Subject:
  calls x 38 pt 1

Message:
hello,

If there are any irregularities with your mailing (line breaks, etc) let me know: I made some changes. if you can't read the email, check out the calls in the archive. http://theredproject.com/calls/archives/ Otherwise, enjoy another week of the calls and opps list, and good luck with all the Feb 1st proposals.

smiles,

michael


---------------------------------



The Asian Arts Initiative invites Asian American performance artists to
participate in

Everywhere Is War: An Artists Exchange

Retreat: Weekend of May 9-11, 2003
Performance: Friday, June 20, 2003

The Call

WAR
a) a state of open, armed, often prolonged conflict carried on between
nations, states, or parties
b) the techniques and procedures of war
c) a condition of active antagonism or contention
d) a concerted effort or campaign to combat or put an end to something
considered injurious

For many Asian Americans, war is intimately tied to our knowledge of
history and our narrative of settlement and existence in the Americas. In
the last half century alone, Bangladesh, Cambodia, China, East Timor,
India, Korea, and Vietnam have experienced devastating wars as continued
warfare has interrupted life in Burma, Kashmir, the Philippines, and Sri
Lanka, among others. Catch phrases become part of our family (and
national) mythologies: 38th parallel, religious violence, separatist
movements, Pol Pot indelibly seared into our minds.

For Asian Americans, war is not just about conflict on foreign soil, but
also includes domestic campaigns that target immigrants and dispossessed
peoples. After September 11th, the "war on terrorism" began as a war on
the Taliban in Afghanistan and has continued with an impending war with
Iraq, increased militarization and arms proliferation, the quelling of
nationalist and independence movements across the world, as well as the
detainment of thousands of people in the United States whose identities and
whereabouts were withheld from the public.

>From the "war on drugs" to the "war against working people," to any
>systemic brutalization of community, war is both simple and complex-and,
>very simply, everywhere. The Asian Arts Initiative brings together Asian
>American artists to share and learn, analyze, and create artwork that
>addresses the manifold aspects and the specific stories of war.

The Project

The Artists Exchange is a three-part project that begins with a weekend
retreat where performance artists share some of their existing work and
sources of inspiration with each other; and participate in a "teach-in" to
begin to learn about and explore particular aspects of war. Each artist
will be asked to create work in response to the themes raised at the
retreat; then finally, to share their new work with a public audience at
the June 20, 2003 performance.

We are seeking up to 12 Asian American performance artists representing
diverse artistic disciplines-including, but not limited to, dance, music,
spoken word, and theater. Preference will be given to artists with a
commitment to the Philadelphia area, though all artists are invited to
apply. We will provide participating artists with stipends of $250.
Additional travel stipends will be available for artists coming from
outside of Philadelphia. Artistic groups and collectives are invited to
apply, though stipends and performance time are limited.


To Apply

Please submit the following no later than MONDAY, FEBRUARY 17, 2003:

1) Your name, address, phone number, and e-mail address.
2) An artist statement, up to one page, that describes what motivates your
current work. Please share your artistic and political concerns, including
how being Asian American impacts your vision as an artist.
3) Up to a page describing why you want to participate in the Artists
Exchange. Please address how participating will support your artistic
development. If you know, feel free to describe the work that you might
want to create through the Exchange.
4) Good quality audio or video tapes, writing, and/or additional work
samples that will help us evaluate your ability to succeed in this project.

All materials must be received by Monday, FEBRUARY 17, 2003. Please send
to:

Asian Arts Initiative
Artists Exchange
Attn: Lena Sze
1315 Cherry St, 2nd floor
Philadelphia, PA 19107
lena@asianartsinitiative.org

Timeline
Applications Due: Monday, February 17
Notification: Week of March 3
Background Readings Mailed: Week of March 25
Artist Retreat: Friday & Saturday, May 9-10; Optional open studio time,
Sunday, May 11
Public Performance: Friday, June 20, 2003
Final Meeting: Saturday, June 21, 2003









