Subject:
calls x 16
Message:
Subtle Technologies is currently accepting curatorial proposals.
Full information is available at
http://www.subtletechnologies.com/calls.html
The Subtle Technologies Festival welcomes submissions of
programming ideas from curators and organizations that would like to
contribute to the festival. These ideas could be for gallery shows,
performances, screenings and events relevant to the festival's themes.
We encourage anyone interested in making a submission to attend
Subtle Technologies 2003, or review our archives to get a sense of
the topics we have covered in the past. Although we are not limited
to these topics it will give you an overview of the festival's
interests.
To have your programming proposal considered for next year's
festival, we require submissions by June 15th 2003. Your submission
should include a short curatorial statement, a preliminary list of
content and your C.V. (max. 3 pages).
Please send your proposal to subtleprogramming@sympatico.ca
Visit our archives on the web at http://www.subtletechnologies.com
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are you digital? are you sure? does it bother you who does things if they turn out well? does the word copyleft ring a bell? the last time you touched foot to ground, did matter not exist?
open call for works of the pabellón dedé within the festival observatori 2003.
dd photography / dd computer graphics / dd video art / dd local / dd web.art / dd net.art / dd vivo (live
+ info
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I have up to fifteen job openings for part-time staff for the summer
Artful Weekends program at the J. Paul Getty Museum, a summer family
workshop program for which I am contracted as the Artist/Educator, and I
in turn sub-contract others as Facilitators and Interns/Runners.
Please refer the following job descriptions for staff to anyone you
think might be interested. I am looking for college students/recent
grads/graduate students/and experienced educators as paid staff, as well
as high school students as paid interns.
I am working with a tight turn-around time: interviews are next week
from May 27 through June 3 and hiring around June 4.
Museum Family Program Facilitator
Facilitator teaches a family art workshop that begins in the galleries
and culminates in a hands-on workshop on site at the J. Paul Getty
Museum. Facilitators prepare, set up, teach in the gallery and at the
outdoor workshop area, and take down the workshop in teams of three
alongside a supervising On-Site Manager. The program runs on weekends
from June 22 through September 28. Facilitators attend two training
sessions on site at the museum, June 8 and July 20, to learn techniques
for specific workshop lessons and working with families in this program.
Qualifications: both monolingual and bilingual (Spanish/English or
Mandarin/English) staff are sought. Candidates should have experience
working with children or families in an art context, have studied art
education, and be good communicators, reliable, and prompt. Art
education and studio art majors and art/art education graduate students
are encouraged to apply.
To apply, please specify the position for which you are applying, and
forward your resume and a cover letter to Liz Harvey via email at the
address below or by regular mail to Liz Harvey, 2378 Landa St., Los
Angeles, CA 90036. Please email or call the number below with questions.
Please do not call the Getty Museum!
Liz Harvey, contact information:
(323) 913-3336
or
eharvey@csulb.edu
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But how does technology shape cultural identity and how has it changed the way we live together? Can digital technology promote dialogue between people from different cultures, creating a better, fairer and more peaceful world where cultural diversity and tolerance prevail? And how can an artist's vision and sensibility reflect and contribute to cultural diversity and digital pluralism?
These are the questions we want to address through the "Digital Pluralism - UNESCO Digital Arts Award 2003 at IAMAS".
full information at http://www.iamas.ac.jp/unesco_award/
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CALLING ALL WINNEBAGOS, BIG RIGS, SILVER BULLETS, TRICKED-OUT ASTROS & PECULIAR LIMOUSINES!!
Following the success of our now world-famous multimedia mega performance event, PLATINUM OASIS (guest curated by Ron Athey & the Honorable Dr. Vaginal Davis), OUTFEST: 21st Los Angeles Gay & Lesbian Film Festival will present PLATINUM SNAPMEAT, a fully immersive multimedia performance environment and alternative currency meat economy masterminded by world famous internet art star, Shu Lea Cheang!
PLATINUM SNAPMEAT will take place Saturday, July 19th, 8 pm-2 am in the shadows of the crumbling infamous ruin that is Los Angeles' Ambassador Hotel (RIP Bobby).
