Subject:
calls x 45 pt 1
Message:
5th. TIM International Short Films Festival of Belo Horizonte, Brasil. Deadline: 30 June. http://www.festivaldecurtasbh.com.br
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10e Binnale de l'Image en Mouvement, Geneva, Switzerland. Deadline: 1 July. http://www.centreimage.ch/bim/
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Seoul Net Festival/ Seoul Film Festival, Korea. Deadline: 1 July http://www.senef.net
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Cork Film Festival, Ireland. Deadline: 4 July. http://www.corkfilmfest.org
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The Times bfi 47th London Film Festival, England. Deadline 25 July. See http://www.bfi.org.uk/showing/festivals/lff/
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Flanders Film Festival, Ghent, Belgium. Deadline: 10 August. http://www.filmfestival.be
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Cincinnati International Film Festival, USA. Deadline: 16 August. See http://www.CincinnatiFilm.com/
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Call for Videotapes: THE OLIVE PROJECT: Two Minutes for Peace & Justice, Canada. two minute videotapes for peace and justice in Israel and Palestine. Deadline: 31 July. http://www.charlesstreetvideo.com
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The Velvet Light Trap A Critical Journal of Film & Television Number 54, Fall 2004, USA. INNOVATION AND EXPERIMENTATION. invites papers exploring questions about innovation and experimentation as part of audio-visual culture and practice from both contemporary and historical perspectives. Deadline: 1 October. Contact bbvermillion@wisc.edu for more information
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NEA International Digital Film-maker Residency 2003, Buffalo, NY, USA. Deadline: 16 June 2003. http://www.squeaky.org/opportunities.html#residencies
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Camden Artists in Residence Fund 2003, London, UK. To support individual artists and groups of artists to make high quality new work in a range of public settings in the London Borough of Camden. Deadline: 16 June. http://www.camden.gov.uk/camdentemplates/search2000/websearch.cfm?mainpage=/enjoy/challenge_2003.htm
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US/Japan Creative Artists' Program , USA. 6 month residency for American artists in Japan. Deadline: 26 June. http://www.jusfc.gov
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Job Opportunity:
Teaching Fellowship for Artists
The Armory Center for the Arts located in Pasadena, California, is currently accepting resumes for one paid Teaching Fellowship position for September 2003 - June 2004. For more information about the Armory, please visit our web site at www.armoryarts.org.
Armory Fellows participate in a nine month training and teaching experience that includes the development of innovative touring and teaching techniques for children within the context of a contemporary art exhibition space.
Requirements: Graduate or post graduate level visual artists, or students in studio or related fields. Some teaching experience is preferred.
To apply: Please send resume, cover letter and 20 slides showing your work to:
Armory Director of Professional Development, 145 N. Raymond Avenue, Pasadena, CA 91103.
Deadline to apply: June 20, 2003
The Armory is an equal opportunity employer.
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VIPER Basel | International Festival for Film Video and New Media
21 - 25 November 2003
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IMPORTANT DATES
Submission: June 30, 2003 (date of the official postal stamp)
Works and projects which are not ready by the closing date for entries can be entered in the form of indicative documentation material or as a concept description.
Acceptance decision: August, 2003
Master Setting due: October 10, 2003
Festival dates: November 21 - 25, 2003
SUBMISSION GUIDELINES
Entry is free of charge.
Regulations, registration form, and further information can be downloaded from
http://www.viper.ch/index_e.html
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VIPER BASEL
is an inspiring and high-quality international forum for the presentation and discovery of innovative tendencies. During its 20 year-old history VIPER has developed from an avant-garde event to the most important Swiss festival in the field of film, art and new media. Attracting more than 15.000 visitors, VIPER Basel is focussing on concepts and analysis of phenomena in society and culture challenged by the contemporary potential of analogue and digital media.
VIPER BASEL 2003
will scrutinise aspects of the current culture and media industry under the motto
[READY MADE CUSTOME MADE]
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VIPER Basel | Competition 2003 | Categories
VIPER Basel has revised its competition.
Works and projects can be submitted to the following categories:
[ IMAGINATION | PROCESSING | TRANSPOSITION ]
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[IMAGINATION]
open to works and projects dealing with traditional and/or future forms of the moving image.