Since we're in a culture of sound-bites, microchips, txt mssgs, and incredibly short attention spans, there is the Ten Second Film Competition. Good and interesting things can happen in ten seconds, within the competition rules. Entries must be exactly ten seconds long and no bigger than 6MB, and can be made using a digital still camera in movie-mode. Upload your film via the web site between February 3 and March 10, where qualifying entries will be online for site visitors to rank. The top ten user-rated films will then be judged by David Wild, Melanie Crean and Jake Abraham, with cash and kudos going to the top three. The clock is ticking... -Helen Varley Jamieson

http://www.tensecondfilms.com








Faculty Position Announcement

Position Title
Tenure Track Appointment in New Media Design

Rank Assistant Professor
(Search #80.02)

Qualifications
MFA in Digital Media, Visual Communications, Graphic Design, or equivalent; or an earned doctorate/or ABD (all but dissertation) in a related discipline. Previous university level teaching experience required and professional design experience desirable.

Candidate should have a strong visual design background with extensive experience in interactive digital media including web design, interaction design, navigation systems, information architecture, and usability, etc., as well as an ability to address historical, social, and theoretical issues of new media. We value demonstrated experience with real world projects, a diverse range of design and technical skills, and an experimental approach to this dynamic field.

Responsibilities
Major teaching responsibilities in interactive digital media courses for the new Visual Communication emphasis. Courses will span introductory and advanced topics, studio production skills and history/theoretical knowledge, undergraduate (BA) and graduate (MA) courses. This person will play a major role in ongoing development to translate curriculum and facilities across a changing technological landscape.

Department
Information The Department of Design and Industry (DAI) is one of six academic units in the College of Creative Arts at San Francisco State University. DAI offers an MA degree, a Bachelor of Arts degree with an emphasis in Visual Communication or Product Design, and a Bachelor of Science Degree in Industrial Technology. There are 600 undergraduates and 70+ graduate students in the department. Approximately 70% of the undergraduate and 60% of the graduate students major in Visual Communication. Please visit our web site to learn more about us at: http://dai.sfsu.edu.

Salary Based on qualifications.

Deadline March 1, 2003 or until position is filled.

Application Procedure
Send SASE, letter of application, detailed resume, CDROM or URL containing examples of your work, names and contact information for three (3) references, and a concise statement (3 pages maximum) describing your creative design work, approach to teaching, and research interests for the future. Include examples of student work under your instruction if available.

Contact Jane Veeder, Chair
New Media Search Committee
Department of Design and Industry
San Francisco State University
1600 Holloway Ave.
San Francisco, CA 94132
jveeder@sfsu.edu
(415)338-1547 voice mail
(415)338-7770 fax









Dear people,

As a part of the \\ How Latitudes Become Forms: Art in a Global Age\\, an exhibition organized by the Walker Art Center, The Re:combo collective is looking for audio files that represent the cities` noise echology: street noises, speech, free music, rumours.
All this pieces will be used on the *Tanslocal Mixer*, a new Flash-based project that uses sliders to allow participants to create
their own mix of world sounds-a kind of urban synth online, on the fly.

Please, send open sound files to translocalmix@manguebit.org.br with your informations (at least name, City and Country),
or get connected to http://opus.walkerart.org/ sign up, and upload directly to the Opus Software (Open Platform for Unlimited Signification)
by Raqs Media Collective, which is also part of the Translocations exhibition.

Grande abraco!
by Re:combo

http://latitudes.walkerart.org











In 2003, Experimenta will create the House of Tomorrow, a major project that explores fantasies of future domestic life. As well as a significant
interactive media exhibition designed as a domestic space, the project will include Homepage, an online exhibition, and a number of high-profile screening programs.

We are seeking fully developed works in the following categories:

- Interactive Projects
- Films, Videos and Animations
- Online Projects

Works submitted should present entertaining visions of life in the future house. We will also consider outstanding works that find extraordinary
possibilities in the ordinary scenarios of suburbia, domesticity, commodity culture, architecture and interior design.