PLATINUM SNAPMEAT - The Setting
The New American Century Los Angeles - year 2030. The super pipeline that pumps oil directly from the Middle East to the truck stops has wiped out the lot lizards' operating ground; American neo-colonialism has pipelined the sex trade. In this ecosystem, the "Snapper" gang controls and conducts the SnapMeat Mart amidst a transient community of Winnebagos, Silver Bullets, big rigs, tricked-out Astros and peculiar limousines in the smoldering shadows of the crumbling Ambassador Hotel. A giant pig roasts on a gyrating spit and the constantly glowing market monitors speckle the landscape.
Snapper Gangs use imaging mobile phones and once people are "snapped" (photographed, voluntarily or not) they become SnapMeat and go up for sale on the wireless electronic auction block set up on the lot. The "patrons," the hungry and venturesome flesh seekers, come loaded with G notes to bid on the SnapMeat on the market website. The Meat is bid on electronically and transactions are completed on the lot's auction block. Patrons can then take their SnapMeat to the lot's private quarters where they will be entertained by an array of engaging sensual performances and a scintillating cocktail bar. The SnapMeat can be bought, tasted and resold with G-currency. The Snapper Gangs build their sex trade empire on good old American style!
PLATINUM SNAPMEAT - The Call
In search of racketeers and suckers, patrons and perfidious hucksters to assemble a transient SnapMeat community! Outcasts needed to thrive in the underground Meat Trade on the smoldering ruined grounds of the grand Ambassador Hotel.
CALLING ALL WINNEBAGOS, BIG RIGS, SILVER BULLETS, TRICKED-OUT ASTROS AND PECULIAR LIMOSINES! You are invited to submit a proposal for you, your posse and your phat vehicle to participate in PLATINUM SnapMeat! (ie. Performance/atmospheric hospitality inside trailer, exterior vehicle design on accordance with theme, media presentation, etc.)
DEADLINE - JUNE 16TH, 2003
Here are the guidelines
* Write a proposal outlining your idea for participating in the event for you, your posse and your vehicle. We've given you the idea for the look and feel of the event, now run with it!
* Detail any electrical requirements for your proposal.
* Include the dimensions of your vehicle.
* Public access to the interior of participating vehicles is encouraged but not mandatory.
* If your vehicle is not publicly accessible, a SnapMeat Market monitor must be connected to the vehicle so that it is publicly visible from the outside of the vehicle.
* All activities on the property of the Ambassador, including vehicles must be legal according to 2003 US law.
* You must with your vehicle and report to event organizers in Los Angeles no later than Thursday, July 17th.
* Send your written proposals to programming@outfest.org or send via snail mail to OUTFEST, attn: Platinum SnapMeat, 3470 Wilshire Blvd., Suite 1022, Los Angeles, CA 90010 (213.480.7088 voice, 213.480.7099 fax)
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Dear Colleagues,
We seek prominent and not-yet-so-prominent women (activists, performance artists, teachers, students, writers, public intellectuals, and so forth) to partake in a monumental performance event. If you would like to lend your voice and become involved, please contact me and I will put you in touch with the organizers. If you would like to come out and show your support, please see below for details. Spread the word.
Media Alert
SCREAM OUT!
WHAT: SCREAM OUT is a performance protest. One by one, over 250 women will condemn the Bush administration with destroying our basic American freedoms. Each charge will be answered with a scream of rage and resistance, fury and frustration. The event is free and open to the public.
WHO: SCREAM OUT was initiated by performance artist Karen Finley and organized by the Women's Action Coalition (WAC). Speakers and screamers will include prominent women artists, performers, writers and activists including Finley, Mary Gaitskill, Martha Wilson, Nicole Blackman and many others. A complete list of participants will soon be announced.
WHEN: MONDAY, JUNE 9th at 6 pm.
WHERE: In the courtyard of St. Mark's Church in the Bowery, 131 East 10th Street at Second Avenue in NYC.
WHY:
*We are out of time. The Bush administration has launched a relentless attack against our civil liberties. *We are out of options. Millions of Americans have protested against the administration's policies and our voices have been ignored. *We are out of patience.
PUBLIC INFO: The WAC website at www.wacnyc.net
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TEACHING POSITION IN PHOTOGRAPHY
Lecturer in Photography, University of Vermont. One year with a second year
possible. Starts August of 2003. Teach 3 courses per semester and
supervise/maintain the darkroom areas. Teach introductory and advanced
darkroom-based courses in addition to digital imaging courses. Requirements
for the position will include: an M.F.A. in photography; teaching
experience at teaching assistant level or above; exhibition record;
knowledge of contemporary photographic practice. Send letter of
application, a C.V., 20 slides of recent personal work with an artist
statement, names of 3 references, and S.A.S.E. for return of materials to:
Ted Lyman, Art Department, Williams Hall, University of Vermont,
Burlington, VT 05405. Application deadline: June 20. The University of
Vermont is an Affirmative Action, Equal Opportunity Employer, Women and
Minorities are encouraged to apply.