Analogue and digital films/videos, experimental films (including sound/video), 2D and 3D animations, extended forms of traditional cinema, linear and non-linear narrative pictorial sequences, scaled displays and split or multiple screen arrangements can be entered. If desired, these can be complemented by modes of individual and collective interaction.
[PROCESSING]
open to works and projects the character of which is related to a process or situation.
Systems and installations specially conceived with a view to a local situation and/or to the inclusion of individual or collective action can be entered. These include immersive and hybrid (real/virtual) settings, performances. play and social software applications, smart objects, intelligent and ambient systems, as well as interface and interaction design exhibiting competent direction and improvisation as important constants in the handling of digital information units.
[TRANSPOSITION]
open to works and projects devoted to action and communication in technologically-defined networks.
Applications, prototypes and concepts using or specifically implementing network architectures independent of time and/or place can be entered. These include, for example, locality-bound and distributed systems (LAN/WAN/WIFI etc.), mobile computing, GPS applications, infrared and blue tooth connections. Decisive here is an original and experimental use of the technologically-defined topography as a communication territory.
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CALL FOR APPLICANTS: SEALAND IDENTITY PROJECT
Do you also believe that graphic design and visual communication should come
to terms with network society in the fullest sense of the word? Do you agree
that the visionary and the epic should be re-introduced into a design
context obsessed by individual lifestyle? Do you have a passion for fiction
and a weak spot for spy stories? Do you believe that design research - the
development of hypothetical notions and visionary statements - should be a
bigger part of your work, too? Would you like to be part of the design team
for a national identity? Then be introduced to Meta Haven, a one-year
research project initiated by designer Daniel van der Velden at the Jan van
Eyck Academie in Maastricht, the Netherlands.
The objective of this project is to develop a national identity for Sealand,
a mini-state off the British coast. The project, resulting in a printed and
internationally distributed publication, will concern itself with stamps,
money, passports and flags as much as with the network society, the
fictionalisation of history, and the 'data haven'. For a precise outline of
the project, please visit our project on the web:
http://www.janvaneyck.nl/sealand
If you are working in the field of design, or if you are a design or arts
student, and you want to learn and discuss on a more in-depth level what
design will become - and visually create that - you might want to apply to
participate in the Sealand identity project. If accepted, you will profit
from the intellectual climate and generosity of the Jan van Eyck Academie,
an internationally renowned centre for arts, design and theory, located in
the south of the Netherlands near Belgium and Germany, in the city that gave
birth to the European Union. For more information on the conditions of
application and acceptance, please visit http://www.janvaneyck.nl/sealand
Applications are due before September 15, 2003. Proposals should include a
resume and relevant visual material. Please send applications to:
Jan van Eyck Academie, Academieplein 1, 6211 KM Maastricht, Nederland att.
Leon Westenberg t +31 (0)43.3503724, f. +31(0)43.3503759,
e. leon.westenberg@janvaneyck.nl
http://www.janvaneyck.nl/sealand
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The City of Glendale is seeking proposals for artwork to be installed in the
two-story atrium that serves as the public entrance to the new Pacific
Community Center and Library. Deadline for the submissions is Monday, July
7 at 5:00pm. Any artist residing in Los Angeles County is eligible to
compete for this $15,000 commission. All interested parties are invited to
attend an optional site visit on Monday, June 16 at 3:00pm to actually view
the space and ask questions. Attendees for the site visit will convene at
the construction trailers at 557 West Vine, west of Pacific at Kenilworth.
Pacific Community Center is one component of the Edison School / Pacific
Park Project, located at 501 S. Pacific Ave. in Glendale. This new complex,
which will be fully operational in fall, houses a community center, public
elementary school, branch library, a small health center, a multi-purpose
gym, ball and play fields, outdoor picnic shelters, a computer classroom, an
art & science classroom, and a central courtyard designed around a beautiful
mature oak tree. It was built collaboratively by the City of Glendale and
the Glendale Unified School District.
Artwork in any media will be considered. No theme has been established, but
artists are encouraged to think about the site and its users when developing
concepts. Proposals will be reviewed by a panel of community and site
representatives and a recommendation made to the City's Arts and Culture
Commission.