Deadline: 18 April 2003

Australian and international works can apply

email alex@experimenta.org for an entry form












*****************************************************
*
* Call For Papers
* ---------------
*
* COSIGN 2003
*
* The 3rd International Conference on
*
* COMPUTATIONAL SEMIOTICS FOR GAMES AND NEW MEDIA
*
* University of Teesside (UK)
*
* 10th - 12th September, 2003
*
* http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003
*
******************************************************

CONFERENCE SCOPE
====================

As in previous years, this third annual COSIGN conference provides an
exciting cross-disciplinary event for exploring the ways in which
meaning can be created by, encoded in, understood by, or produced
through, the computer (using systems or techniques based upon
semiotics). COSIGN is for anyone with an interest in areas of overlap
(or potential overlap) between semiotics and computers including
computer scientists, HCI and AI practitioners, digital artists,
designers, critics, theorists, semioticians, narratologists, etc. In
addition to the academic papers and artwork presentations, COSIGN will
include a range of participatory events such as papers, workshops,
tutorials, panel discussions to provide the space for the vital and
vibrant discussions that it is known for.

COSIGN 2003 invites submissions in the following categories. A brief
outline of the submission procedure is given below.

1. Academic Papers
2. Artworks
3. Posters
4. Technical Demonstrations

Media that make use of the unique capabilities of digital systems are
of particular interest to this conference. These include, but are not
limited to, the following: virtual reality systems and virtual
environments; hypertext, hypermedia, multimedia and the internet;
content analysis systems (particularly those that extract higher-level
meaning); the semantic web (and similar systems); digital art, net art
and other technology-based or technology-oriented art forms; computer
games, interactive narratives and other forms of interactive
entertainment.

Information about the conference is available at the following web
address: http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003

The programme and proceedings of COSIGN 2001 and COSIGN 2002 are
available online at the following web address.
http://www.kinonet.com/conferences/cosign2002/program.html



CONFERENCE LOCATION
======================

COSIGN 2003 will be held in Middlesbrough, UK, hosted by the Virtual
Environments Group of the School of Computing and Mathematics at the
University of Teesside. Middlesbrough sits near the mouth of the River
Tees in the north-east of England. It is a lively town with a proud
industrial heritage and one of the main shopping and leisure centers
for the area. It is also an important location for business and
commerce, communications and civic administration. In the Tees valley
heavy industry mingles with wetlands and wildfowl reserves while just
a few minutes drive away are the North York Moors National Park and
the dramatic North Sea coast.

Teesside International Airport is less than 20 kilometers from
Middlesbrough and has several direct connections every day to both
London (Heathrow) and Amsterdam (Schipol) which are major European
hubs for international flights.

Further information is available at the following web address:
http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/


SUBMISSION PROCEDURE
====================

Authors of accepted papers will be required to prepare a written
version of their paper for inclusion in the printed and online
proceedings. Acceptance at the conference is dependent on authors
providing this written version of their paper by the required date and
in the required format.

Acceptance is also dependent on at least one of the authors
registering for the conference by 13th of June 2003. As in previous
years, COSIGN will endeavour to support as much as possible the
registration fees and/or accommodation of those presenters who are not
funded by an institution or organisation.


1. ACADEMIC PAPERS

Papers are invited on any subject that explores areas of overlap (or
potential overlap) between semiotics and interactive digital
media. Examples of this include, but are not limited to, the
following:

- The use of semiotics in artificial intelligence and expert systems.
- Software architectures and technologies using, based upon or inspired
by semiotic theories, systems or models.
- The use of semiotics in the creation or analysis of generative narrative
systems, interactive digital games, entertainment and artworks.
- The use of semiotics in the study and criticism of digital interactive
media.
- Narratology in games and new media.
- Semiotic-orientated HCI.
- Semiotics and Hypermedia.

Papers should demonstrate an understanding of - and engagement with
the principles of semiotics (understood here as the study of signs)
and gain something from this engagement.

Further details of the submission process (and templates for papers)
are available at
http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/

------------------------------------------------------
Submission date for Academic Papers: 28th March 2003
Acceptance will be notified on or around 12th May 2003
Camera-ready copy for the proceedings by 9th June 2003
------------------------------------------------------


2. ARTWORKS

In addition to academic and theoretical papers, presentations of
artworks of all forms and in all formats are invited. We are
particularly interested in digital art, net art and other
technology-based or technology-oriented art forms.