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TEACHING POSITION IN PRINTMAKING
Lecturer in Printmaking. One year appointment with second year possible.
Beginning August 2003. Teach courses in printmaking and a second area.
Contribute to studio foundations program, maintain facilities. Preferred
qualifications: MFA in printmaking, exhibition record, college level
teaching experience as teaching assistant or above; knowledge of
contemporary theory and practice in printmaking and second area. Applicants
with second area of accomplishment in drawing preferred. Experience in
several of the following techniques: plate/stone lithography, screen
printing, intaglio, monoprinting, non toxic and digital approaches. Send
letter of application, C.V., three letters of recommendation, 20 slides of
current work, SASE for return of materials to: Printmaking Search
Committee, Art Department, 304 Williams Hall, University of Vermont,
Burlington, VT 05405-0168. Submission Deadline is June 20, 2003.
The University of Vermont is an Equal Opportunity Employer. Women and
minorities are encouraged to apply.
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Surface magazine and Tanqueray No. TEN announce a nationwide search for the best new fashion photographers to showcase in the 6th Annual American Avant Guardian issue and exhibit.
DEADLINE: June 16th, 2003.
For official entry form, guidelines and mailing address visit www.surfacemag.comOver the past five years *Surface has introduced more than 90 new fashion photographers to the creative industries...
are you next?
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Employment Opportunity: Lecturer in Time Based Art and Digital Media
College of Fine Arts, University of NSW
APPLICATIONS DUE: 23rd May
Sydney
REF. 2170NET
The School of Media Arts, located on Paddington Campus, seeks to appoint a Lecturer within Time Based Art and Digital Media who will develop animation courses as well as lecture within the undergraduate, postgraduate and general education programs; participate in the supervision of postgraduate students in cross discipline areas; maintain a high level of research and a professional profile as well as liaise with external institutions/commercial and the corporate sector both nationally and internationally.
Essential criteria: appropriate academic qualifications in animation, preferably at Masters level; proven expertise in a production environment and practical experience in character animation; experience in traditional 3D animation processes; experience in both long form and short form production processes; the ability to work in a collaborative team, focusing on developing inter-disciplinary studies; evidence of a level of recognition of the applicantís creative practice; willingness to undertake administrative responsibilities at both School and Faculty level as well as an understanding of equity and diversity and OH&S policies and programs.
Desirable criteria: experience in animation within a feature film environment as animator, lead animator or director of animation; knowledge of high end software systems for 2D and 3D animation and traditional 2D animation processes.
The salary range for a Lecturer is A$55,079 ñ A$65,408 per year depending on qualifications and experience.
Membership of a university approved superannuation scheme is a condition of employment.
Enquiries may be directed to:
INFO: Phillip George, Head, School of Media Arts
PH: 02 9385 0697
FAX: 02 9385 0719
EMAIL: p.george@unsw.edu.au
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from Artservis
Brussels, Belgium
Roberto Cimetta Fund
Mobility of Performing Arts operators and artists in the Mediterranean
A small grants program giving individual travel grants which cover 75% of the travel and visa expenses necessary for participating in meetings of a professional cultural network, workshops, residencies for artists, to attend a festival, a lecture, etc.
The Roberto Cimetta Fund is an international and independent non profit association under Belgian law designed to encourage cultural exchanges within the Mediterranean area. It is a mobility fund which supports and facilitates the circulation of contemporary Performing Arts operators and artists working in the Mediterranean, often facing difficult economic situations. The Roberto Cimetta Fund aims to help them develop and integrate professional networks, exchange experiences and information, to understand each other, to develop projects and ideas and work together in a climate of genuine, open and informal cooperation.
Selection criteria
Which criteria should you meet to get a grant?
The applications are selected according to the interest of the projects and the following criteria:
Your project regards the following artistic fields:
Contemporary performing arts: theatre, dance, circus, puppets, transdisciplinary projects, techniques (light, sound, etc.)
