetic culture
on Realpolitik?

What has happened to the notions of social realism, verisimil-
itude, and the imaginary? Are they still relevant, and how have
they been changed, if at all?

"Reclaiming the real."
The organizers are also interested in how notions of reality are
affected by, and continue to affect, aesthetic practice in the
fields of art, design, and media production. With the popularity
of haptic technologies, what has happened to ^real haptics?
How do practitioners and academics view older technologies
in the light of their electronic avatars? With the development
of notions of virtual space, what has happened to our
understanding of the body, the mind, and corporeal space?

The organisers particularly welcome proposals on, or dealing
with, the following related subjects:Reality and realism in Art &
Design History; New media technologies Virtual Reality, CGI
photography and cinema, the Internet, haptic technologies;
Modernity and Post-modernity/Modernism and Post-modernism;
Philosophies on ^the real in popular culture; Philosophy and
art/design and cultural practice; Reality television, realism in
film.

Proposals for panels (no more than three papers) and workshops
are also welcomed.

Please send abstracts of no more than 300 words to:
'The State of the Real',
Dept. of Historical and Critical Studies,
Glasgow School of Art,
167 Renfrew St,
Glasgow,
Scotland, UK
G3 6RQ

Abstracts may be sent by email to real@gsa.ac.uk.











Artists - Call for Proposals for Outdoor Installations
Stone Quarry Hill Art Park
(Cazenovia NY)

Stone Quarry Hill Art Park is making sites available to artists who are interested in creating outdoor installations. Proposals are being considered for the 2003 and 2004 exhibition season. Artists in interested in the interplay of art and nature are encouraged to apply. Interested artists should send an artist statement, resume, a one - two page description of project, 10 slides which demonstrate examples of past work, and a slide list. Slides must be labeled with the artist name and title of the work. Slides should be numbered to correspond with the slide list. The list must include the artist name, title, medium, date work was completed, and dimensions (W x H x D). The addition of relevant support materials, such as newspaper articles, is optional. Selected Artists can provide a piece of
Application Date: 4/1/2003
Exhibition date: June 15,2003

Terms: Artists will be notified of their selection in the later part of April and should be prepared to begin to select a site and begin creation of work in early May. Selected artists will have approximately one month to produce work. Artists must provide tools. There is no stipend available.

Stone Quarry Hill Art Park is incorporated as a 501 (c)(3) educational organization with the dual mission of conserving the land while providing place for emerging and practicing artists in various media to create and present their work through exhibitions, performances or special events.

Application Date: 4/1/2003

Please send submissions with a SASE to Stone Quarry Hill Art Park. P.O. Box 251, Cazenovia, New York 13035. For more information please contact Carol Charles at Stone Quarry Hill Art Park (315) 655-3196 or by email at SQHAP@aol.com