A copy of the prospectus is attached, or it can be downloaded from the City
of Glendale website http://parks.ci.glendale.ca.us
/arts_and_culture.htm or requested via
e-mail at erappoport@ci.glendale.ca.us
or through the mail by calling (818) 548-2780.
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International Artist Résidencies/Paris - Call for applications
The City Hall of Paris and the Ministry of Foreign Affairs offer a
residents' programme at Couvent des Récollets, a prestigious building
renovated in 2003, on the banks of Saint Martin Canal, in the heart of
Paris, to foreign artists specialized in any discipline. The winners
will be accomodated in one the 6 available studio-flats (52 to 87 m2)
for a period of 3 months to 1 year.
Artists will be selected by a board of examiners on the basis of a
project they would like to develop in Paris during their stay. This
project can be carried out at the invitation of a Paris art institution
or as a personal artistical research approach.
Profile of applicants
- At least 5 year professional experience
- Participation in important international artistical events like
biennial contemporary art festivals, international festivals or
exhibitions in international museums.
Any discipline
Length of stay
From 3 months to one year according to the project submitted by the
artist.
The board of examiners can exceptionally decide in favour of a shorter
stay for specific projects
Conditions of stay
Accomodation:
Winners will be accomodated in a studio-flat at Couvent des Récollets
put at their disposal by the City of Paris. The Department of Cultural
Affairs will help selected artists to make the necessary steps in Paris
and establish contacts with Paris cultural institutions, according to
their requirements.
Available studio-flats, whose area ranges from 52 to 87 m2, are all
equipped with a kitchen recess, bed and working space. Household linen
is provided for and cleaning is made twice a week. These studio-flats
are neither equipped nor adapted to families with children.
Allowance:
A 1500 € monthly allowance is allocated to artists by the Ministry of
Foreign Affairs in support to their projects.
Round-trip tickets:
Round-trip tickets between the artist's city of origin and Paris will be
borne by the cultural services of French Embassies in their respective
countries.
Application documents
1. Administrative file
- Application form
- Photocopy of passport
- Biography mentioning education, collective and individual events in
which the artist participated, films made, books published…
- Two reference letters from directors of art institutions, curators of
exhibitions in which the artist participated, festival organizers or any
person having an in-depth knowledge of the artist's work.
2. Artistical file
A presentation of the artist's work including photographs or video
cassettes, audio CDs, CD-roms (PC version) manuscripts, texts published
and press kits.
The project that the artist wishes to work on during his/her stay in
collaboration or not with a Paris institution (2 to 4 pages).
3. A CD-rom on which all the documents of the administrative and
artistical files will be recorded. This CD-rom must bear the artist's
name and will be transmitted to the City of Paris in an envelop on which
the artist's name will appear.
Deadline for applications : June 20, 2003 (date of postmark will be
taken as proof of postage)
Files must be sent to the following address :
Mairie de Paris
Direction des Affaires Culturelles
Résidences au Couvent des Récollets
108 rue Viellie du Temple
75004 Paris
France
Meeting of the board of examiners : July 10, 2003
The results will be sent by post during the week following the meeting .
For futher informations and application form:
http://www.paris.fr/FR/La_Mairie/relations_internationales/actualites_international/residence_artistes_france/default_anglais.htm
--
Thomas Michelon
attaché culturel
Ambassade de France
Smidsplein 1
2514 BT Den Haag
Tél : 00 31 70 312 57 16
Fax : 00 31 70 312 57 14
thomas.michelon@diplomatie.gouv.fr
http://www.ambafrance-nl.org
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Call for Papers, Presenters, Developers, Performers,
Audience.
What: San Francisco Performance Video Symposium
When: 27 September 2003
Where: Dimension7, 150 Folsom St., San Francisco, CA
Who: Anyone can submit. Video artists, performance
artists, software developers, cultural and film
theorists are especially welcome.
Submissions are due 21 July 03.
The plan:
On 27 September, the Symposium will begin with a
series of speakers on ideas in performance video,
comcluding in a roundtable discussion. Following the
round table a series of performances would occur in
the Dimension7 video gallery. The evening will then
be capped off by a super-fun multimedia party!