You are living and working in or you are going to one of these countries:
1. Countries which signed the Declaration of Barcelona - 1995 (Euro-Mediterranean partnership)
- The 15 countries of the European Union
- Morocco, Tunisia, Egypt, Lebanon, Syria, Jordan, Palestine, Israel, Turkey, Cyprus, Malt,
2. Algeria, Lybia,
3. Other countries neighbouring the Mediterranean (Balkans…) only if the applicant's project shows a real Mediterranean concern.
The project or event you are taking part in:
Our mission is to encourage artists and professionals' networking. We will thus encourage:
- your participation to any event which enables encounters with other professionals, to exchange information, to elaborate projects and ideas, practices, to improve skills, to discover different artistic proposals: cultural professional network meetings, festivals, artists' residencies, workshops, seminars, lectures, work sessions…
- Applicants who demonstrate the long term effect of their project and who will share their experience by encouraging networking in their own country.
More on the IETM website.
c/o IETM - the Informal European Theatre Meeting, Fonds Roberto Cimetta
Laetitia Manach, coordinator
19 Square Sainctelette
B - 1000 Brussels
Belgium
tel: +32 2 205 00 13
fax: + 32 2/ 203 02 26
frc@ietm.org
http://www.ietm.org/
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Prague, Czech Republic
Datum dogodka: 18 July - 20 August, 2003
Fotograf v zahrad®ß
IN OUT 2003
Invitation to participate in Prague’s first festival of digital images
The festival will introduce contemporary art works in the field of static digital images. There will be presentations in the form of exhibitions of large-surface prints, video displays and especially large-screen projections. The gallery exhibition areas and public spaces will be accessible throughout most of the day and into the night and will be located right in the heart of the city. The main festival program will run non-stop for 12 days and will offer both a specialized and entertaining program.
The festival will include discussions, lectures and presentations, bringing in prominent theoretical artists and journalists from around the world. A rich web site presentation made for the festival will include samples of work and references to other projects by all of the exhibited artists. The web site will also be a source of information about preparation and current events for the festival. The festival will be brought together in a double CD-catalogue and documentary film.
==================
A) Form of the presentations:
Installations in Public Space (garden):
1) The assumed standard format was determined to be 90 x 120 cm (3:4) or 90 x 160 (16:9) regarding the standard digital entrance and exit. It’s necessary to negotiate other formats, but they are not an obstacle.
2) An exhibited works should be individual image, a closed cycle of images, or a selection from a cycle not to go beyond four images.
3) Technical production will be photo-realistic print on foil, whose manufacturing and production will be provided by the organizer.
4) Color check will be conducted in accordance with sample proofs or the parameters set out by the artists.
5) The requested format given to production is bitmap format TIFF or EPS and curve or combined format AI, EPS or PDF. Format for captions and titles is TXT and DOC.
6) Adjustments will be provided in the form of a variable hanging system.
Installations in the Gallery
1) Here works will be exhibited as large displays at a 50” to 70” diagonal with audio headset or quiet sound …… and a large video projection 3 x 4 m with sound distribution.
2) The exhibited work should be an individual image or an unlimited cycle of images (slide show) with the possibility of sound accompaniment.
3) Technical production will in DVD format, whose manufacturing and production will be provided by the organizer.
4) The sequencing and time intervals will be set in accordance with the wishes of the artists.
5) The requested format given to production is bitmap format TIFF or EPS and curve or combined format AI, EPS or PDF with a resolution of 2560 x 2048. The most suitable audio format is WAV, MP3 or AIF. In case there is a complete cycle/show with sound on digital media the preferred format is MOV, MP2 or AVI with the highest resolution of 1280 x 1024. Format for captions and titles is TXT and DOC.
6) The large video screens and the projection screens will be placed on the walls of the gallery with a dimmed artificial light or without light
Installation as the main large-screen projection — large video screen on a square in the center of Prague.
1) Here the work will be exhibited as a projection on a video wall 5.3 x 3.2 m with sound equipment and auditorium. The layout of the exhibition space will look like a summer cinema.
2) The exhibited work should be individual images or an unlimited cycle of images (slide show) with the possibility of sound accompaniment.
3) Technical production will in DVD format, whose manufacturing and production will be provided by the organizer.
4) The sequencing and time intervals will be set in accordance with the wishes of the artists.