Artworks will be assessed on the basis of documentation of the work
presented in the form of an online website. The website should display
the following:

- A textual description of the proposed artwork and any illustrations
- A biography of the artist(s)/author(s)
- Contact details

Further details of the submission process and requirements are available at
http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/

-------------------------------------------------------
Submission date for Artworks: 28th March 2003
Acceptance will be notified on or around 12th May 2003
Camera-ready copy for the proceedings by 9th June 2003
-------------------------------------------------------


3. POSTERS

There will be an opportunity for researchers to present new work and
ideas that are not yet ready for the full presentation. Short papers
will be presented in poster format, and will be included in both the
hardcopy and electronic proceedings.

Further details of the submission process and requirements are available at
http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/

-------------------------------------------------------
Submission date: 24th April 2003
Acceptance will be notified on or around 12th May 2003
Camera-ready copy for the proceedings by 9th June 2003
-------------------------------------------------------


4. TECHNICAL DEMONSTRATIONS

Demonstrations of relevant leading-edge work and work in progress are
invited. Submissions will be peer-reviewed to ensure
quality. Demonstration proposals must be submitted electronically.

Further details of the submission process and requirements are
available at
http://www-scm.tees.ac.uk/users/p.c.fencott/cosign2003/

-------------------------------------------------------------
Submission date for Technical Demonstrations: 24th April 2003
Acceptance will be notified on or around 12th May 2003
Camera-ready copy for the proceedings by 9th June 2003
-------------------------------------------------------------



ALTERNATIVE SUBMISSION PROCEDURE
====================================

Authors and artists who have difficulty in making their submission in
the appropriate form or in viewing the detailed submission procedure
should contact:

Frank Nack
CWI - INS2
Kruislaan 413
P.O. Box 94079,
NL-1090 GB Amsterdam
Email: Frank.Nack@cwi.nl
Phone: +31 20 592 4223
Fax: +31 20 592 4312










Center for Book Arts invites artists to seminar, application deadline March 10.

The Center For Book Arts Announces Seminar For Emerging Writers. The Center for Book Arts invites applications for a Letterpress Printing & Fine Press Publishing Seminar For Emerging Writers to be held the weekend of April 11th, 12th & 13th, 2003. Workshop participants will be selected in late March 2003. The seminar is tuition free for participants. Applications must be postmarked no later than March 10, 2003. Applicants must be 18 years or older. Writers of color are especially encouraged to apply.

Participants will hear lectures from various professionals in the field - printers, poet-publishers, book artists, dealers and collectors, to get a practical overview of letterpress printing and fine press publishing. They will learn the basics of letterpress printing, both traditional typesetting and options with new technology, by collaboratively printing a poem as a broadside or small chapbook project.

For an application form and guidelines, visit www.centerforbookarts.org
email info@centerforbookarts.org or Send an SASE to:

2003 Emerging Writers Seminar
The Center for Book Arts
28 West 27th St., 3rd Floor
New York, NY 10001
Contact: Rory Golden
(212) 481-0295
info@centerforbookarts.org








.Hemispheric Institute calls for papers on Performance and Politics.

Call for Papers, Performances and Installations

The Hemispheric Institute of Performance and Politics is pleased to announce its fourth annual Encuentro: "Performance and Politics in the Americas: Spectacles of Religiosities", hosted by New York University in New York City, July 11-19, 2003.
Please see http://hemi.ps.tsoa.nyu.edu/eng/seminar/usa/indexnyc.shtml for additional information.










Deadline: April 1st, 2003

FUNDWINNERS 2003-2004
THE FUTURE OF THE PRESENT 2004

This year, six artists were selected to receive grants of $5000 each, to perform within the
state of New York, from the Franklin Furnace Fund for Performance Art, supported in 2001-2002
by Jerome Foundation and with increased funding from the New York State Council on the Arts.

This year's esteemed selection panel consisted of artists Natalie Bookchin, Zhang Ga, Dor
Green, Tracie Morris, and Pat Oleszko.
THE FUTURE OF THE PRESENT 2004 will consist of three live art presentations created during
residencies that will take place from January to December 2004. These works of art will use the
Internet as a venue in which performance and discussion may take place, and through which
avant-garde art is available to a world wide audience. Presentations will be created by artists
who were selected by Franklin Furnace's peer panel in the Summer of 2004.

This year's Fundwinners are Jess Dobkin, Laure Drogoul, Zlatko Kopljar, Mendi Lewis Obadike,
James Scruggs, Alexander Viscio.