Admission is technically free, but a donation might be
requested to help defray the costs of mounting this
Symposium, depending on the level of sponsorship
found.
Dimension 7 has more than adequate video projectors,
screens, and sound reinforcement.
The idea: Performative video: theory and practice
Recent innovations in computer software and
performance gains in hardware are now permitting the
development of a truly performative cinema. Thus far
three distinct camps seemed to have evolved over the
years: video light shows for dance clubs and raves and
the similar development of VJ culture on one end,
academic video art installations on the other end, and
a vast number of artists in between. This situation
bears some relation to what obtained in cinema in its
earliest years (nickelodeons, and all film was some
kind of an experiment, etc.) Significant theory wasnít
really developed until some 20 years into the history
of cinema with the early formative theories of the
19teens. Due to the dependence on rapidly changing
technology, contemporary video performance doesnít
have the luxury of 20 years to wait for theory to
ìgelî. Itís important that at this historic interstice
of music and video that Theory evolve along with the
emerging practice, and the practice develop its own
coherent theory. It is the purpose of this Symposium
to help that along at this historic juncture.
Discussions of the history of the form, the strengths
and shortcomings of the discipline, the challenges
ahead, the political implications and uses of, and the
trends within performance video - all of these need to
be discussed and brought into awareness.
All contents (papers, video, images, etc.) submitted
will be featured on a website dedicated to this
symposium after 27 September. The ideas need to get
out into the world as quickly as possible, so
performance video practitioners might acquire some new
common language, develop shared concerns, and create
useful theory in order to further the integrity and
coherence of this new practice in an age of digital
media convergence, and the near complete hegemony of
passive entertainment environments.
No honoraria are presently available ñ this is an all
volunteer effort, so if you wish to present your ideas
in person, please be aware that the symposium canít
help you with any expenses. However, if present
efforts to find sponsorship are successful, and
funding is found, this may all change, and presenters
and contributors will certainly be notified.
Please note, for your pleasure: Late September is the
BEST time to be in San Francisco, and this event will
be a truly extraordinary moment in history.
What to submit:
Send a .txt, .rtf, or MS Word document of your paper /
lecture notes attached to email. The email you send
should include a short single paragraph bio, and let
me know if you wish to be considered for live
presentation of your paper at the Symposium. If you
have a lecture AND a performance to provide, please
submit the lecture as noted above and the performance
idea per following paragraph.
Please email it to:
henry (dot) warwick (at) sbcglobal (dot) net
Those who would like to be considered ONLY for
performance that evening should send a CDR w/ a short
QuickTime movie or a DVD-R demo of your work and a
document describing what you want to do. Please
include a brief bio, and your email address.
Please send disk and documents to:
Henry Warwick
148 Dellbrook Ave
San Francisco CA
94131
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Please Post
Call for Entries
ATHICA, Athens Institute of Contemporary Art, welcomes submissions of web-site artist projects to be featured at ATHICA’s Virtual Art Gallery, www.athica.org .
These net art works should be distinguished in concept and design and should be specifically intended for the Internet medium. The content, while may be diverse, should be rigorous in idea and execution.
Deadline – July 1, 2003. Please forward html address of artist project, artist statement, and art- based resume to Didi Dunphy, ATHICA Virtual Art Curator, at didi@athica.org.
Launch date for the new selections in the Virtual Art Gallery at ATHICA is August 7.
ATHICA launched its first Virtual Art Gallery in the fall of 2002. Please see ,www.athica.org. The Virtual Art Gallery highlights a selection of web-based artist projects whose diverse conceptualization, elegant design, engaging subject matter and mastery in technology exhibit the best of virtual art created for the Internet. The Gallery rotates twice annually with a call for entries.
Conceived of as an ‘alternative art space’, the Athens Institute for Contemporary Art (ATHICA), is dedicated to exhibiting challenging, provocative and innovative contemporary art in a non-traditional setting, solely for the cultural enrichment if the Northeast Georgia community.
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The Slade School of Fine Art
University College London
The Slade School offers courses in fine art at undergraduate (BA) and
postgraduate (MFA, MA, MPhil, PhD) level. The Fine Art Media area includes
Film, Video, Electronic Media, Sound, Photography and Printmaking.