5) The requested format given to production is bitmap format TIFF or EPS and curve or combined format AI, EPS or PDF with a resolution of 2560 x 2048. The most suitable audio format is WAV, MP3 or AIF. In case there is a complete cycle/show with sound on digital media the preferred format is MOV, MP2 or AVI with the highest resolution of 1280 x 1024. Format for captions and titles is TXT and DOC.
6) The video wall is one compact surface with high luminosity and quality of the projected images that will not change even under intense daylight. The auditorium will have quality sound with a minimum of powerful loudspeakers with the possibility of using spatial sound.
B) Other presentations and services for artists
1) Double CD-ROM inserted in the catalogue with an extensive booklet. In the catalogue there will be a selection of, or all of the exhibited works by each artist along with a resume and characteristic works. The artists not participating in the festival personally will receive one in the post.
2) A documentary film will be made about the festival, which will be screened on one of the nation-wide TV stations and it will also be part of the CD-catalogue.
3) The artists will also receive a complete summary of reviews and articles from the media.
4) The festival will be offered to other cities in the world.
5) All exhibited works after the end of the exhibition will become the property of the artist and will be sent to the artist at the expense of the organizer. Three years after the end of the exhibition the organizer reserves the right to make duplicates of the work in case the exhibition travels as a whole to other localities. The duplicate will be returned to the artist after the rerun.
6) The organizer will offer to buy selected artists’ works for their collection.
Rok prijave: 06/06/03
Kontakt:
Fotograf v zahrad®ß
IN OUT
Na klikovce 7
130 00 Praha 3
Czech Republic
studio@inout.cz
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full info at: http://www.kaapeli.fi/hiap/
Helsinki, Finland
Cable Factory...
Helsinki International artist-residence programme - HIAP
The purpose of HIAP is to provide time and space for creative work, contacts and interaction with Finnish contemporary artists and the Helsinki art-scene.
Interested participants should send their particulars and resume as well as a descripion of the purpose of the residency, an artist statement, visuals and documentation of work and no more than two reviews, catalogues to the address below.
For applying a residency, please send:
- full name, address, tel, -fax,- and e-mail address
- a descripion of the purpose of the residency
- artist statement
- cv
- visuals and documentation of work
- reviews, catalogues (no more that 2)
HIAP
Tallberginkatu 1 C/97
00180 Helsinki
Finland
tel: 358-9-6856730
fax: 358-9-6856730
hiap@kaapeli.fi
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Collection of Art and Writing on Globalization
Terra Nova
(Newark NJ)
Terra Nova books are anthologies that encourage innovative writing and art on nature and culture, presented in a serious and engaging way. Built on the principle that scientific and environmental subjects benefit from imaginative presentation, Terra Nova crosses the borders between disciplines to show how serious discussions occur in many fields of creative inquiry. We are currently seeking contributions for a new book that looks at GLOBALIZATION as an cultural and artistic force. For us, globalization is more than the global integration of markets and economic systems. It’s a question of culture as well. Nowhere seems so far away from anywhere else in this web-linked world. What we eat, use, and wear is produced all over the world. Terra Nova is looking for contributors whose work is especially cognizant of the unique challenges the world faces today; where a globally applied scientific and technological worldview meets local cultures, customs, and different ways of knowing. For prose: We want pieces between 3,000-6,000 words. For poetry: We will not use any poems shorter than ten lines, and we would prefer to publish a group of poems by each selected poet. For art: Please send a selection of work that will reproduce well in black-and-white. Photography and line drawing work especially well.
Application Date: 7/1/2003
TERRA NOVA
Cullimore 318
Humanities Dept. NJIT
Newark, NJ 07102
Email: terranova@njit.edu
www.terranovabooks.org
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PERIMETER-SCREENING FOR ATLANTIC/CENTRAL BASE
Cultural Development Authority of King County
(Seattle WA)
The Cultural Development Authority Public Art Program for King County, Washington is seeking an artist or artist team from West of the Mississippi River to design and create work for a 2500-foot perimeter-screening project around a transit bus base in the industrial area south of downtown Seattle. Options for the selected artist include working with the landscaping to create screening, as well as producing artwork that attaches to existing fencing or that is sited near it. The artist will work in collaboration with the project design team.
details on how to apply at:
http://www.culturaldevelopment.org/publicart
PROJECT BUDGET
$135,000 for design, implementation, installation and travel. (Short-listed artists will be compensated for interview travel costs)
TIMELINE
Design begins immediately after selection in July 2003
Application Date: 6/16/2003
Barbara Luecke
506 Second Ave, #200
Seattle WA 98104-2307
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PROJECT DIRECTOR, ARTS FOR ALL
This position will provide primary support for the Los Angeles County
Superintendent of Schools in the areas outlined below. This is a 50%
position, and will be under the direct supervision of the Superintendent or
designee.