For artist bios and work descriptions
THE FUTURE OF THE PRESENT 2003 artists are Brody Condon, Ricardo Miranda Zuniga, and Mouchette.
The full schedule and project descriptions are available on our website).

For artist bios and work descriptions

THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART 2002-2003
Supported by Jerome Foundation and the New York State Council on the Arts, Franklin Furnace
awards grants between $2,000 and $5,000 to performance artists, allowing them to produce major
works anywhere in the State of New York. Artists from all areas of the world are invited to
apply.
THE FUTURE OF THE PRESENT series is made
possible by the faith and foresight of Jerome Foundation, The Andy Warhol Foundation for the
Visual Arts Inc., the Heathcote Art Foundation, the New York State Council on the Arts'
Technology Initiative, the National Endowment for the Arts, a federal agency, and The Daniel
Langlois Foundation for Art, Science, and Technology.


MONEY TO WORK:
THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART/THE FUTURE OF THE PRESENT 2004

DEADLINE: April 1st, 2003 (postmark date)

THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART 2003-04
Supported by Jerome Foundation and the New York State Council on the Arts, Franklin Furnace
awards grants between $2,000 and $5,000 to performance artists, allowing them to produce major
works anywhere in the State of New York. Artists from all areas of the world are invited to
apply.

THE FUTURE OF THE PRESENT 2004
Franklin Furnace offers artists an honorarium (this year of $5,000) and a residency facilitated
by Franklin Furnace, for
a 2-4 month duration at a physical or online venue appropriate to your proposed work. For THE
FUTURE OF THE PRESENT 2004, we hope to continue to expand the technology available to our
artists through Parsons and beyond. The residencies may take place in the Spring or Fall of
2004. Artists who are interested in developing new artwork for the Internet (you don't have to
know everything about technology) are encouraged to apply.

See below for details on HOW TO APPLY.

Franklin Furnace has no curator; each year a new panel of artists reviews all proposals. We
believe that this peer panel system allows all kinds of artists from all over the world an
equal shot at presenting their work. All applicants are automatically considered for both
categories of awards. Every year the panel changes, as the definition of "emerging artist," the
notion of "live art on the Internet," and the definition of "performance art" itself changes,
so if at first you don't succeed, try again.

Since its inception in 1985 THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART has boosted the
careers of such emerging artists as Papo Colo, Karen Finley, John Fleck, Holly Hughes, Cathy
Weis, Pamela Sneed, Murray Hill, Tanya Barfield and Patty Chang.

This year's esteemed selection panel consisted of artists Natalie Bookchin, Zhang Ga, Dor
Green, Tracie Morris, and Pat Oleszko, This year's Fundwinners are Jess Dobkin, Laure Drogoul,
Zlatko Kopljar, Mendi Lewis Obadike, James Scruggs, Alexander Viscio. THE FUTURE OF THE PRESENT
2003 artists are Brody Condon, Ricardo Miranda Zuniga, and Mouchette. The full schedule and
project descriptions are available on our website).


HOW TO APPLY
Required
1. Write a 100-word summary of your proposed work. Make your summary as clear and complete as
possible. You may also send a more detailed description of your proposed work.

2. All proposals to THE FRANKLIN FURNACE FUND FOR PERFORMANCE ART must have a œ inch videotape
(VHS - NTSC American format), cued for two - five minutes, of your proposed work or past work.
You may also include other visual support materials.

To apply to THE FUTURE OF THE PRESENT series you may send a œ inch videotape, audio cassette,
slides, photos, CD-ROMS, Jaz, Zip, floppy disks or URL (either MAC or PC formatt).

If you do not specify which fund you are applying for, you will automatically be evaluated for
both funds.

3. You MUST include a self-addressed, stamped envelope for return of materials, or indicate
that you will pick up your packet at our office.

4. Contact Info: Name, Mailing Address, Phone number/Fax number, Email/WWW.

Optional
5. You may include a budget (i.e. space rental, equipment, tech personnel). If you have other
funding sources for your project please indicate this in your budget.