Applications are invited for the following post:
Lecturer B (0.4 pro rata full time) in Fine Art Media
We are seeking to appoint a practising artist of distinction who is
committed to making an active contribution to the research and teaching
culture of the School.
The successful applicant will be enthusiastic and confident working in a
range of ways with students and colleagues - from hands-on practical
workshop/group teaching to tutorials, group critiques and cross area
seminars.
Ideally the candidate will have expertise in two or more of the following:
Interactive Media, Internet Art, 3D Animation, Digital Video and Sound.
The appointments are pro rata £26,270 (£10,508) - £28,948 (£11,579) plus
London Allowance £2,134 (£854).
Letters of application and CV to:
The Administrator, The Slade School of Fine Art, UCL, Gower Street, London
WC1E 6BT.
For further information please telephone 020 7679 1384, or e-mail
j.readwin@ucl.ac.uk Closing date: 27th June 2003. Interviews will take
place on 10th July 2003.
Working towards equal opportunity
http://www.ucl.ac.uk/slade
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KINOKAZE - Serbian cinema terrorists announce a
OPEN SCREEN - OPEN AIR, screening without selection and censorship, which will take place in Alternative Film Center - Open Arena, Belgrade, June 17th 2003. All received works will be screened!!!!! Perfect plate for media manipulation and abuse. No deadlines, no entry forms/fees, no limitsÖ
All formats acceptible (VHS, mini dv, Beta SP, Betamax, Super 8, 16mm, 35mm, 70mm, DVD, DivX, CD R, SVHS, VHS C, Hi 8, Umatic, .......).
After projection works will be included in Alternative Archive, and screened on event in December in 24hrs of world wide stuff.
Send your works to AFC, DK"SG", Bulevar AVNOJA 179, 11000 Belgrade, Serbia and Montenegro (S/M).
info: kinokaze_kinokaze@yahoo.com afc@dksg.co.yu bobmiloshevic@yahoo.com
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CALL FOR ENTRIES: Angelus Awards Student Film Festival
Deadline: 1 July 2003
The 8th annual Angelus Awards Student Film Festival seeks student films that explore the complexity of the human condition with creativity, compassion and respect. Cash prizes include the $10,000 Excellence in Filmmaking Award, one of the highest cash awards for student filmmakers, that is also open to animation and documentary. The $5,000 Priddy Bros "Triumph of the human spirit" award and the $2,800 FujiFilm Audience Impact Award are also included. Other awards include $1,500 Outstanding Animation and $1,500 Outstanding Documentary. All genres accepted but eligible films must be under 90 mins and have been completed between June 2001 and July 2003 while the filmmaker was an undergraduate or graduate student at an accredited university or film school. The Angelus Awards is presented by Family Theater Productions, Hollywood, CA.
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CALL FOR ENTRIES: Collection of Art and Writing on Globalisation
Deadline: 1 July 2003
We are currently seeking contributions for a new book that looks at Globalization as an cultural and artistic force. Terra Nova is looking for contributors whose work is especially cognizant of the unique challenges the world faces today; where a globally applied scientific and technological worldview meets local cultures, customs, and different ways of knowing.
Find out more at www.terranovabooks.org or email terranova@njit.edu
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CALL FOR ENTRIES: M.I.F.F 2003
Deadline: 4 July 2003
The 5th annual Melbourne (Florida) Independent Filmmakers Festival (M.I.F.F) 2003 has been taking entries to what many call "The best event on the Space Coast". Spread the word, mark your calendars, and do everything not to miss this event. By all means submit your film(s) now. All funds raised go to charity! The date of this year's festival is September 11th, 12th & 13th
Find out more at www.3boysproduction.com
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CALL FOR ENTRIES: Show off: Feminist Artists and their Audiences
Deadline: 18 July 2003
We invite chapter manuscripts from artists for review and possible publication in an edited anthology that will address both the theoretical and practical issues raised by feminist visual artists exhibiting and sharing work. We encourage submissions from those who define themselves as feminists and their allies. Emerging and established artists are welcome to submit.