THE POSITION:
In 2001, the Los Angeles County Arts Commission and the Los Angeles County
Office of Education (LACOE) established an Arts Education Hub to serve as
the central coordinating agency to foster systemic, sequential arts
education in the 81 school districts in Los Angeles County. After a
year-long strategic planning process, the Los Angeles County Board of
Education adopted Arts for All: Los Angeles County Regional Blueprint for
Arts Education, designed to forward sequential arts education throughout the
districts. Thirty diverse partners, including the Arts Commission and LACOE,
have agreed to provide leadership to implement the various strategies in the
Blueprint and to work together under the umbrella of a County Task Force on
Arts Education.
LACOE is seeking a Project Director to support implementation of certain
strategies in the Regional Blueprint. Specifically, LACOE has
responsibilities in four critically important areas:
*Providing technical assistance to schools to support arts education
partnerships with nonprofit organizations;
*Providing information about and professional development in the Visual and
Performing Arts (VAPA) Standards to all teachers, principals and school
boards;
*Identifying and disseminating quality written year-long arts curricula,
textbooks, support material, and tools for meaningful assessment;
*Assisting the Arts Commission in the development of the on-line portal.
EXAMPLES OF DUTIES:
*Assist the Superintendent in guiding the work of a subcommittee of school
districts in implementing the recommendations of Arts for All.
*Represent the Superintendent in meeting with regional groups of
superintendents and assistant superintendents to promote the goals of Arts
for All.
*Work with district boards of education and superintendents to achieve
understanding of the VAPA standards.
*Coordinate the distribution of information about the standards, strategies,
and other aspects of the blueprint through LACOE's web site.
*Develop strategies for the creation of partnerships with nonprofit
organizations and share them with school district superintendents and boards
of education.
QUALIFICATIONS/EDUCATION:
*Experience as either a school board member in a public school district or
an assistant superintendent or superintendent of a public school district
desirable.
*Experience as a teacher of the arts in one of the following subject areas:
dance, music, theater, or visual arts.
LICENSE OR CERTIFICATE:
Possess or be eligible to possess and maintain a valid California K-12
teaching credential. Applicants who have not served in California public
schools within the past 39 months must pass the California Basic Education
Skills Test (CBEST) within one year of employment.
SALARY AND BENEFITS:
2002-2003 Salary Schedule
Range 30 - $3,573 to $4,180 (50% position)
Benefits include health and dental coverage for employee and dependents,
vision coverage for employee alone, and $25,000 in life insurance.
WORK YEAR:
Duty year is July 1 - June 30, with a start date to be negotiated; 123
workdays including 12 paid vacation days accrued at the rate of one per
month.
SELECTION PROCEDURE:
Applicants with the highest qualifications as determined by a training and
experience appraisal committee will be invited to present their personal and
professional qualifications to an interview appraisal committee. The top
candidates, ranked by the interview appraisal committee, will constitute the
list of eligible candidates from which the appointment shall be made by the
division administrator.
APPLICATION INSTRUCTIONS:
Interested, qualified persons are invited to submit an on-line employment
application and resume to Human Resource Services, ECE-102, by Friday, June
20, 2003. Applicants are responsible for having a placement file or three
current (within 12 months) letters of reference forwarded to Human Resource
Services by the deadline date. Resumes and letters of interest may be
attached electronically or sent by U.S. mail to: Los Angeles County Office
of Education, Human Resource Services, 9300 Imperial Hwy., ECE-102, Downey,
CA 90242-2890. Phone (562) 803-8577.
Accommodations for Disabled: If you require special accommodations due to a
disability, please inform the Human Resource Services office so we can meet
your needs.
Code No. 061-016
Ayanna Hudson
Arts Education Director
Los Angeles County Arts Commission
500 West Temple Street, Room 374
Los Angeles, CA 90012
213-974-1343 (phone); 213-625-1765 (fax)
www.lacountyarts.org