6. You may also submit your resume, reviews of previous work, and any other support materials.

Send it to:
2003 Proposals
Franklin Furnace Archive, Inc.
45 John Street, Room #611
New York, NY 10038-3706

You may also email your proposal to: proposals@franklinfurnace.org
(url proposals only, please don’t send huge attachments)

Questions? Contact us: info@franklinfurnace.org
or call us at 212.766.2606 or fax at 212.766.2740
http://www.franklinfurnace.org/moneywork.html











Call for proposals - deadline Febr. 1st 2003


Artist in context - artists against exclusion Programme
programme of mobility support for emerging artists on the European artistic
scene

Set up by the '' Pepinieres europeennes pour les jeunes artistes''

The 'Pepinieres europeennes pour jeunes artistes' organises for the fourth
time the '' artist in context'' programme. This programme, dedicated to
artists from 18 to 25 years, is designed to address the desire of emerging
artists, to invent new forms of expression and to question the place of the
artist in our society.

In this programme, the numerous plaes of residency are not held in
conventional arenas of creation. They include places such as hospitals,
marginalized urban zones or isolated rural zones. In these unexpected
places, it is intended that the artist will egage in new forms of artistic
practices.

14 European emerging artists for
11 ceation places in
8 European countries (incl. Romania)

14 residencies to develop an artistic project within a social and human
context.
visual arts, multimedia, photography, sculpture, design, choreography,
dance, video, architecture, performance, music, theatre, writing ........

application deadline: 1st of February 2003
residencies will take place between April 2003 and September 2003

Information and registration form on: www.art4eu.net













Stockholm - Tallinn - Helsinki August 14th - 22nd, 2004

ISEA2004: The 12th International Symposium on Electronic Art

CALL FOR PROPOSALS #1: sub themes and large projects

Deadline: February 28th 2003.
(Please note: If you want to submit a paper, a work to an
exhibition, or any other project that does not require long-term
arrangements and can manage with commonly available technologies,
please submit by the August 15th, 2003 deadline.)

http://www.isea2004.net
new media art - media culture research - electronic music -
art and science - cultural and social applications for new media -

New media meets art, science, research, and popular culture at
ISEA2004 in Stockholm - Tallinn - Helsinki. For the first time an
event of this scale is being organised between three cities and on
the ferry travelling between these three Baltic countries.
International participants and local audiences attend thematic
conferences, exhibitions, live performances, screenings, satellite
events, concerts and clubs. Many events are also interfaced via
television, radio, broadband Internet, and mobile networks making
them available to the widest possible audience.

We are encouraging: Socially, critically and ecologically engaging
work; Networked projects that connect several sites; Projects that
bring the creative media to the streets; Projects that are worn
on or
inside people; Context sensitive work in the museums; Projects
that
float, dock or sail; Screen based media as it appears in 2004; Sea
Fair: technological gizmos for ferry travellers and future media
archaeologists to discover; Bridges between club scenes and art
venues; Most engaging works from performing arts that engage new
media, users, and audiences; Networks to network

Key themes for the event include:
Networked experience (Stockholm)
Wearable experience (Tallinn)
Wireless experience (Helsinki)
Histories of the new: media arts, media cultures, media
technologies
- all cities

Additional themes include:
Interfacing sound (in collaboration with Koneisto)
Open source and software as culture (Helsinki)
Critical interaction design (Helsinki)
Geopolitics of media (Tallinn)

We are currently inviting proposals for additional conference and
exhibition sub themes, large projects, technically or logistically
complicated projects, projects that require work on site,
projects or
research which require collaboration with a local community,
company,
or a research institute, ideas which transform the event itself,
tools for interaction and interfacing the event to urban spaces,
etc.

We are envisaging that large projects may include, but not be
limited to: theoretical or practical workshops, technically
complicated installations, live acts that demand a lot of
staging -
thematic or technically unusually interfaced screenings - games or
shared environments that influence the event structure - pre-
events
or post-events in relation to the above dates - remote
participation -
etc.

Our over all aim for ISEA2004 is to create an event which is
thematically and critically coherent and provides new insight. You
can suggest themes that link to those already suggested on the web
site - http://www.isea2004.net/themes.html - or you can suggest an
entirely new area which you feel is important to address in August
2004.



Tapio Makela and Amanda McDonald Crowley
e-mail: info@isea2004.net
http://www.isea2004.net