To find out more email leah@sirenpress.com
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CALL FOR ENTRIES: The Bearded Child Film Festival
Deadline: 21 July 2003
The Bearded Child Film Festival is in search of fine cinematic wizardry to dazzle and amaze. The festival takes place in Grand Rapids, Minnesota Aug. 8 to 9 and in Boulder, CO in mid-September. (More locations to be announced.) While the focus of the festival is of the weird, absurd or subversive nature, we strongly encourage "serious" experimental filmmakers to submit as well. Handmade or personal works are always appreciated by our audience.
Find out more at www.beardedchild.moviespage.com or email beardedprogeny@hotmail.com
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CALL FOR ENTRIES: Monitoring
Deadline: 15 August 2003
The Kassel Documentary Film and Video Festival presents current documentary films and videos, the media art exhibition MONITORING, as well as the interfiction symposium. They invite all filmmakers, media people, and artists to submit their latest works and projects for the individual sections of the Festival program.
Find out more at http://www.interfiction.net
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CALL FOR PAPERS: The Velvet Light Trap
Deadline: 1 October 2003
The Velvet Light Trap A Critical Journal of Film & Television Number 54, Fall 2004, USA, invites papers exploring questions about innovation and experimentation as part of audio visual culture and practice from both contemporary and historical perspectives.
To find out more email bbvermillion@wisc.edu
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CALL FOR PAPERS: Lines of Flight Issue 2
Deadline: 31 October 2003
Lines of Flight is an internationally refereed, annual on-line review that provides a space for the circulation of research by Australian postgraduates working across a range of disciplines. We are currently seeking submissions for second issue from postgraduate students working across the range of arts, fine arts and humanities subjects whose research involves them in historical analysis and investigation of any kind. The framing contention for this edition of L.O.F is that historical research of a sort traditionally restricted to history departments is now blossoming outside that jurisdiction to such an extent that the disciplinary emplacement of history is at risk of being blown wide open. We are especially keen to publish work by history postgraduates that takes a historiographical approach to concerns of this nature.
Find out more at www.arts.utas.edu.au/efgj/lines_of_flight or email jshipway@utas.edu.au
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JUNE 16, 2003 DEADLINE FOR Visual AIDS Creates Program for HIV-Positive Artists to Illustrate Impact of CMV Retinitis
Visual AIDS ( http://www.visualaids.org/ ), an organization that works to raise awareness of AIDS through the visual arts, has announced the launch of Share Your Vision, a national art contest for HIV-positive artists designed to raise awareness about cytomegalovirus (CMV) retinitis, an AIDS-related opportunistic infection that, if left untreated, can lead to blindness. Share Your Vision is funded by global healthcare company Roche ( http://www.roche.com/ ).
Thirteen winning artists and three honorable mentions will be selected by a jury of artists, arts professionals, and physicians. The winners' work will be exhibited at Artists Space in New York City and included in an accompanying exhibition catalogue. The winning artwork may also be utilized by Roche, Visual AIDS, or a designee of these parties for a public education campaign on CMV retinitis that may include a traveling exhibition. The winners will receive cash prizes that range from $500 to $7,500, along with a matching gift to the HIV/AIDS charitable 501(c)(3) research or support organization of the artist's choice.
All two- and three-dimensional work in any medium, including paintings, sculptures, and photography, is eligible.
For complete application information, see the Visual AIDS Web site.
http://www.thebody.com/visualaids/share_vision.html
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July 15 deadline for fiscal sponsorship requests for Downtown Community Television Center
DCTV accepts sponsorship requests from independent video artists/producers or any emerging media arts organizations seeking funds for non-commercial video projects. We are most interested in aiding those filmmakers/videographers who show a strong commitment in advancing the arts and improving life in their community.
Disciplines: Media Arts and non-commercial documentary production
Services Offered: In addition to providing fiscal sponsorship, DCTV provides consultation on fundraising and discounts to DCTV production and post-production facilities.
Service Fee: 5% of monies received and $25 per year
Contact DCTV’s sponsorship staff before applying
All applications should be addressed to:
Sponsorship Program
Downtown Community TV Center
87 Lafayette Street
New York, NY 10013-4435
fax ( 212) 219-0248
For more information contact: Matthew O'Neill at (212) 966-4510 x236 or Matthew@dctvny.org
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